Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
Waiting
In the calm of desolation
Wanting to break
From this circle of confusion
Sleeping
In the depths of isolation
Trying to wake
From this daydream of illusion
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
It challenges the essence of my soul
And leaves me in a state of disconnection
As I navigate the maze of self control
Playing a lion being led to a cage
I turn from a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Playing a lion being led to a cage
I turn from surreal to seclusion
From love to disdain
From belief to delusion
From a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
In the calm of desolation
Wanting to break
From this circle of confusion
Sleeping
In the depths of isolation
Trying to wake
From this daydream of illusion
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
It challenges the essence of my soul
And leaves me in a state of disconnection
As I navigate the maze of self control
Playing a lion being led to a cage
I turn from a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
Playing a lion being led to a cage
I turn from surreal to seclusion
From love to disdain
From belief to delusion
From a thief to a beggar
From a god to God save me
How can I feel abandoned even when the world surrounds me
How can I bite the hand that feeds the strangers all around me
How can I know so many
Never really knowing anyone
If I seem superhuman
I have been
Misunderstood
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Step
Ministry
Ministry
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
If you believe this song was written about Jesus then you have misunderstood. This song speaks of the difficulties of living with mental illness, interpersonal and emotional struggles. As someone living with Borderline Personality Disorder this song speaks to me on a level that can't just be coincidence. Feeling abandoned even when my friends and family try to support me, at times completely disconnecting and struggling to regain my sense of identity. Feeling empty and alone, feeling that no one understands you and you don't understand anyone. Isolating yourself because of the intense swings of emotion that follow interpersonal relationships. Going from euphoric to suicidal, from loving someone to hating someone, from feeling completely in control to a complete mess as if someone flicked a switch. Waiting, never really knowing when the next episode will hit, confused because the triggers sometimes don't even make sense. Anger at the world and people around you, with no real reason as to why your angry with them. A constant struggle with self control, pretending that nothing phases you, that you are impervious, while you are tearing yourself apart internally. I would suggest that John Petrucci has been close to someone living with BPD and was inspired to write a song about their affliction.
Congratulations, I think that's exactly the essence of the lyrics. In case you don't know, the whole album "Six Degrees of Inner Turbulence" talks about these kind of turbulences, like mental illness, alcoholism, depression,etc.
imho your spot on...<br /> <br /> having bdp/adhd myself, this song just feels like it. its extremely dangerous for me.<br /> listening to it, i loose control almost instantly and drift away into the abyss...<br />
@pluu I can relate to that, both your answer and the song. I have (Am?) ADHD and my whole life is just a nightmare.
Everyone here is completely off track here. This song is based on the movie "The Last Temptations of Christ" according to JP. Some reason to this is because of the line:
"I turn from a theif to a beggar, from a god to god save me"
Because as the story goes, Jesus was crucified in between a thief and a beggar....so he could literally "turn" from a theif to a beggar. I have always looked at the song as being sung as if Jesus were in the first person. I dont' think it is meant to be any significant religious statement on JP's part, just a clever song that was based off a movie.
The first two paragraphs, "Waiting" and "Sleeping" could be when he was in the garden praying and asking God to remove His burden while his disciples slept.
The chorus explains how Jesus set out to become the model for a Godly person and provide redemption for humanity, but everyone expected him to be the Messiah that ruled like a king. That's not what happened, and therefore he was "misunderstood".
I completely agree. I kind of had that thought when I first heard the song. I wonder if perhaps the song was written to reflect a more human Jesus, a more historical Jesus, what his final thoughts might have been in actuality.
hasn't it been said somewhere that this song, written by John Petrucchi, is actually a description of himself. He's trying to tell DT fans that even though he may seem superhuman, this is a misunderstanding. It actually fits really well if you think about it. Great song too.
\m/ DREAM THEATER \M/
I agree with the spiritual part. As u can see Scenes from a memory, Six degrees, train of thoughts and Octavairuim have one streamlined theme. All talking about spirituality from different views. How do get to the point that they are connected? Six degrees cd 1 starts like scenes of a memeory ends, train of thoughts begins like cd 2 of the six degress and the first piano tone fits exatly the missing last tone in the last song of the train of thoughts. I have always loved dream theaters' love for detail in everyway. First Scenes From A Memory introduces us to the "soul" spiritual part, kind of a dream thought "Wake up nicholas" at the end of the album tells me somehow that it it is a thought of dreams that the spirit goes on. HOwever the next album Six Degrees of inner turbulence talks more about the psychological side of "spirits". Ethic and moral. Whereas train of thoughts deal with how people handle sprituality, "abuse" it or suffer from it. What octavarium acutally is about....hell i haven't figured that out yet.
actually, scenes from a memory is written as a play where a man find's himself the reincarnation of a girl murdered in the 20's or something, and he wants to figure out her story so he goes to a therapist. He delves into his mind and finds out her story of how she was murdered. Afterwards, since he has found peace, he goes home and sleeps. the therapist follows him to his house and wakes him up and kills him. it turns out that the therapist was a reincarnation of THE MURDERER ALL ALONG OOOOOOOOOOOOOOOOOOOOHOOHOOOHHOHOHOOOOOOOOO! really though, i swear thats what that album is about. look it up. they even performed it while it was being acted out at their Scenes from New York show. i was there
yes enderwggn, that is the story of Scenes From A Memory... however Mozzy is right, SFAM does look at the spiritual and supernatural in terms of the soul- reincarnation, karma etc ("our deeds have traveled far/what we have been is what we are"). and Mozzy buddy you hit the nail on the head- Six Degrees looks at issues in terms of psychology, morality and ethics. as for Octovarium, I am a somewhat new DT fan and look forward to the pleasure of experiencing it.
Has anyone else noted the similarities between the background music in this song and the background music in "Finally Free" when Victoria and Julian are being killed by the Miricle? Maybe I'm looking into things too deeply but there is a real connection. Perhaps its just a coincidence...
no I totally caught that. In fact it reminds me somewhat of the riff Pink Floyd plays on The Wall in the middle of Hey You, at the end of Waiting For The Worms and at the end of The Trial. it's that tragic plunging finale riff, perfect for a culmination. p.s. I featherplucking love this song
I have always believed this song to be about someone lost & disenchanted in their life. They have people around them who seem to think are they stronger then they really are. Deep down inside they feel quite weak and misunderstood & really they are hurting and people around them don't take it seriously. Not only do those around them not take them seriously but worse yet they cast judgement down on them and even mock them. This is beyond frustrating for them. Basically this person is sincerely trying to be understood and the world around them chooses to see them as something other then who they truly are.
Nope, I don't this is about Superman at all, mainly because the story of the Six Degrees of Inner Turbulence album is about genetic manipulations(re: "The Great Debate"), so this might be just about that.
ahhh that true. which part ? 1 or 2? its a possibility that part 2 is a continuation of Scenes From A Memory..maybe. i dunno
i believe that this song also deals with mental ill ness or jsut not living up to things. how quickly emotions can change or how things seem to appear at first, and in teh chours speaking about how can u be alone when everyone sorunds you, or hurting those that fed you, a refrence to those that may love you, adn how u may think you know people when u dont because everyone is a fake in your world, which is wat leaves u in a state of disconnection, mabye the stae of people or the way peopel are leave whoever it is confused
but thats just my opnion, could be wrong
I like this last interpretation. It seems to be in keeping with theme of spiritual disconnection that runs through the rest of the album. From Blind Faith, even to Disappear, the songs seem to be about, to quote Paul Tillich, "The spiritual situation in our technical society."