probably one of the weirdest songs but the best to rock out too.
Led Zeppelin were the fathers of true rock!

One thing that I would like to point out is that the members of Led Zeppelin were friends with the members of Queen and Freddie Mercury's (the lead singer of Queen)sister's name was Kashmira. I wonder if the name of this song isn't somehow linked to her. Any comments?

Definitely inspired by an acid trip. "The storm that leaves no trace" and "traveller through time and space" would be recognized by anyone who has tripped, and don't really describe coke or pot. Same for "not a word could I relate, the story was quite clear": people typically find deep insights on acid which are beyond the ability of words to describe. "I've been flying" and "wasted land" are pretty straightforward.

Other than that, it's really just a hodge-podge of mystical stuff, probably tossed in to follow the successful formula of Stairway to Heaven and to complement the hypnotic, foreign sound of the riff. Shangri-la is the mythical place, situated in the Himalayas, where wise elders lived forever. It would really be stretching things to read anything deep into this. Led Zeppelin aren't known for well thought out or profound lyrics. The main message seems to be that he wants to get back to that state and wants the listener to go there too. It's an invitation to trip, but not to Africa.

The desert imagery is inspired by travels through northern Africa as others have said.

I have listened to this song high and what struck me was that the repetition of the riff really did sound like some kind of spell. I had to shut it off because it creeped me out a little bit, even though I love this song. Could have just been me getting paranoid.

Take a good minute to imagine this. And i'm not even joking around. This is for real. Take it seriously.

The devil or maybe an alien was channeling through jimmy page and the other mates as they enjoyed themselves in the Kashmir region. He immediately claims that he is a traveller of time and space, like a god. He himself may not understand how he wrote this song. And if he was a traveller of time and space then the traveller could have set up their entire trip to kashmir in the first place. [Led Zep was given the words to this song like a shaman is given a vision.] Anyways, the traveller is now in the 1970's and he's describing that where he is from the elders (or creators) who are rarely (Perceived) or seen, talk of their master plan when all will be revealed. He goes on to explain how this language he hears is beautiful and it is soothing to hear; possibly because he helped to create people. (Thousands or [maybe] it was millions of years ago the kashmir region was full of jungles and life unlike the present day desert it remains.) Although he cannot relate to the language, the story is perfectly clear (perhaps he communicates through telepathy). "i been flying mama-" these lines admit to the mother of creation that he's been traveling and he can't deny it. "all i see turns to brown as the sun burns the ground-" these lines refer to the time when kashmir was a lush green jungle and now it has turned into a desert. It's lamenting about the status and what's going on to the world, he has been here before but can't figure out where he was in this desert because it wasn't a desert before.

Oh, pilot of the storm who leaves no trace
Like thoughts inside a dream
Heed the path that led me to that place
Yellow desert stream
My Shangri-La beneath the summer moon
I will return again
Sure as the dust that floats high in June
When movin' through Kashmir

O great creator who leaves no evidence. Pay attention to my trail. That led to my paradise beneath the moon. I will return again. When (jimmy page) moves through or out of kashmir.

O creator of the universe. Take me back across the years. I don't want anything but your open face, possibly talking about the opening of the 3rd eye which in hindu i believe, when shiva opens his 3rd eye the world will be annihilated. And there will be great fear of this. While i am on my way back, you will have to stay here on earth. "Let me take you there." repeated about 3 times. Perhaps the traveler's plea to bring us to this place he has come from to the creator, the pilot of the storm (chaos), the father of the winds. Or perhaps we must release our beliefs and allow him to take us away.

He is speaking to me. And he is speaking to you by speaking through me.

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hahaha... it makes me laugh to see how seriously all you fan boys take these lyrics... you can tell the guys in Led Zeppelin don't take anything too serious... just to piss you off, I'll make one of those blanket statements you hate... ha, ha.... The song is about the Kashmir region, where opium poppies are grown. This is the reason the US invaded Afghanistan, the Taliban stopped all production of opium, when Afghanistan was formerly the largest producer of opium in the world... within a year of American occupation, the opium production levels were almost back to where they were before the Taliban regime took power. Pakistan is the second largest producer of opium, also Burma and Thailand. I guarantee it... Just as, back in the 60's, the CIA ordered the production of enough LSD to keep every person in America stoned for the rest of their lives... look it up on Wikipedia.

The song is about heroin.

Listen to that tense, repeating guitar riff, the chord progression rising higher and higher, then repeated for effect. It's not a beautiful song, it's not even a pretty song. It's a song about someone who's cranked up on dope, then they're "down" after they've been "flying high". When he says, "Oh, I been flying... mama, there ain't no denyin'" What's there to deny? One wouldn't necessarily want to deny, say, an astral trip, but there's definitely a reason why someone would want to deny shooting dope, especially to their mama.

Probably, most likely, the whole band was shooting dope and dropping acid at the same time when they came up with the inspiration for this song.

did any one ever thing that kashmir is a name of a girl and when they say there moving though kashmir it a sex reference and even though the name is of indian decent the chick coulda moved from india and met them on there travels and slept with the band mates...the africa story would be understandble cause all rock bands or everyone has sex simple as that

Quite a boring song This is basicly a 4 and a half minute song extended to 8 and a half its about 4 minutes too long its okay until the 4 minute mark

i believe that the song was 'thought up' whilst the band were driving through Africa but were wanting to write a song about some part of the world and chose Kashmir.

This song has such rich lyrics. "My Shangri-La beneath the summer moom...I will return again"

Camp David was originally named Shangri-La, after a utopia in the novel Lost Horizon.

"Well actually you see all of the members of Led Zepplin never did any drugs"

Uhm, you're kidding, right?

Awesome song, truly amazing, another Zeppelin great!

I love the last minute of this song.

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Greatest song ever created, no justification necessary.

NO NO NO!
ALL WRONG! THE MID EAST TRAVELING IS THE EXCUSE FOR A SONG MEANING.

this song was written in the perspective of a made up guy named "ABDUL ALHAZRED" or "THE MAD ARAB". This guy was credited for writing a book called the NECRONOMICON, even though he was a fictional character made up by H.P. LOVECRAFT. The necronomicon defines what we consider evil, grim, and scary today.

If you read the book, you'll realize that "KASHMIR" is a summary of ABDUL ALHAZRED's story: TESTIMONY OF THE MAD ARAB parts I and II

here's part 1:
THIS is the testimony of all that I have seen, and all that I have learned, in those years that I have possessed the Three Seals of MASSHU. I have seen One Thousand-and-One moons, and surely this is enough for the span of a man's life, though it is said the Prophets lived much longer. I am weak, and ill, and bear a great tiredness and exhaustion, and a sigh hangs in my breast like a dark lantern. I am old.

The wolves carry my name in their midnight speeches, and that quiet, subtle Voice is summoning me from afar. And a Voice much closer will shout into my ear with unholy impatience. The weight of my soul will decide its final resting place. Before that time, I must put down here all that I can concerning the horrors that stalk Without, and which lie in wait at the door of every man, for this is the ancient arcana that has been handed down of old, but which has been forgotten by all but a few men, the worshippers of the Ancient Ones (may their names be blotted out!).

And if I do not finish this task, take what is here and discover the rest, for time is short and mankind does not know nor understand the evil that awaits it, from every side, from every Gate, from every broken barrier, from every mindless acolyte at the alters of madness.

For this is the Book of the Dead, the Book of the Black Earth, that I have writ down at the peril of my life, exactly as I received it, on the planes of the IGIGI, the cruel celestial spirits from beyond the Wanderers of the Wastes.

Let all who read this book be warned thereby that the habitation of men are seen and surveyed by that Ancient Race of gods and demons from a time before time, and that they seek revenge for that forgotten battle that took place somewhere in the Cosmos and rent the Worlds in the days before the creation of Man, when the Elder Gods walked the Spaces, the race of MARDUK, as he is known to the Chaldeans, and of ENKI our MASTER, the Lord of Magicians.

Know, then, that I have trod all the Zones of the Gods, and also the places of the Azonei, and have descended unto the foul places of Death and Eternal Thirst, which may be reached through the Gate of GANZIR, which was built in UR, in the days before Babylon was.

Know, too, that I have spoken with all manner of spirit and daemon, whose names are no longer known in the societies of Man, or were never known. And the seals of some of these are writ herein; yet others I must take with me when I leave you. ANU have mercy on my soul!

I have seen the Unknown Lands, that no map has ever charted. I have lived in the deserts and the wastelands, and spoken with demons and the souls of slaughtered men, and of women who have dies in childbirth, victims of the she-fiend LAMMASHTA.

I have traveled beneath the Seas, in search of the Palace of Our Master, and found the stone of monuments of vanquished civilisations, and deciphered the writings of some of these; while still others remain mysteries to any man who lives. And these civilisations were destroyed because of the knowledge contained in this book.

I have traveled among the stars, and trembled before the Gods. I have, at last, found the formulae by which I passed the Gate ARZIR, and passed into the forbidden realms of the foul IGIGI.

I have raised demons, and the dead.

I have summoned the ghosts of my ancestors to real and visible appearance on the tops of temples built to reach the stars, and built to touch the nethermost cavities of HADES. I have wrestled with the Black Magician, AZAG-THOTH, in vain, and fled to the Earth by calling upon INANNA and her brother MARDUK, Lord of the double-headed AXE.

I have raised armies against the Lands of the East, by summoning the hordes of fiends I have made subject unto me, and so doing found NGAA, the God of the heathens, who breathes flame and roars like a thousand thunders.

I have found fear.

I have found the Gate that leads to the Outside, by which the Ancient Ones, who ever seek entrance to our world, keep eternal watch. I have smelled the vapours of that Ancient One, Queen of the Outside, whose name is writ in the terrible MAGAN text, the testament of some dead civilisation whose priests, seeking power, swing open the dread, evil Gate for an hour past the time, and were consumed.

I came to possess this knowledge through circumstances quite peculiar, while still the unlettered son of a shepherd in what is called Mesopotamia by the Greeks.

When I was only a youth, travelling alone in the mountains to the East, called MASSHU by the people who live there, I came upon a grey rock carved with three strange symbols. It stood as high as a man, and as wide around as a bull. It was firmly in the ground, and I could not move it. Thinking no more of the carvings, save that they might be the work of a king to mark some ancient victory over an enemy, I built a fire at its foot to protect me from the wolves that wander in those regions and went to sleep, for it was night and I was far from my village, being Bet Durrabia. Being about three hours from dawn, in the nineteenth of Shabatu, I was awakened by the howl of a dog, perhaps of a wolf, uncommonly loud and close at hand. The fire had dies to its embers, and these red, glowing coals cast a faint, dancing shadow across the stone monument with the three carvings. I began to make haste to build another fire when, at once, the gray rock began to rise slowly into the air, as though it were a dove. I could not move or speak for the fear that seized upon my spine and wrapped cold fingers around my skull. The Dik of Azug-bel-ya was no stranger to me than this sight, though the former seemed to melt into my hands!

Presently, I heard a voice, softly, some distance away and a more practical fear, that of the possibility of robbers, took hold of me and I rolled behind some weeds, trembling. Another voice joined the first, and soon several men in the black robes of thieves came together over the place where I was, surrounding the floating rock, of which they did not exhibit the least fright.

I could see clearly now that the three carvings on the stone monument were glowing a flame red colour, as though the rock were on fire. The figures were murmuring together in prayer or invocation, of which only a few words could be heard, and these in some unknown tongue; though, ANU have mercy on my soul!, these rituals are not unknown to me any longer.

The figures, whose faces I could not see or recognise, began to make wild passes in the air with knives that glinted cold and sharp in the mountain night.

From beneath the floating rock, out of the very ground where it had sat, came rising the tail of a serpent. This serpent was surely larger than any I had ever seen. The thinnest section thereof was fully that of the arms of two men, and as it rose from the earth it was followed by another, although the end of the first was not seen as it seemed to reach down into the very Pit itself. These were followed by still more, and the ground began to tremble under the pressure of so many of these enormous arms. The chanting of the priests, for I knew them now to be the servants of some hidden Power, became much louder and very nearly hysterical.

IA! IA! ZI AZAG!
IA! IA!! ZI AZKAK!
IA! IA! KUTULU ZI KUR!
IA!

The ground where I was hiding became wet with some substance, being slightly downhill from the scene I was witnessing. I touched the wetness and found it to be blood. In horror, I screamed and gave my presence away to the priests. They turned toward me, and I saw a loathing that they had cut their chests with the daggers they had used to raise the stone, for some mystical purpose I could not then divine; although I know now that blood is the very food of these spirits, which is why the field after the battles of war glows with an unnatural light, the manifestations of the spirits feeding thereon.

May ANU protect us all!

My scream had the effect of casting their ritual into chaos and disorder. I raced through the mountain path by which I had come, and the priests came running after me, although some seemed to stay behind, perhaps to finish the Rites. However, as I ran wildly down the slopes in the cold night, my heart giving rise in my chest and my head growing hot, the sound of splitting rocks and thunder came from behind me and shook the very ground I ran upon. In fright, and in haste, I fell to the earth.

Rising, I turned to face whatever attacker had come nearest me, though I was unarmed. To my surprise what I saw was no priest of ancient horror, no necromancer of that forbidden Art, but black robes fallen upon the grass and weeds, with no seeming presence of life or bodies beneath them.

I walked cautiously to the first and, picking up a long twig, lifted the robe from the tangle of weeds and thorns. All that remained of the priest was a pool of slime, like green oil, and the smell of a body lain long to rot in the sun. Such a stench nearly overpowered me, but I was resolute to find the others, to see if the same fortune had also befallen them.

Walking back up the slope that I had so fearfully run down only moments ago, I came across yet another of the dark priests, in identical condition to the first. I kept walking, passing more of the robes as I went, not venturing to overturn them any longer. Then, I finally came upon the grey stone monument that had risen unnaturally into the air at the command of the priests. It now upon the ground once more, but the carvings still glowed with supernatural light. The serpents, or what I had then though of as serpents, had disappeared. But in the dead embers of the fire, now cold and black, was a shining metal plate. I picked it up and saw that it also was carved, as the stone, but very intricately, after a fashion I could not understand. I did not bear the same markings as the stone, but I had the feeling I could almost read the characters, but could not, as though I once knew the tongue but had since long forgotten. My head began to ache as though a devil was pounding my skull, when a shaft of moonlight struck the metal amulet, for I know now what it was, and a voice entered into my head and told me the secrets of the scene I had witnessed in one word:


KUTULU.

In that moment, as though whispered fiercely into my ear, I understood.

These are the signs carved upon the grey stone, that was the Gate to the Outside:



An this is the amulet that I held in my hand, and hold to this very day, around my neck as I write these words:



Of the three carved symbols, the first is the sign of our Race from beyond the Stars, and is called ARRA in the tongue of the Scribe who taught it to me, an emissary of the Elder Ones. In the tongue of the eldest city of Babylon, it was UR. It is the Sigil of the Covenant of the Elder Gods, and when they see it, they who gave it to us, they will not forget us. They have sworn!

Spirit of the Skies, Remember!

The second is the Elder Sign, and is the Key whereby the Powers of the Elder Gods may be summoned, when used with the proper words and shapes. It has a Name, and is called AGGA.

The third sign is the Sigil of the Watcher. It is called BANDAR. The Watcher is a Race sent by the Elder Ones. It keeps vigil while one sleeps, provided the appropriate ritual and sacrifice has been performed,: else, if called, it will turn upon you.

These seals, to be effective, must be graven on stone and set in the ground. Or, set upon the altar of offerings. Or, carried to the Rock of Invocations. Or, engraved on the metal of one's God or Goddess, and hung about the neck, but hidden from the view of the profane. Of the three, the ARRA and the AGGA may be used separately, that is to say, singly and alone. The BANDAR, however, must never be used alone, but with one or both of the others, for the Watcher must needs be reminded of the Covenant it has sworn with the Elder Gods and our Race, else it will turn upon thee and slay thee and ravage thy town until succour is to be had from the Elder Gods by the tears of thy people and the wailing of thy women.


KAKAMMU!

The metal amulet that I retrieved from the ashes of the fire, and which caught the light of the moon, is a potent seal against whatever may come in the Gate from the Outside for, seeing it, they will retreat from thee

SAVE ONLY IF IT CATCH THE LIGHT OF THE MOON UPON ITS SURFACE

for, in the dark days of the moon, or in cloud, there can be little protection against the fiends from the Ancient Lands should they break the barrier, or be let in by their servants upon the face of the earth. In such a case, no recourse is to be had until the light of the moon shines upon the earth, for the moon is the eldest among the Zonei, and is the starry symbol of our Pact. NANNA, Father of the Gods, Remember!

Wherefore, the amulet must be engraved upon pure silver in the full light of the moon, that the moon shine upon it at its working, and the essence of the moon incantations must be performed, and the prescribed rituals as given forth in this Book. And the amulet must never be exposed to the light of the Sun, for SHAMMASH called UDU, in his jealousy, will rob the seal of its power. In such a case, it must be bathed in water of camphor, and the incantations and ritual performed once again. But, verily, it were better to engrave another.

These secrets I give to thee at the pain of my life, never to be revealed to the profane, or the banished, or the worshippers of the Ancient Serpent, but to keep within thine own heart, always silent upon these things.

Peace be to thee!

Henceforth, from that fateful night in the Mountains of MASSHU, I wandered about the country-side in search of the key to the secret knowledge that had been given me. And it was a painful and lonely journey, during which time I took no wife, called no house or village my home, and dwelt in various countries, often in caves or in the deserts, learning several tongues as a traveller might learn them, to bargain with the tradespeople and learn of their news and customs. But my bargaining was with the Powers that reside in each of these countries. And soon, I cam to understand many things which before I had no knowledge, except perhaps in dreams. The friends of my youth deserted me, and I them. When I was seven years gone from my family, I learned that they had all died of their own hand, for reasons no one was able to tell me; their flocks had been slain as the victims of some strange epidemic.

I wandered as a beggar, being fed from town to town as the local people saw fit, often being stoned instead and threatened with imprisonment. On occasion, I was able to convince some learned man that I was a sincere scholar, and was thereby permitted to read the ancient records in which the details of necromancy. sorcery, magick and alchemy are given. I learned of the spells that cause men illness, the plague, blindness, insanity, and even death. I learned of the various classes of demons and evil gods that exist, and of the old legends concerning the Ancient Ones. I was thus able to arm myself against also the she-devil LAMMASHTA, who is called the Sword that Splits the Skull, the sight of whom causeth horror and dismay, and(some say) death of a most uncommon nature.

In time, I learned of the names and properties of all the demons, devils, fiends and monsters listed herein, in this Book of the Black Earth. I learned of the powers of the astral Gods, and how to summon their aid in times of need. I learned, too, of the frightful beings who dwell beyond the astral spirits, who guard the entrance to the Temple of the Lost, of the Ancient of Days, the Ancient of the Ancient Ones, whose Name I cannot write here.

In my solitary ceremonies in the hills, worshipping with fire and sword, with water and dagger, and with the assistance of a strange grass that grows wild in certain parts of MASSHU, and with which I had unwittingly built my fire before the rock, that grass that gives the mind great power to travel tremendous distances into the heavens, as also into the hells, I received the formulae for the amulets and talismans which follow, which provide the Priest with safe passage among the spheres wherein he may travel in search of the Wisdom.

But now, after One Thousand-and-One moons of the journey, the Maskim nip at my heels, the Rabishu pull at my hair, Lammashta opens her dread jaws, AZAG-THOTH gloats blindly at his throne, KUTULU raises his head and stares up through the Veils of sunkun Varloorni, up through the Abyss, and fixes his stare upon me; wherefore I must with haste write this indeed, it appears as though I have failed in some regard as to the order of the rites, or to the formulae, or to the sacrifices, for now it appears as if the entire host of ERESHKIGAL lies waiting, dreaming, drooling for my departure. I pray the Gods that I am saved, and not perish as did the Priest, ABDUL BEN-MARTU, in Jerusalem (the Gods remember and have mercy upon him!). My fate is no longer writ in the stars, for I have broken the Chaldean Covenant by seeking power over the Zonei. I have set foot on the moon, and the moon no longer has power over me. The lines of my life have been oblitered by my wanderings in the Waste, over the letters writ in the heavens by the gods. And even now I can hear the wolves howling in the mountains as they did that fateful night, and they are calling my name, and the names of Others. I fear for my flesh, but I fear for my spirit more.

Remember, always, in every empty moment, to call upon the Gods not to forget thee, for they are forgetful and very far away. Light thy fires high in the hills, and on the tops of temples and pyramids, that they may see and remember.

Remember always to copy each of the formulae as I have put it down, and not to change it by one line or dot, not so much as a hair's breadth, lest it be rendered valueless, or worse: a broken star is the Gate of GANZIR, the Gate of Death, the Gate of the Shadows and the Shells. Recite the incantations as they are written here, in the manner this prescribed. Prepare the rituals without erring, and in the proper places and times render the sacrifices.

May the Gods be ever merciful unto thee!

May thou escape the jaws of the MASKIM, and vanquish the power of the Ancient Ones!


AND THE GODS GRANT THEE DEATH
BEFORE THE ANCIENT ONES RULE THE
EARTH ONCE MORE!
KAKAMMU! SELAH!

Here are my top ten Zeppelin favorites, in order. Please post your favorites, if you would like to.

Kashmir
Good Times Bad Times
Ten Years Gone
No Quarter
Black Dog
When the Levee Breaks
Trampled Underfoot
Stairway to Heaven
The Rain Song
Rock and Roll

man i like this song some of the shit that he says yooo is just like what the fuuuuck man i mean when i smoke my reefer and jam to this shit on the bus with my head phones all the wayup not givin a shit idk i loose myself and forget where im at man cause when you're in that shit idk you're just like payin attention to what hes sayin and shit and really feelin the guy ya know and you're like man you experencied this hsit for real like i been through the same shit just diffrent situations man you jsut really feelin what hes sayin yalll but htis new rock shit is ~GAY AS FUCK~ for real they aint talkin bout shit yooo well ight im out im in school man teachers gonna start talkin shit soon hahaha spoke tooo sooon here he goes peace mofos!!!!!!!

It's about their adventures, I forget to where, but their just telling a story.

this song is about a trip they had to morocco

I think he is doing the best to remember a very powerful experience that was very spiritual and enlightening to him.

I think he had a strong vision and understanding relayed to him of a enlightening perpspective of history and perhaps what is to come to pass and that the only thing in words that makes any sense is that most would imagine he would have to be a traveler of time and space to be where he was when he saw what he did.

I think he reached a place where his consciousness was above the material realm in which most of us spend our daily time and it was to a simpler place perhaps a higher dimension (beyond time and space) where only ascended masters i.e tibetan monks get to reach......and in fact they are not that big into speaking about there insights and lives so they are seldom seen or heard from.

I think he experienced sounds and feelings that were without word but that the emotion of love and light was quite clear to him and words were not needed to explain this and it was wonderful and amazing yadda yadda

I think he may be referring to his higher consciousness or higher self being briefly "intuned" to give him a glimpse of a consciousness that is all knowing yet difficult to capture more than a glimpse of unless you may be privvy to occult knowledge and have the will to dedicate lot's of your life to perfecting this mediative practice. And i think he relates this to going into a different mental state during a dream (like he did during his brief consciousness ascending) and not being able to get back there at will or remembering exactly what was going on during this state

seems to me that when he lives his life with the INTENT of a spiritual "clean" path the father of the four winds/ god/ global consciousness is there for him to see and be guided.

Paige and Plant were both influenced by the mystical Islam religion of Sufism. Blackpugs make good biblical points which are also recognized events by Sufis. "oh let the sun beat down upon my face, stars to fill my dreams" possibly a reference to Sufi belief in signs and veils and night and day... things known and things unknown. " a traveller of both time and spice" expanding beyond the physical constraints of this world in order to seek further understanding of life and of your soul. "all will be revealed" breaking away from physical constraints and realization or seeing signs or the light of everything. Finally, "not a word they said could i relate, the story was quite clear" possibly referring to a Sufi's true goal of bringing themselves into the light of God and seeing Him in all things. True understanding and realization of the essence of God and Spiritual hegemony is something that is impossible to understand when you are still engulfed in the physical constraints of this world and of not knowing. the story was quite clear in that you reach spiritual enlightenment but you cannot relate it in terms of this physical world.

This song is beautiful it's so heavy so lyrical it's just so epic i have too hear this song at least once a day when i say this live from a video i converted fron catholicism to zeppelinism.

I know that many of you rock lovers don't want to believe this but Plant is obviously either a very studied Christian Bibile Scholar or he was inspired By God when he composed this Beautiful Poetry (Reminds mne a bit of stairway to Heaven. He wrote this song while traveling down a long road that seem to go on Forever in the Hot Morrocon sun. Plant Mentions that in an iterview himself. He is carried away in his mind and Spirit (out of body experience) to Heaven were he sees that the stars and universe are created by God as a place for eternal exploration and wonderment. "Oh let the sun beat down upon my face
Stars to fill my dream I am a traveler of both time and space To be where I have been" He finds himself in Heaven and he sees the 24 Elders as mentioned in the Book of Revelation seated around the Great throne of God and who are anxiously awaiting the time of the New Order when heaven and Earth are again one and all that has not been understood will finally be revealed to us. "To sit with elders of the gentle race This world has seldom seen They talk of days for which they sit and wait All will be revealed".
As mentioned in The book of Revelation we will sing new Beautiful spiritual songs and dance. "Talk and song from tongues of lilting grace Whose sounds caress my ear" Notice the words tongues (spiritual language) Lilting (Means to dance) and Grace (Undeserved Mercy).
Plant is given a revelation of this and many other things and although he knows them clearly he is frobidden by God to tell us because it is not yet the proper time Just as was instructed of in the book of Revelation to Paul. "But not a word I heard could I relate The story was quite clear" He is sharing this ubelievable experience with his lover He knows what he experienced was very real!

Oh, I been flying... mama, there ain't no denyin'
I've been flying, ain't no denyin', no denyin'

He transported forward in time to when the earth will eventually be destroyed be fire and he longs to get back to Heaven. "All I see turns to brown, as the sun burns the ground And my eyes fill with sand, as I scan this wasted land Trying to find, trying to find where I've been." He is now back to this world in soul and body and is dealing with the daily struggles of life and the deamons we must all Face.
He is asking Jesus (The pilot of the storm) and our spiritual compass to help him with his struggles and help him find his way back to Heaven: Shangri-la literally means "Hidden Paradise". This an ancient Indian term thought to have originated and also refered to a place in Kashmir.The original name of this song was titled "The road to Kashmir" later shortened to Just Kashmir. Jesus is thought to have visited Kashmir prior to his death. Plant is also asking for help from God referred to in both the Book of Revelation and Daniel as "Father of the four winds". For you skeptics look it up! "Oh, father of the four winds, fill my sails Across the sea of years With no provision but an open face Along the straits of fear" He finds out from Jesus and God that the only way back is to face your fears and short commings head on and honestly with your face into the wind and you will find your way back to Heaven, Your Shangra-Li!
And Finally my favorite part of the song is that he wants to make sure his lover finds her way as Well!

When I'm on, when I'm on my way, yeah
When I see, when I see the way, you stay-yeah

Ooh, yeah-yeah, ooh, yeah-yeah, when I'm down...
Ooh, yeah-yeah, ooh, yeah-yeah, well I'm down, so down
Ooh, my baby, oooh, my baby, let me take you there

Let me take you there. Let me take you there

The carzy thing is I used to think this song was Evil. What a Beautiful song!

its definately about there travels... Kashmir is the northwestern region of the Indian subcontinent

Guys, the "middle eastern travel" was in Morroco, on the way to KASHMIR (who woulda thought that?)

They all had a hippy circle and dropped some acid. That's why I believe all four of them are credited for writing this song, it's one of the few (if maybe the only) songs by Zeppelin where all four are credited. They fore saw the end of the world.