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Papa Was A Rodeo Lyrics
I like your twisted point of view, Mike
I like your questioning eyebrows You've made it pretty clear what you like It's only fair to tell you now that I leave early in the morning and I won't be back till next year I see that kiss-me pucker forming but maybe you should plug it with a beer, 'cause Papa was a rodeo Mama was a rock'n'roll band I could play guitar and rope a steer before I learned to stand Home was anywhere with diesel gas Love was a trucker's hand Never stuck around long enough for a one-night stand Before you kiss me you should know Papa was a rodeo The light reflecting off the mirror ball looks like a thousand swirling eyes They make me think I shouldn't be here at all You know, every minute someone dies What are we doing in this dive bar? How can you live in a place like this? Why don't you just get into my car And I'll take you away I'll take that kiss now, but Papa was a rodeo Mama was a rock'n'roll band I could play guitar and rope a steer before I learned to stand Home was anywhere with diesel gas Love was a trucker's hand Never stuck around long enough for a one-night stand Before you kiss me you should know Papa was a rodeo And now it's 55 years later We've had the romance of the century After all these years wrestling gators I still feel like crying When I think of what you said to me: "Papa was a rodeo Mama was a rock'n'roll band I could play guitar and rope a steer before I learned to stand Home was anywhere with diesel gas Love was a trucker's hand Never stuck around long enough for a one-night stand Before you kiss me you should know Papa was a rodeo," What a coincidence Your papa was a rodeo, too
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10-07-2004
Also, just a personal connection with this song-- I was walking around my college campus on one of the first nice-weather days last spring, and I heard "Never stuck around long enough for a one-night staaaaaa-a-aaaa-a-a-aand" (both the song AND someone singing along) floating out of a frat lodge window... probably the best day ever.
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07-05-2005
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06-02-2006
its a great song.
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08-10-2006
then the last verse/chorus is him looking back on having found another of the same type, who he could wander with, and have both that steady other and the lifestyle he knew. hence he "still feel[s] like crying" when he remembers the moment that the girl (?) answered back, "well, i'm that way too."
aww...
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09-05-2006
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09-07-2006
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11-21-2006
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04-06-2007
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05-20-2007
I fell in love with this song after seeing live performances first at NYU and a month later at Town Hall in NYC. Stephin Merritt had his quintessential "the most depressed man on the planet" facial expression and he did hand gestures for every line of the chorus (making like he's holding a gas pump during "diesel gas" etc.). If anyone hasn't seen this band live, be prepared for your obsession to elevate to new levels, although the last time I spoke to him at a bar, he said they're never touring again unless someone invents new technology for his hearing to get better (the noise inside the moderately loud Beauty Bar was the most he could take, he said).
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10-12-2007
i don't know many people that agree with me, but what i've always gotten from this song is the sense of a childhood->life whose father figure aka manliness was derived from the rodeo, and emotions or motherly things from music.
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04-12-2008
father/mother thing makes a certain amount of sense - though if he meant to reference gender stereotypes that strongly, i would imagine it was tongue-in-cheek
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04-24-2008
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08-13-2008
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08-13-2008
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09-09-2008
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03-16-2009
I'm not sure myself if they go off together. I'm torn. There's plenty to support this theory. But i love sad songs, and I want them to be as sad as they can be and if they go off together its less sad, and that makes me sad. So maybe that makes the song more sad for me? Now i'm just confused.
I love this song. It is sad.
09-12-2010
We've had the romance of the century" which should clearly imply that they have been together since that first kiss 55 years ago. His tears are tears of joy for having found someone who shares such a powerful childhood bond and with whom he can live happily forever with. If thats sad, than i dont understand the word sad. The only sadness in this song is that both characters seemed to have been left with emotional challenges that stem from their childhood. Overall, it seems to me to be a beatiful, uplifting, and optimistic song.
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05-26-2009
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06-11-2009
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12-03-2009
In other words, the rodeo comparison seems to suggests that the father was mercurial, unpredictable, and perhaps volatile, thus needing to be tamed. On the other hand, the rock-and-roll comparison suggests that the mother probably was absent/distant (i.e., on the road) and unable to provide the singer with comfort and security when it was most needed (i.e., in childhood). I take the lyric: "I could play guitar and rope a steer before I learned to stand" to highlight the singer's awareness of his early attempts to deal with his inadequate parents (i.e., through attempting to tame/avoid his father's wrath and harmonize with his mother to bring her closer). It appears that the singer has learned to deal with his untenable situation through adopting some of his parent's qualities even though these qualities are not fulfilling and limit his ability to fully trust or open up to others. From this early arrangement, the singer has developed insecurities about relationships and expects to be abandoned by others. Thus, to protect himself from the pain of loss, he chooses to take control of the situation and leave others first so that they cannot abandon him after he lets his guard down and invests in them emotionally.
The singer also describes a desire to protect this other person from the pains of loss that s/he may feel in his absence when things get too intimate, unfamiliar, and emotionally overwhelming. To me, it seems as if the singer is projecting his fear of abandonment on this other person as evidenced by his attempts to deescalate the developing romance to protect this other person from the pain of loss. However, somewhat surprisingly, instead of leaving this other person, the singer has revelation: Every moment someone dies so it is time to live in the moment and live with the risk of being hurt again. Perhaps, he realized that the opportunity cost of living so cautiously is an unfulfilled existence. The singer then takes a chance and rationalizes his irrational decision (by his previous standards) through believing that he is removing this other person from a negative environment/situation (i.e., undoing what was done to him). He accepts the kiss (expressed intimacy) with some hesitation and then leaves with the other person.
In hindsight (55 years later), the singer looks back at the consequences of the chance he took in opening up to this other person and becomes emotional. He realizes that the process of engendering "the romance of a century" also entails "wrestling gators" (i.e., overcoming a painful and vicious past relationships) along the way. He also realizes that he is not alone in his struggle to achieve intimacy and is fortunate to have had a partner who was willing to take a chance on him. A partner in which he can identify; a partner who makes him feel understood from having a similar past.
07-14-2010
09-12-2010
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07-19-2010
The crying at the end is not necessarily because Mike is leaving. They've beat the odds and it's bittersweet. I think about happy parts of my life all the time and feel like crying. Same thing happens to lots of people at the end of movies.
I think the "wrestlin' gaters" part is best taken literally.
Sulkowski's post is great.
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09-12-2010
10-17-2010
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