This is one of my favorite songs. https://fnfgo.io
Three, five, zero, one, two, five go!
I was there in the back stage
When the light came around
I grew up like a changeling
To win the first time around
I can see all the weakness
I can pick all the faults
Well, I concede all the faith tests
Just to stick in your throats
Three-one-G
Three-one-G
Three-one-G
Hung around in your soundtrack
To mirror all that you've done
To find the right side of reason
To kill the three lies for one
I can see all the cold facts
I can see through your eyes
All this talk made no contact
No matter how hard we tried
Three-one-G
Three-one-G
Three-one-G
I can still hear the footsteps
I can see only walls
I slid into your man-traps
With no hearing at all
I just see contradiction
Had to give up the fight
Just to live in the past tense
To make believe you were right
Three-one-G
Three-one-G
Three-one-G
Three, five, oh, one, two, five
I was there in the back stage
When the light came around
I grew up like a changeling
To win the first time around
I can see all the weakness
I can pick all the faults
Well, I concede all the faith tests
Just to stick in your throats
Three-one-G
Three-one-G
Three-one-G
Hung around in your soundtrack
To mirror all that you've done
To find the right side of reason
To kill the three lies for one
I can see all the cold facts
I can see through your eyes
All this talk made no contact
No matter how hard we tried
Three-one-G
Three-one-G
Three-one-G
I can still hear the footsteps
I can see only walls
I slid into your man-traps
With no hearing at all
I just see contradiction
Had to give up the fight
Just to live in the past tense
To make believe you were right
Three-one-G
Three-one-G
Three-one-G
Three, five, oh, one, two, five
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Midnight
Ed Sheeran
Ed Sheeran
“Midnight” is a song about finding a love that is so true that it provides a calming feeling through every storm. Ed Sheeran reflects on his good fortunes in landing someone with such peace and support and speaks of not fearing the dark days because he knows they’ll all end in the safety nets of her arms.
“Well, good morning there / What a way to start the day / With everything laid bare,” Ed Sheeran sings in the first verse, enthusiastic to be waking up beside his woman. He apologizes for missing her calls in the second verse and promises to return them because for him, speaking to her is the most important thing. “Well, I get lost inside my head / In this chaos, you’re my calm / And I will find my feet again / ‘Cause еven the worst days of my life will always еnd / At midnight in your arms,” sings Ed Sheeran in the chorus, revelling in his good luck.
"Can anyone tell me what the significance of the numbers is?"
350125 was Rudolf Hess's Prisoner of War serial number after he made his bizarre parachuting adventure into Scotland in the early 1940s. I'm not exactly sure what Rudolf Hess has to do with Warsaw (since as far as I know, he never even set foot in the place), but based on the presence of the numbers, I would say that the song itself refers to Rudolf Hess's admiration/emulation of Adolf Hitler -- his boss and onetime cellmate in the prison they were sent to after the aborted Beer Hall Putsch in the 20s -- and how his increasing dissatisfaction with Hitler's statesmanship and his prosecution of World War II eventually led him to flee the country and attempt to end the war on his own terms without even consulting his superior officer(s). Needless to say, that didn't work out so well for him.
"Warsaw begins with 350125 Go! and 31G appears in the chorus. These numbers appear to refer to Rudolf Hess's prisoner of war number 31G 350125. Around the time this song was written there was quite a lot of interest in the newspapers the prisoner who had been kept more or less in solitary confinement in Spandau prison for several decades. Some people thought he'd been punihed enough and should be released, others thought he should be left to rot."
First Joy Division song I ever heard... sounds very different from the rest of their stuff msuically, although lyrically it has the same underlying tones...
Can anyone tell me what the significance of the numbers is? [That sounded really pretentious. I honestly didn't mean for it to]
Wow. Thank you for the information! I am endlessly amased by Ian's knowledge of Nazi Germany. He was an intelligent chap.
What about the "3-1-G!"?
I heard the song title came from David Bowie's song warszawa off low.As for ''3-1-G''
3 5 0 1 2 5 go
?
I have a feeling that 31-G actually means 31 grand which was the average cost of a one bedroom flat in manchester, england in the 80s.
Well, I'm assuming the song is about Rudolph Hess. I don't know very much about him, but the few things I've heard seem to fit with this song. The lines, "I was there in the backstage when first light came around" and "Hung around in your soundtrack to mirror all that you've done" could be directed at Hitler from Hess's point of view because Hess was probably in the in crowd from the beginning of the whole Nazi thing and maybe he wanted to be like Hitler. "All this talk made no contact no matter how hard I tried" could mean that he couldn't get close to Hitler or something. I heard that Hitler wasn't really into personal relationships even with his top people. The last stanza seems like it could be Hess's thoughts on being locked up in prison ("I can see only walls," "I slid into your man-traps"). I just see contradiction/Had to give up the fight/Just to live in the past tense/To make believe you were right" sounds like Hess is sitting around in prison maybe having doubts about Nazi philosophy and at some level realizing that it is contradictory but being in denial about it and telling himself that Hitler was right. I think a lot of people retreat to the past tense, to their memories, when they're in prison, because there isn't much going on in the present or the present is too unpleasant for them to deal with.
uhhh.... idk bout that. sounds like u did your homework. i dont think its that specific. it uses a few metaphores.
Its definantly about Rudolf Hess, and for the most part i believe thebodiesobtained has it right. However Hess schooled Hitler in etiquette, he introduced him into the culture, and the middle/upper-class circles they would need to win over if they were to achieve power. Ian was impressed with the all the power and influence Hitler had over the Germans. This makes the first two stanzas have a different interpretation, but i still think the you were right about the last stanza. Also, Hess killed himself at age 93 while still imprisoned.