In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Hello Dan, it's Joe here, I hope you're keeping well
It's the 21st of December, and now they're ringing the last bells
If I get good behaviour, I'll be out of here by July
Won't you kiss my kids on Christmas Day
Please don't let 'em cry for me
I guess the brothers are driving down from Queensland
And Stella's flying in from the coast
They say it's gonna be a hundred degrees, even more maybe
But that won't stop the roast
Who's gonna make the gravy now?
I bet it won't taste the same
Just add flour, salt, a little red wine
And don't forget a dollop of tomato sauce for sweetness and that extra tang
And give my love to Angus and to Frank and Dolly
Tell 'em all I'm sorry I screwed up this time
And look after Rita, I'll be thinking of her early Christmas morning
When I'm standing in line
I hear Mary's got a new boyfriend, I hope he can hold his own
Do you remember the last one?
What was his name again?
Just a little too much cologne
And Roger, you know I'm even gonna miss Roger
'Cause there's sure as hell no one in here I want to fight
Oh praise the Baby Jesus, have a Merry Christmas
I'm really gonna miss it, all the treasure and the trash
And later in the evening, I can just imagine
You'll put on Junior Murvin and push the tables back
And you'll dance with Rita, I know you really like her
Just don't hold her too close
Oh brother please don't stab me in the back
I didn't mean to say that, it's just my mind it plays up
Multiplies each matter, turns imagination into fact
You know I love her badly, she's the one to save me
I'm gonna make some gravy, I'm gonna taste the fat
Tell her that I'm sorry, yeah I love her badly
Tell 'em all I'm sorry
And kiss the sleepy children for me
You know one of these days, I'll be making gravy
I'll be making plenty, I'm gonna pay 'em all back
It's the 21st of December, and now they're ringing the last bells
If I get good behaviour, I'll be out of here by July
Won't you kiss my kids on Christmas Day
Please don't let 'em cry for me
I guess the brothers are driving down from Queensland
And Stella's flying in from the coast
They say it's gonna be a hundred degrees, even more maybe
But that won't stop the roast
Who's gonna make the gravy now?
I bet it won't taste the same
Just add flour, salt, a little red wine
And don't forget a dollop of tomato sauce for sweetness and that extra tang
And give my love to Angus and to Frank and Dolly
Tell 'em all I'm sorry I screwed up this time
And look after Rita, I'll be thinking of her early Christmas morning
When I'm standing in line
I hear Mary's got a new boyfriend, I hope he can hold his own
Do you remember the last one?
What was his name again?
Just a little too much cologne
And Roger, you know I'm even gonna miss Roger
'Cause there's sure as hell no one in here I want to fight
Oh praise the Baby Jesus, have a Merry Christmas
I'm really gonna miss it, all the treasure and the trash
And later in the evening, I can just imagine
You'll put on Junior Murvin and push the tables back
And you'll dance with Rita, I know you really like her
Just don't hold her too close
Oh brother please don't stab me in the back
I didn't mean to say that, it's just my mind it plays up
Multiplies each matter, turns imagination into fact
You know I love her badly, she's the one to save me
I'm gonna make some gravy, I'm gonna taste the fat
Tell her that I'm sorry, yeah I love her badly
Tell 'em all I'm sorry
And kiss the sleepy children for me
You know one of these days, I'll be making gravy
I'll be making plenty, I'm gonna pay 'em all back
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Thursday
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
This song, I think, typifies the feelings that lots of people have when they 'cant be home for Christmas'. That gut renching feeling of loss.
On a brighter note, tried the recipe and the "dollop of tomato sauce for sweetness and extra tang" does work! and that's Australians for you. Nothing will Stop the Christmas Roast - not even the weather. Good one, as usual Paul!
Sorry alimac, but this song has a much more literal meaning... Paul Kelly is telling the story of a man in jail (why he's there is never revealed), missing Christmas with his family. He's scared of many things, but he also wishes that his kids remember him and love him for who he is, not what he did. It's a beautiful sad song, but it still has some very funny bits when talking about his extended family. It sums up an Australian Christmas very well, with the hot weather but insistence at sticking to a traditional Christmas meal.
i think this is a really great song, its pretty obvious about the meaning the song really explains it all, its just about a guy in jail who is going to be missing chrissie with his family
This song is more about new Prisoners than anything. what i mean is when you first enter prison all you can think about is the people and thing that you left on the outside. Thats the real sence I get from this song because he talks about the entire family in an affectionate way aspsialy "I'm even gonna miss Roger 'Cause there's sure as hell no one in here I want to fight"
@AAPCounsel I think it's more than just prison. Prison amplifies the loneliness; he obviously can't ring them on the 25th, as it's the 21st, and he's forecasting what they'll be doing.<br /> A soldier or sailor far from home, will relate to these lyrics too.<br /> It's the separation.
wow, this song is amazing. I'm fifteen now, and have been listening to Paul Kelly my whole life. whenever we go on a car trip, we always have songs from the south on. And this means just that little bit more, seeing as my mum's name is Rita and my dad always sings it out loud...
As for the meaning, I think you can take it literally, a man being in prison and not being there for Christmas, or you can take it figuratively. Maybe something has happened, and he can't be there for Christmas.
I have family interstate, that can't be with me at Christmas...this song typifies that sense of distance, the prison theme heightens it incredibly well. The power of this song, for me, lies in the evocative lyrics and how they perfectly match the plaintive and sad tone of the music. The instrumental fits the wording, in pace and structure. Why is he in prison? A clue is a reference to dancing to "Junior Murvin" songs. Never heard of him, and 2 minutes on google revealed that he is a reggae artist, whose first album is called "Police and Thieves" ! I love how a songwriter can bury something in another layer of a song, in such a subtle way.
A great Australian Christmas song. I especially like the reference to Junior Murvin, a reggae singer whose principal claim to fame was Police and Thieves,