I seen you go down to a cold mirror
It was never clearer in my era so
You click a shine upon your forehead or
Check it by the signs in the corridor
You light my ways through the club maze
We would struggle through the dub daze

I sink myself in hair upon my lover
It's how you go down to men's room sink
Sad we talk how madmen think
I sink myself in hair upon my lover
I don't know her from another miss
I don't know you from another
See me run now you're gone, dream on

Why you want to take me to this party and breathe
I'm dying to leave
Every time we grind you know we sever lines
Where have those flowers gone
Long time passing
Why you keep it testing, keep on tasking
I keep on asking

Toy-like people make me boy-like
Toy-like people make me boy-like
They're invisible, when the trip it flips
They get physical, way below my lips
And everything you got hoi-poloi like
Now you're lost and you're lethal
And now's about the time you gotta leave all
These good people, dream on

Nicer than the bird up in the tree top
Cheaper than the chip inside my lap top
All the variations you could do with me
Nicer than the girl up in your mind you're free

Automatic crystal remote control
We come to move your soul

You're gonna fade into the background
Like a better smoke'll bring you back round
Like a man slide inside you my dear
Your cheap beer's filled with crocodile tears
See 'em run now you're gone, dream on

Toy-like people make me boy-like
Toy-like people make me boy-like

I found a reason
I found a reason

Dream on
Dream on
Dream on


Lyrics submitted by Seven, edited by denachan

Risingson Lyrics as written by Lou Reed Peter Seeger

Lyrics © Kanjian Music, Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Risingson song meanings
Add Your Thoughts

27 Comments

sort form View by:
  • +7
    General Comment

    this song is not about a chick or a break-up or any of that. it's about the whole clubbing scene. it's about how dancing is pure, but there's all these superficial people slobbering all over each other, and it's about how that applies to everything else on a broader scale, the media, etc. how much are you willing to give in and become a part of something... gross.

    trexauron February 10, 2007   Link
  • +2
    General Comment

    MosDef my favorite Massive Attack song. I just adore it.

    I agree with dougievile. It's basically about a man who's in this circular relationship with someone. Maybe they've been together for a while, but she's changing. He spends time remembering the way things used to be -- "where have all those flowers gone? long time passing."

    Being in the club with her is pretty much the turning point, and proves to him that it needs to end. "I found a reason" to end it with her. And then she'll "fade into the background" with the rest of the people there.

    the_mimeon June 27, 2006   Link
  • +1
    General Comment

    this song is about the character difference between the writer and druggy posers on a scene.

    script kiddieon December 28, 2004   Link
  • +1
    General Comment

    That was an amazing analysis treefingerss, I think you 're definitely thinking on the right lines. One small addition:

    "Nicer than the girl up in your mind you're free"

    could mean the appearance of the 'scene girls' is a pretty front they can escape to, behind which a neurotic or ugly personality lurks?

    What did you make of "Sad we talk of how madmen think" ?

    Cheers!

    peacefrogginon March 14, 2008   Link
  • +1
    General Comment

    Nicer than the bird up in the tree top Cheaper than the chip inside my lap top All the variations you could do with me Nicer than the girl up in your mind you're free

    Blatant comparison to drugs. I think he's offered him some maybe. I must be deeper than that though.

    Voodoo-Peopleon August 20, 2008   Link
  • +1
    General Comment

    They are talking about drugs in the club scene. Cocaine/LSD They seem to be alluding to a woman who is on drugs, possibly OD-ing. 'Lost & Lethal'

    midnightparadeon March 19, 2010   Link
  • +1
    General Comment

    In the song we are introduced to this "girl", his lover. However, this does not mean it is a love, or break-up, song at all. Repeating what "cdagger1024" said, just feel the atmosphere of the song.

    "I seen you go down to a cold mirror It was never clearer in my era so You lick a shine upon your forehead or Check it by the signs in the corridor"

    -- We are introduced to this woman as someone familiar, however, she seems slightly distant. We are "watching" her as she checks her appearance, even in the reflection of signs in the hallway, we pick up on her vanity.

    "You light my ways through the club maze We would struggle through the dub daze"

    -- This suggests that she is the reason he is there in the first place. She is kind of dragging him along with her.

    "I see myself in there upon my lover It's how you go down to the men's room sink Sad we talk of how madmen think I see myself in there upon my lover"

    -- They are getting it on in the bathrooms. 3 main points here:

    a) He is SEEING himself upon her - like a dream, like it's not really him, like it's mechanical. From the alcohol/drugs and club atmosphere in general.

    b) He is UPON her - this is pure lust, they are drugged up, she wants him to take her over, they assuming the traditional gender roles.

    c) She is simply known as "lover" - she has no name, she is nameless, it's purely physical...

    which leads up to the next lines:

    "I don't know her from another miss I don't know you from another"

    -- Confirmation that it's all physical and could also mean that she is, but hasn't always been, like all the other [shallow] girls there.

    "Why you want to take me to this party and breathe I'm dying to leave Every time we grind we know we severed lines"

    -- He doesn't want to be there, and every time they go they end up separated from each other (easy to get lost amongst the crowd).

    "Where have all those flowers gone Long time passing Why you keep me testing, keep me tasking You keep on asking"

    -- What ever happened to how they USED to be? Their relationship seems to have developed into something very shallow and meaningless. The testing might be her asking such questions, or even testing in regards to fidelity.

    "Toy-like people make me boy-like"

    -- All of these attractive, lusty woman around flirting with him make him go back to his "male instinct".

    "They're invisible, when the trip it flips They get physical, way below my lips"

    -- All the woman are basically invisible, he's not really conscious of who they are etc, when the drug sets in/or over powers him.

    "And everything you got hoi-polloi like"

    -- Hoi-polloi refers to "the masses".

    "Now you're lost and you're lethal"

    -- His lover is extremely intoxicated by now and "lost" could be that she is lost literally or figuratively, or both.

    "And now's about the time you gotta leave all These good people...dream on"

    -- The "good people" are the people from the scene.

    "Nicer than the bird up in the tree top Cheaper than the chip inside my lap top All the variations you could do with me Nicer than the girl up in your mind you're free"

    -- I think he's referring to the ladies around him again? Nice, but cheap?

    "Automatic crystal remote control, They come to move your soul"

    -- The sense that everything is being made mechanical by the drugs, and that the whole scene in general is very machine-like.

    "You're gonna fade into the background"

    -- His lover is now just apart of the scene. She is just another one of the scene-sters, invisible.

    "Like a better smoke'll bring you back round Like a man slide inside you my dear Your cheap beer's filled with crocodile tears See 'em run now you're gone...dream on"

    -- Her lust has led her to other men. "Crocodile tears" refers to the deceit. The men run away after they get what want, perhaps?

    "I found a reason I found a reason"

    -- A reason to be "boy-like" maybe? Because there is nothing left to them and what they used to be.

    "Dream on"

    -- Chanted throughout the song... Maybe "dream on", the hope that there is anything left to them?

    Anyways, just some thoughts to mull over on the old noggin. (Always wanted to say that)

    Happy listening - Massive Attack pwnz!

    treefingersson August 17, 2007   Link
  • 0
    General Comment

    This is another awesome song. Massive Attack is great.

    whoring.for.loveon September 22, 2002   Link
  • 0
    General Comment

    this song means a fuckin lot man its about this guy who just cant believe he lost this girl and shes gone and he has to move on in life...and every small thing that he sees is mind fuckin to him

    mindfields1on November 28, 2004   Link
  • 0
    General Comment

    Mindfields1 sums up my thoughts, though rather crudely. In a way, the lyrics remind me of myself.

    Ander Knighton December 01, 2004   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Magical
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.