Hey Jupiter is about the pain of separation that Amos says is very much about a real man. "I was at my lowest. I was at a hotel in Phoenix, and I realized that for once there wasn't a man I could turn to."
"well, i was really in a bind because, um, i was doing some bad things. i was in a love triangle with these, uhh.., i don't know if they were real men now...i'm not...i'm confused about the whole thing! let's see , i was lying in bed...um, strange things happened to you on tour. like strange englishman start sitting at the end of your bed, apparitions of dead guys . and they start singing songs to you. and this guy was definitely dead, and he was definitely singing to me. um, so i'm confused about the copyright laws. i'm not sure if i need to call his ex-wife and give him part of the song or not. but, why should i do that! she's rich...she's not nice. and so, anyway, i kept the copyright, the guys forgot who i was, and the song's mine."
[answer to question of the circumstances surrounding the writing of Hey Jupiter, VH1 Storytellers]
"When we hit Muhammad you realize we've just taken a bend in the road. The first half of the record is about her descent in to the horror; she's got to find another way of looking at herself. On Hey Jupiter, she knows the way she has looked at relationships with men and put them on a pedestal is over. There's a sense of incredible loss because I knew that I would never be able to see the same way again. It's freeing, and [yet] there's a sense of grieving with that."
Hey Jupiter is about the pain of separation that Amos says is very much about a real man. "I was at my lowest. I was at a hotel in Phoenix, and I realized that for once there wasn't a man I could turn to."
"well, i was really in a bind because, um, i was doing some bad things. i was in a love triangle with these, uhh.., i don't know if they were real men now...i'm not...i'm confused about the whole thing! let's see , i was lying in bed...um, strange things happened to you on tour. like strange englishman start sitting at the end of your bed, apparitions of dead guys . and they start singing songs to you. and this guy was definitely dead, and he was definitely singing to me. um, so i'm confused about the copyright laws. i'm not sure if i need to call his ex-wife and give him part of the song or not. but, why should i do that! she's rich...she's not nice. and so, anyway, i kept the copyright, the guys forgot who i was, and the song's mine." [answer to question of the circumstances surrounding the writing of Hey Jupiter, VH1 Storytellers]
"When we hit Muhammad you realize we've just taken a bend in the road. The first half of the record is about her descent in to the horror; she's got to find another way of looking at herself. On Hey Jupiter, she knows the way she has looked at relationships with men and put them on a pedestal is over. There's a sense of incredible loss because I knew that I would never be able to see the same way again. It's freeing, and [yet] there's a sense of grieving with that."
The remark about "strange Englishmen" and "apparitions of dead guys" is a reference to John Lennon and a slam at Yoko Ono.
The remark about "strange Englishmen" and "apparitions of dead guys" is a reference to John Lennon and a slam at Yoko Ono.