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I don't have to sell my soul
He's already in me
I don't need to sell my soul
He's already in me
I want to be adored
I want to be adored
I don't have to sell my soul
He's already in me
I don't need to sell my soul
He's already in me
I want to be adored
I want to be adored
Adored
I want to be adored
You adore me
You adore me
You adore me
I want to
I want to
I want to be adored
I want to
I want to
I want to be adored
I want to
I want to
I want to be adored
I want to
I want to
I gotta be adored
I want to be adored
He's already in me
I don't need to sell my soul
He's already in me
I want to be adored
I want to be adored
I don't have to sell my soul
He's already in me
I don't need to sell my soul
He's already in me
I want to be adored
I want to be adored
Adored
I want to be adored
You adore me
You adore me
You adore me
I want to
I want to
I want to be adored
I want to
I want to
I want to be adored
I want to
I want to
I want to be adored
I want to
I want to
I gotta be adored
I want to be adored
Lyrics submitted by soundgoround
Track duration: 04:53
"I Wanna Be Adored" as written by Ian George Brown, John Squire
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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from Uncut ian brown In early 1990, you appeared to be expressing self-doubt in interviews, casting aspersions on the fickle nature of pop music. How come?
"Maybe I was worried because it was all getting too much. We were getting things like 'These are four Jesus Christs', and I wanted to keep it real. That was the hardest thing for me: 'Don't worship me'. But it's impossible; if you refuse someone an autograph they get upset. Everyone misinterpreted 'I Wanna Be Adored'. It never meant I wanted to be adored. It was a song about sin. I never personally gave a fuck about being adored. The star was the audience. I wanted, and I still want, to finish the days where people are looking up at Bono or whoever. It's a reaction against that pampering, limousine, coked-up thing. We wanted to kick over those icons."
Two points have been touched on that together complete the formula. A) The stone roses loved to project uber confidence and rightly so, they were in possesion of some incredible material at this point.
B) John Squire specifically is an incredible and underatted guitarist and the routes of his style can be traced to blues so we can safely assume that he is a fan and a student of the blues.
Robert Johnson would no doubt have been an influence on the whole band but specifically John Squire, Squire would no doubt have been aware and probley intrigued in the story of robert johnsson giving his guitar to the devil who in turned tuned it and gave it back to him instantly giving him the ability tyo play the incredibly compley lix that he became famous for.
It's the first song on the first stone roses album, after the intro the opening line is preceeded by an incredible rift from squire and followed by "i dont need to sell my soul he's already in me" its tongue in cheek - it's saying im good enough already, i dont need a deal with the devil to improve" its a statement of intent and the structure continues throughout the song.
It's incredible, i have listened to and loved this album for years but only last night did i join the dots....hence me finding this website and posting.
As for the fella who thinks this about bum love.......really? i dont think so mate - cant really see these lads sitting in a garage and discussing that concept....have you heard pushing an elephant up the stairs by REM - now that is about crafty butchers!
peace.