Lyric discussion by betaraywil 

Actually, if you look at the language of the song, you end up with a much different interpretation. It's made primarily of feminine rhymes ("curtain"/"certain" "shouting"/"about me") in relatively forced context ("of this much, I am certain"), which are, in English, pretty awkward. Furthermore, the lines are delivered a repetitive, plodding tone, and even the bridge (such as it is) is just an instrumental repetition of the verses until it becomes a cacophony. Finally, the entire album is full examples of slow verses that lead into moving choruses (put to much better use in “Shanty for the Arethusa” and “The Gymnast, High Above the Ground”) but all of the other songs that use this basic formula manage to do so without becoming tedious, while these lyrics are plodding and self-indulgent. Taken together, they sort of indicate that the speaker isn't really someone to be revered. He's a poor lyricist, an unimaginative songwriter and audacious enough to declare that he's a child of destiny without really showing anything for it. Maybe it's just because I know so many, but it seems as though it's a self-indulgent art student waiting for his comeuppance, which arrives in the cacophony at the end, unlike Shanty, which ends with a continuation of the baseline, indicating that the corsairs have returned to sea (or something similar), and Gymnast, which ends with a repetition in utter calm, indicating that the performance has ended and the excitement of the choruses is over.

That's a really cool interpretaton and i never thought of it that way.

You might want to work on your own wording though. (or use more than one paragraph =D) At first read-through i thought you were insulting meloy, instead of stating the personality of the speaker (which is what i believe you meant to say).

An error occured.