"The end of Laura has these fading orchestral, minimal low notes, and moving into Winter Fields seemed to work because it's a similar set-up which is bass flutes and low cellos. They kind of relate to each other in some ways, but Winter Fields becomes much more rousing and moves into that English landscape place. I think it's the most nostalgic track on the record, harkening back to my memories of childhood, being in the back of a car driving through country lanes as it's snowing, looking out over the fields. Those real childhood depictions of the English landscape. It's a little bit haunted, lost in the flurries of snow."
Natasha explained it to Qthemusic:
"The end of Laura has these fading orchestral, minimal low notes, and moving into Winter Fields seemed to work because it's a similar set-up which is bass flutes and low cellos. They kind of relate to each other in some ways, but Winter Fields becomes much more rousing and moves into that English landscape place. I think it's the most nostalgic track on the record, harkening back to my memories of childhood, being in the back of a car driving through country lanes as it's snowing, looking out over the fields. Those real childhood depictions of the English landscape. It's a little bit haunted, lost in the flurries of snow."