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You bite
Through
The big wall
The big wall
Bites back
You sit there
And
Sulk
Sit there and
Bawl
You are so pretty
When you're
On your
Knees
Disinfected
Eager
To please
Sometimes
You sulk
Sometimes
You burn
God rest
Your soul
When the
Loving comes
And we've
Already gone
Just like
Your dad
You'll never
Change
Each time it
Comes
It eats me
Alive
I try to
Behave
But it eats me
Alive
So I declare
A holiday
Fall asleep
Drift away.
Through
The big wall
The big wall
Bites back
You sit there
And
Sulk
Sit there and
Bawl
You are so pretty
When you're
On your
Knees
Disinfected
Eager
To please
Sometimes
You sulk
Sometimes
You burn
God rest
Your soul
When the
Loving comes
And we've
Already gone
Just like
Your dad
You'll never
Change
Each time it
Comes
It eats me
Alive
I try to
Behave
But it eats me
Alive
So I declare
A holiday
Fall asleep
Drift away.
Lyrics submitted by piesupreme
Track duration: 03:43
"Sulk" as written by Thomas Edward/o'brien Yorke
Lyrics © Warner/Chappell Music, Inc.
Lyrics powered by LyricFind
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"Sulk" is rarely heard live: the band played it in concert a few times in 1994, even less often in 1995, and never again after that.
Not a lot of people think much of this track. I mean, it's good, but no one ever thinks its all that great. I reckon it's quite a classy track, myself. The guitars towards the end are excellent, and the way Thom sings the chorus is great.
It's not "eager to please" Thom says something different, is more like "and bigger tears"
Any ideas??
Ironically, I saw the same "inheritance" in myself later, so I thought the song could apply to me AND my father as well! I don't think that way anymore, but it led me to give a possible interpretation of the "just like your dad" metaphor.
The song itself seems to talk about dealing with someone with big problems, who complains about them but can't solve them (bites the big wall, the big wall bites back) and suffers. The narrator is clearly angry with him/her and on the last verse tries to get away from it all, because each time (the problem) comes, it eats him alive, it bothers him up to the point of outrage. So he gets by declaring a holiday (i.e. giving a truce, stopping talking about it). The chorus uses the "dad" metaphor as a way to reinforce that it's impossible for the person to change. The person could be a friend, a lover, a relative, his parent (hehe) or the narrator himself.
Musically, I love it. The aforementioned tumbling guitar is simple yet moving (check that harmonizing on the second verse!), and when everything goes one step up and Thom bellows out those high notes on the last chorus, it always sends chills down my spine. One of the best and most underrated songs in The Bends.
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