The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Fitter, happier
More productive
Comfortable
Not drinking too much
Regular exercise at the gym, three days a week
Getting on better with your associate employee contemporaries
At ease
Eating well, no more microwave dinners and saturated fats
A patient, better driver
A safer car, baby smiling in back seat
Sleeping well, no bad dreams
No paranoia
Careful to all animals, never washing spiders down the plughole
Keep in contact with old friends, enjoy a drink now and then
Will frequently check credit at moral bank, hole in wall
Favours for favours, fond but not in love
Charity standing orders on sundays, ring-road supermarket
No killing moths or putting boiling water on the ants
Car wash, also on sundays
No longer afraid of the dark or midday shadows, nothing so ridiculously teenage and desperate
Nothing so childish
At a better pace, slower and more calculated
No chance of escape
Now self-employed
Concerned, but powerless
An empowered and informed member of societ, pragmatism not idealism
Will not cry in public
Less chance of illness
Tires that grip in the wet, shot of baby strapped in backseat
A good memory
Still cries at a good film
Still kisses with saliva
No longer empty and frantic
Like a cat
Tied to a stick
That's driven into
Frozen winter shit, the ability to laugh at weakness
Calm, fitter, healthier and more productive
A pig in a cage on antibiotics
More productive
Comfortable
Not drinking too much
Regular exercise at the gym, three days a week
Getting on better with your associate employee contemporaries
At ease
Eating well, no more microwave dinners and saturated fats
A patient, better driver
A safer car, baby smiling in back seat
Sleeping well, no bad dreams
No paranoia
Careful to all animals, never washing spiders down the plughole
Keep in contact with old friends, enjoy a drink now and then
Will frequently check credit at moral bank, hole in wall
Favours for favours, fond but not in love
Charity standing orders on sundays, ring-road supermarket
No killing moths or putting boiling water on the ants
Car wash, also on sundays
No longer afraid of the dark or midday shadows, nothing so ridiculously teenage and desperate
Nothing so childish
At a better pace, slower and more calculated
No chance of escape
Now self-employed
Concerned, but powerless
An empowered and informed member of societ, pragmatism not idealism
Will not cry in public
Less chance of illness
Tires that grip in the wet, shot of baby strapped in backseat
A good memory
Still cries at a good film
Still kisses with saliva
No longer empty and frantic
Like a cat
Tied to a stick
That's driven into
Frozen winter shit, the ability to laugh at weakness
Calm, fitter, healthier and more productive
A pig in a cage on antibiotics
Lyrics submitted by piesupreme, edited by borzoian53
Fitter Happier Lyrics as written by Jonathan Richard Guy Greenwood Dan Rickwood
Lyrics © Songtrust Ave, Warner Chappell Music, Inc.
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Very weird song, but good. Immediately, you notice that speaker is actually a computerized voice, which lets you know that the lifestyle it describes is too scheduled and perfect according to examples set by "experts" and such that it couldn't possibly be real. He goes on, desribing how fit, happy, and productive he is, and how he's kind to all animals, has a very safe car, is a patient and better driver, eats well, etc... As the song goes along, you notice the tone of the music getting more ominous and sad, hinting that there's still something missing in this "ideal" lifestyle. He says "Concerned, but powerless" which reveals that the speaker can do nothing and is, basically, as he proclaims later like "a pig in a cage on antibiotics". Apparently, living the so-called "Ideal" lifestyle is so dehumanizing that it basically rots your soul into an oblivion, and you basically become a shell of a person, not feeling or loving, which is a fate even worse than death. Man...
Fuck me, great comment.
Indeed it was! This song just brings me down everytime I hear it. It is absolutely amazing.
@deadeye093 it's the most precious song ever written imho.
I definitely hear this as a commentary on our society's tendency toward medicating people into normalcy. Although most of the song describes the blandly idealized lifestyle of the fitter and happier individual, there are lines strewn about that hint at a very dark past for this person.
"No killing moths or putting boiling water on the ants"
"No longer afraid of the dark or midday shadows"
"Slower and more calculated"
and of course... "No longer empty and frantic..."
I think it's these lines that deal with the PAST of this individual that tell the true story. This individual has been medicated somehow, through antidepressants or something, and we are expected to look at their new "calm" lifestyle through the lens of a dark and chaotic past. So from this angle, every positive statement in the poem is really drawing attention to its opposite. I imagine a character who was once unfit, unhappy, drinking too much, not sleeping well, paranoid, etc. And while the medication may have brought them into some state of idealized normalcy, it also took a depressing tax on the person's soul:
"Fond but not in love."
The idea that this is about being medicated is epitomized in the final line. The pig in a cage is a metaphor for a trapped person, who is only surviving through medication, not true freedom. To raise a truly healthy pig, you don't just shoot it up with antibiotics, you give it freedom to graze. I suppose for the person, true freedom would mean a release from the bleak and suppressive expectations of our culture, like settling down, becoming a parent, being responsible and following a routine (all things the song alludes to). But instead this person is medicated and conforms to the prescribed path, driving a safer better car, raising a child in some traditional manner, with only the memory of an "empty and frantic" past.
As other people have mentioned, there is really way too much to say about this song. You could write a whole essay on it. On top of this general analysis there are the interesting contradictions, repetitions and juxtapositions:
"Concerned, but powerless. An empowered and informed member of society."
"Not drinking too much" ... "Enjoy a drink now and then."
"Will not cry in public" ... "Still cries at a good film"
"Fond but not in love" ... "Still kisses with saliva"
I think these are meant to express the bizarre hypocrisies, contradictions and double-standards in what our culture considers normal, acceptable behavior.
It's dark stuff. Given that Thom has spoken about his own experiences with depression (especially around the time of OK Computer), I would imagine these ideas come from deep within his own thoughts and feelings.
Incidentally, the song reminds me lyrically of Nirvana's "Lithium." I think Lithium does not have as much poetic depth or subtlety (I don't blame it considering it's written as a rock song, not a poem over music like "Fitter Happier"), but both songs dwell on the calming effects of medication by making ironic juxtapositions and contradictions. The Nirvana line "I'm so horny, but that's okay my will is good" reminds me of lines in this song like "fond but not in love." Both evoke an emotion but show that it has been blunted into a passive and weaker state, while ironically casting this in a positive, yet unsettling light.
beautifully and boldly written. i sent this to my kids for their homeschooling today.
this song(?) depresses me more than any other Radiohead or Eels song combined. truly some hopelessly powerful imagery here.
As has been said, the lyrics for this song were taken from magazine clippings, and read by a Macintosh computer. The lyrics, taken right from the horse's mouth, show us what we have taken to believe as the ideal lifestyle. A lifestyle where we are all fitter, happier, and more productive. But the final line gives us a twist: it shows us what we've really become: a pig in a cage on antibiotics. The perfect tongue-in-cheek line to slap us all in the face with.
We've given our lives away. We didn't lose them, they weren't stolen, we handed them away. We handed them to the very magazines that Thom got his lyrics from. We turn to them to learn how to live our lives. We turn to them to learn what the ideal lifestyle is. And as a result we are all identical slaves. We are all pigs in cages on antibiotics. Because we have stopped thinking for ourselves and deciding the best way to live our individual lives. Now we have no individual voice, just the voice of the computer that we are shackled to. We have no words, for we have given them to the magazines which must now provide our lyrics.
We are not men. We are enslaved pigs with computerized voices, taking antibiotics because we're told they will help.
This is a good one. This is the prototypical lifestyle-- the ideal. But throughout it is clear something isn't quite right-- clues leak out here and there, and become increasingly desperate as the piece continues. Our speaker is about to burst. There's really too much to say about this one.
We are trapped by the life we aspire to; the life we aspire to traps others. To be healthier, we have to cage pigs to produce our insulin; billions of chicken eggs to produce our vaccines. I think Thom Yorke is quite aware of this - it resonates when you hear him say "all the unborn chicken voices in my head" during Paranoid Android.
As we get older we laugh at the naivete of youth and favour pragmatism, not idealism. We revile the desperation that comes with our failure to reach our previous ideals. We know we are failures - as we age, we idealize a "sensible" lifestyle and herald the "ability to laugh at weakness" - it's a shared joke among adults. We are all failures. We are so enervated by failure that we don't feel anymore. We just spout common-sense attitudes and lifestyle tips at each other in our old age.
There is a deep dissatisfaction that nobody will talk about as we head into old age and death - like a cat, tied to a stick, that's driven into frozen winter shit. Dying cold and alone and trying not to think about it.
This is always a good listen.
This was a sort of "90's checklist" they wrote up for a song, then Thom Yorke happened to try out the speech function on the old iMac and thought it sounded right for this. The piano is indeed Thom Yorke playing drunk, and the rest of the track was built around these two things. It seems to me that the track isn't necessarily about "fitting in" or being the "perfect citizen," since this list of things doesn't really seem to fit either of those two molds. It's more like a series of catchphrases, thoughts, and ideals from the 90's. It's haunting (some say depressing), but not purely negative: it's more like nostalgia that's missing the positive filter: it's a society of people confusedly trying to figure out who to be, and what to do, to be happy, and being just about as successful as every other generation.
Fitter or Happier?
I'd just like to add this one thing. Today I was listening to this song and I came to line "tires that grip in the wet / shot of baby smiling in back seat" and I had a vision.
It was an old car commercial for brand new expensive tires. The scene was a car climbing a mountain in a torrential downpour. It was cut like an action movie almost, the car weaving, narrowly avoiding danger on account of these hi-tech tires that funnel water out with increased efficiency. Then, the last shot of the advert is a baby, strapped in the back seat, smiling.
I thought, Thom was probably watching tele one day (most likely stoned) and felt something profound and disturbing upon seeing this ad. If I had to guess, it's to do with the emotional manipulation employed by modern advertising--shamelessly guilting parents into springing for better tires, for the sake of their precious children. It's capitalism ruthlessly plucking at our vulnerable heart strings. That commercial, that IMAGE is a microcosmic example of the subtle, encroaching darkness that is enveloping our society. And I believe, that subject is mostly what Fittier Happier, and Ok Computer, and even Radiohead are about.
I've heard Thom say that this song has to do with rather bleak rules for the 90's that were sort of implied by the culture. As in, you must do these things to be a good person. Certainly most of the song is easy enough to fit into that framework (with a few good ol Yorke strangeness tossed in). I think having the expensive tires to protect your children aligns with that pretty well.
I know it's a stretch to think Thom's seen that very commercial, but it's fun to think so anyway... :)
Hi, excellent analysis, nothing ridiculous about it at all. That's exactly the kind of media snippet that Thom would pick up on. Being stoned can help reach these insights, but with practise you can see clearly when totally sober. 'Fitter Happier' is undoubtedly about coercion and manipulation by advertising and market forces - 'on Sundays ring road supermarket' being my favourite line as it pre-empted Ikea culture. As Thom once said, 'nobody uses words like happy and sad. Unless they're in advertising', which could be used as a subtitle to Fitter Happier. Explore all Radiohead songs in the way that you have with this one, and you stand a fighting chance of escaping the encroaching darkness.
Every time I listen to this song it reminds me my "Rubik" , If you have already solved the Rubik's cube so you know that there are some formulas (RU'R'U and ...) for solving but when you finish that you are not happy , you feel like computer or robot !
@Paymaan makes you think