Well, describing any musical element in terms of "only" is kind of pointless, since counting to six can be easy, but breaking any beat into finer and finer divisions coupled with increasingly asymmetrical time signatures can raise the difficulty factor for those players who are not drum machines. The phrasing within the 6/4 time here is well executed, and is remarkable for that, unless you are Bill Bruford, in which case most things are easy-peasy.
Well, describing any musical element in terms of "only" is kind of pointless, since counting to six can be easy, but breaking any beat into finer and finer divisions coupled with increasingly asymmetrical time signatures can raise the difficulty factor for those players who are not drum machines. The phrasing within the 6/4 time here is well executed, and is remarkable for that, unless you are Bill Bruford, in which case most things are easy-peasy.
It's only 6/4, not that remarkable, so does it really matter who came up with it? Anyway this is one of my favorite songs.
Well, describing any musical element in terms of "only" is kind of pointless, since counting to six can be easy, but breaking any beat into finer and finer divisions coupled with increasingly asymmetrical time signatures can raise the difficulty factor for those players who are not drum machines. The phrasing within the 6/4 time here is well executed, and is remarkable for that, unless you are Bill Bruford, in which case most things are easy-peasy.
Well, describing any musical element in terms of "only" is kind of pointless, since counting to six can be easy, but breaking any beat into finer and finer divisions coupled with increasingly asymmetrical time signatures can raise the difficulty factor for those players who are not drum machines. The phrasing within the 6/4 time here is well executed, and is remarkable for that, unless you are Bill Bruford, in which case most things are easy-peasy.