I find the tone troubling. It takes pleasure in this girls fall from grace or inocence. It not compassionate at all. There seems to be a pleasure in taking her as low as possible- making deals with the mystery tramp presumably for a little company or place to stay or protection. Its cruel epiloge to a loss of innocence with no hope or redemption. No idealism or beauty. Almost a curse of fortune upon someone yet to fall- "Now, How Does This Feel, Bitchl"? The Jimi Hendrix version is even more so when he adds: "Look at ya!"
I find the tone troubling. It takes pleasure in this girls fall from grace or inocence. It not compassionate at all. There seems to be a pleasure in taking her as low as possible- making deals with the mystery tramp presumably for a little company or place to stay or protection. Its cruel epiloge to a loss of innocence with no hope or redemption. No idealism or beauty. Almost a curse of fortune upon someone yet to fall- "Now, How Does This Feel, Bitchl"? The Jimi Hendrix version is even more so when he adds: "Look at ya!"
google Edie Sedgwick...Andy Warhol screwed her out of all her...wealth. it's a really tragic story. Also see 'Factory Girl'
google Edie Sedgwick...Andy Warhol screwed her out of all her...wealth. it's a really tragic story. Also see 'Factory Girl'
welcome to reality- harsh, perhaps, but reality. Also, a mocking tone- the protagonist is now the victom of what she had once mocked.
welcome to reality- harsh, perhaps, but reality. Also, a mocking tone- the protagonist is now the victom of what she had once mocked.