While the last two posters' analysis is pretty, I think it misses the mark a lot - this song isn't pretty. It's pretty damn irreverent when you get down to it, the way a lot of Zevon's work is. He's contrasting this great image of the South with the terrible reality. Look at the gritty, vulgar language he uses in the verses, contrasted with the reverence of the chorus. Mixed with the way the music actually sounds, it comes off a lot more sarcastic and cutting. Rather than admiring popular culture for helping people make it through suffering, he's attacking them for saying that the South is a wonderful, great place when there's so much hardship everywhere.
While the song isn't anti-redneck, it's still pretty harsh. He's saying that popular music is stupid for ignoring the problem, but also saying that the people are stupid for letting the music lull them into the concept that everything is just a-ok because they're Southern. Play it all night long.
While the last two posters' analysis is pretty, I think it misses the mark a lot - this song isn't pretty. It's pretty damn irreverent when you get down to it, the way a lot of Zevon's work is. He's contrasting this great image of the South with the terrible reality. Look at the gritty, vulgar language he uses in the verses, contrasted with the reverence of the chorus. Mixed with the way the music actually sounds, it comes off a lot more sarcastic and cutting. Rather than admiring popular culture for helping people make it through suffering, he's attacking them for saying that the South is a wonderful, great place when there's so much hardship everywhere.
While the song isn't anti-redneck, it's still pretty harsh. He's saying that popular music is stupid for ignoring the problem, but also saying that the people are stupid for letting the music lull them into the concept that everything is just a-ok because they're Southern. Play it all night long.
Also, Warren Zevon is awesome. AWESOME.