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Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing hallelujah
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you
To a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the lord of song
With nothing on my tongue but hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing hallelujah
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you
To a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the lord of song
With nothing on my tongue but hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah, hallelujah
Hallelujah
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The second verse describes how even the most righteous can fall into sin. David was Israel's King, chosen because of his faith and humble obedience to Yahweh's law, but later he coveted another man's wife, committed adultery with her, then had her husband murdered to cover the sin. Samson also, a judge of Israel who was bestowed superhuman strength by Yahweh, fell into sin and lost that blessing.
When sin is present in someone's life the Almighty withdraws from that person. It's possible that the line "from his lips she drew the Halleluyah" means that Yahweh was no longer being praised because of the presence of sin in their lives. Both repented, but had to endure the consequences of their actions.
Verse 3 - The Jewish religion created a rule that it was blasphemy to speak the Sacred Name of Yahweh. Leonard Cohen is Jewish, his father a Rabbi so he knew the rule and it is likely some of his family/peers objected to the use of the Sacred Name in the song. When he says he never knew the name, that is possible because many Jews are raised substituting the name of Adonai and are not told of Yahweh's name. It may have come as news to Cohen that the suffix "yah" referenced the Sacred Name.
Last Verse - In the end we stand before the judgement of Almighty Yahweh looking at the things we did in and with our lives. We always seem to justify ourselves as good people, even though some of the the things we did were not good. It's a humbling experience when you compare how you lived your life to how the law of Yahweh commanded you to live. Unable to justify yourself you will have to stand before Him... With nothing on your tongue but Halleluyah.
"You say I took the name in vain
I don't even know the name
But if I did
Well really, what's it to ya?
There's a blaze of light in every word
It doesn't matter what you heard
The holy or the broken Halleluyah"
"And even though
It all went wrong
I'll stand before the lord of song
With nothing on my tongue but hallelujah"
The essence is about love in it's different forms - sexual love, platonic love, love for god. With various references (biblical, personal) he shows that the human experience of love includes both, the ups and downs, ecstasy as well as depression and also ultimately and necessarily the experience of insufficiency and failing.
Amidst those ups and downs, however, there is one thing that remains unchanged - this is the divine part of love which is not originating in the human existence and which no human weakness can affect. The "hallelujah" confirms its existence.
npr.org/2012/12/02/166112493/…
this verse is so sad, sad like tears.
Cohen's original version contains several biblical references, most notably evoking the stories of Samson and traitorous Delilah from the Book of Judges as well as the adulterous King David and Bathsheba:"she cut your hair" and "you saw her bathing on the roof, her beauty in the moonlight overthrew you".
Following his original 1984 studio-album version, Cohen performed the original song on his world tour in 1985, but live performances during his 1988 and 1993 tours almost invariably contained a quite different set of lyrics with only the last verse being common to the two versions. Numerous artists mix lyrics from both versions, and occasionally make direct lyric changes, such as Rufus Wainwright, a Canadian-American singer, substituting "holy dark" and Allison Crowe, a Canadian singer-songwriter, substituting "Holy Ghost" for "holy dove".
Cohen's lyrical poetry and his view that "many different hallelujahs exist" is reflected in wide-ranging covers with very different intents or tones of speech, allowing the song to be "melancholic, fragile, uplifting [or] joyous" depending on the performer:The Welsh singer-songwriter John Cale, the first person to record a cover version of the song in 1991, promoted a message of "soberness and sincerity" in contrast to Cohen's dispassionate tone; The cover by Jeff Buckley, an American singer-songwriter, is more sorrowful and was described by Buckley as "a hallelujah to the orgasm"; Crowe interpreted the song as a "very sexual" composition that discussed relationships; Wainwright offered a "purifying and almost liturgical" interpretation to the song; and Guy Garvey of the British band Elbow anthropomorphised the hallelujah as a "stately creature" and incorporated his religious interpretation of the song into his band's recordings.