warm bodies I sense

are not machines that can only make money

past perfect tense

words for a feeling and all I've discovered

I'll be along son

with medicine supposed to designed to

make you high

I'll be along son

with words for a feeling and all I've discovered

old bad eyes

old bad eyes

old bad eyes

on loneliness comes

go see the foreman go see the profiteer

on loneliness drives

we're takin' our time movin' shit for

this holy slime

old, bad eyes

old, bad eyes

old, bad eyes, almighty fear

the shepherd won't leave me alone

he's in my face and I

the shepherd of my days

and I want you here by my heart

and my head, I can't start till I'm dead


Lyrics submitted by H-bomb, edited by EllyListens

Pillar of Davidson Lyrics as written by Chad David Taylor Chad Alan Gracey

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

Pillar Of Davidson song meanings
Add Your Thoughts

34 Comments

sort form View by:
  • +4
    General Comment

    I'm gonna go out on a different limb here and suggest the song is more religious than it is about factory work.

    I think the song starts off with ed speaking about tele-evangelists and how they exploit a need for the lonely and insecure to have religion.

    Here goes my rough logic:

    "warm bodies" are the living, off whom the evangelist seeks to make money.

    "past, perfect, tense/ words for a feeling and all I've discovered" describes the bible - a 'perfect' series of words to give you a feeling etc, from a long time in the past.

    It then speaks as the evangelist - 'I'll be along with medicine to help make you high (happy), I'll be along with "words for a feeling and all I've discovered" (the bible)' i.e. i'll make you happy through the bible.

    Next its back to ed, who clearly hates the evangelist and referes to him as 'old bad eyes', the 'foreman' and the 'profiteer'.

    "on lonliness comes/ go see the foreman go see the profiteer" - a person gets very lonely and turns to the evangelist.

    "On lonliness drives/ taking our time, moving shit for this holy slime" - lonliness then drives a person to do what the evagelist (holy slime) wants.

    "old bad eyes, all mighty fear" refers to how the preacher (old bad eyes) uses the fear of the the almighty (god)

    The next verse about the shepherd refers to jesus (the good shepherd). The person from the previous verse finds that jesus is now in his life and won't leave him alone ("he's in my face" etc).

    "and I want you here by my heart and my head" - means he wants to meet jesus.

    "I can't start til i'm dead" - means that he can only do that after he's died.

    The final verse/background lyrics refers to the persons judgement day.

    The 'stallion' with the 'horns' is the devil

    The 'pillar of davidson' is again jesus who according to the bible was a direct descedent of David, making him literally david's son (or grandson many times removed).

    And the verse basically means the bloke is facing his judgement day where the devil is winning and jesus (the pillar of davidson) finds it too hard to go down (to hell) and tread upon all the cheap soles to save him.

    Just my thoughts, but i reckon there is far too much deep and typically ed religious stuff in there for that to be about work at a factory ed has never worked at.

    tomtoroon July 28, 2006   Link
  • +4
    General Comment

    Also the lyrics submitted are obviously from the Awake-The best of Live album because in the Awake albums the song's 4mins. The one on Throwing Copper is six minutes long. I hate when songs are cut short! I bought a CCR greatest hits album and half of Susie Q is cut off. Anyway my favorite part of the song is the background vocals, "here I am locking horns with the stallion failing to hold my head up, I'll go back again pillar of davidson feeling to hard to go down cheaper than all souls he will walk upon deeper and deeper in love so I hold my head up cheaper than all souls he will walk upon pillar of davidson feeling to hard to go down." Great song

    dednotbigsoupriceon November 05, 2007   Link
  • +2
    General Comment

    During a show (1999) they said: “So like I told you, we come from a small town where just about everybody there is doing something for the men, you know what I mean? Busting there ass 9 to 5, trying to rais a family. We wrote this song as a work song for all the people we grew up with. All the people that are busting there ass for the men - that maybe they can sing this song and maybe feel a little bit less lonely”

    tugiton January 24, 2007   Link
  • +2
    General Comment

    (oops...posted this as a reply, but meant to do so as an original post)

    I love this song and believe that it does have religious overtones, and much of it was probably left somewhat elliptical on purpose. Not to act like a 7th grader, but has anyone thought of the possibility that "Locking horns with the stallion" and "Pillar of Davidson feeling [too] hard to go down" might refer to the subject's struggle with sexual urges getting in the way of spirituality, as the subject falls "deeper in love" with the divine, he tries to be honorable "hold my head up" but then feels "cheaper than all the souls he will walk upon" when he cannot successfully conquer his libido...? Maybe I misread it... but I'm loving the discourse! I'm glad I stumbled upon this site.

    ajPratheron June 13, 2009   Link
  • +2
    My Interpretation

    Ed spins a cryptic ballad of contempt for religion,the establishment, perhaps even the state of human consciousness. I find this has been a theme of the whole album. His meaning is abstract but his intensity is centered.

    sp4i6on March 11, 2011   Link
  • +1
    General Comment

    Consider this stanza:

    "The shepherd won't leave me alone, He's in my face and I... The shepherd of my days, And I want you here by my heart and my head -- I can't start till I'm dead."

    It would be quite out of place for there to be a shephard in a song that's only about a motorcycle factory, especially if it's about the drudgery of factory work. A shephard is a common metaphor for Jesus, which then makes sense when the speaker wants him by his heart and his head. He can't start 'till he's dead? That's the basic Christian notion of "dying to oneself" and being reborn in Christ. He can't start letting Jesus into his heart and mind until his own will has died and so can be replaced by that of Jesus (refer to Romans). And, as tomtoro notes, the song's title is a strong image of Jesus as well.

    Ventifacton September 23, 2006   Link
  • 0
    General Comment

    I'm not sure what it is about this song. It's one of my favorite songs on Throwing copper. Maybe it's just Ed's voice or the lyrics but I love it.

    Divine_madnesson May 24, 2002   Link
  • 0
    General Comment

    this song is so complicated but it is so great... i think its about government and how it doesnt take care of people... or at least some kind of authority...

    faydoedeelayon June 06, 2002   Link
  • 0
    General Comment

    Now that you say that...I think you're right! or atleast something similiar to that.

    Divine_madnesson June 30, 2002   Link
  • 0
    General Comment

    i've heard many different literal explanations for this song (i.e.: the factories of york, caterpillar and/or harley davidson; even waco, with my main man dave koresh), but they all have basically the same metaphorical meaning. i sort of relate this song to dave matthews band's "ants marching," because it portrays the same monotonous, regimented life to which ed alludes. the lyrics are actually fairly depressing in that sense. the only reprieve ed suggests is "medicine supposed to...make you high." very frighteningly, ed lastly says "i can't start till i'm dead." conceivably, there is really nothing he could do once dead...exempting, of course, unprovable religious beliefs. regardless, my opinion on the matter is that everything will be started for this subject, once given his freedom from the third-person tyranny he is living

    dollsteaktestmeaton August 15, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.