You walk into the room
With your pencil in your hand
You see somebody naked
And you say, "Who is that man?"
You try so hard
But you don't understand
Just what you'll say
When you get home
Because something is happening here
But you don't know what it is
Do you, Mister Jones
You raise up your head
And you ask, "Is this where it is?"
And somebody points to you and says
"It's his"
And you say, "What's mine?"
And somebody else says, "Where what is?"
And you say, "Oh my God
Am I here all alone?"
Because something is happening here
But you don't know what it is
Do you, Mister Jones
You hand in your ticket
And you go watch the geek
Who immediately walks up to you
When he hears you speak
And says, "How does it feel
To be such a freak?"
And you say, "Impossible"
As he hands you a bone
Because something is happening here
But you don't know what it is
Do you, Mister Jones
You have many contacts
Among the lumberjacks
To get you facts
When somebody attacks your imagination
But nobody has any respect
Anyway they already expect you
To just give a check
To tax-deductible charity organizations
You've been with the professors
And they've all liked your looks
With great lawyers you have
Discussed lepers and crooks
You've been through all of
F. Scott Fitzgerald's books
You're very well read
It's well known
Because something is happening here
But you don't know what it is
Do you, Mister Jones
Well, the sword swallower, he comes up to you
And then he kneels
He crosses himself
And then he clicks his high heels
And without further notice
He asks you how it feels
And he says, "Here is your throat back
Thanks for the loan"
Because something is happening here
But you don't know what it is
Do you, Mister Jones
Now you see this one-eyed midget
Shouting the word "NOW"
And you say, "For what reason?"
And he says, "How?"
And you say, "What does this mean?"
And he screams back, "You're a cow
Give me some milk
Or else go home"
Because something is happening here
But you don't know what it is
Do you, Mister Jones
Well, you walk into the room
Like a camel and then you frown
You put your eyes in your pocket
And your nose to the ground
There ought to be a law
Against you comin' around
You should be made
To wear earphones
Because something is happening here
But you don't know what it is
Do you, Mister Jones



Lyrics submitted by itsmyownmind

Track duration: 05:57


Ballad of a Thin Man song meanings
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144 Comments

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  • 0
    My Interpretation:While listening to this song, I came upon an interesting lyric line.
    "He crosses himself and then he kicks his high heels."
    In the Bible, (By the way, my opinion on whether the following Bible line is good or not will not be told) it says that men shouldn't wear female clothing.
    I think this line is him telling that people will cross themselves, or proclaim their love for God, yet right afterwards, sort of break that promise. Commit a sin, in a sense. I think he's sort of making sense of that.
    Flag 25thHouron April 24, 2013   Link
  • -1
    General Comment:Don't Look Back was released in 1967, but it documents Dylan's 1965 tour of the U.K. Which lasted from April 30 to May 10. "Ballad of a Thin Man" was recorded in August of that year and released a few weeks later. The famous Time magazine interview (youtube.com/…) was in Don't Look Back, so it's obviously about that interview. Other explanations are stupid in light of this information. Of course, you can interpret it as you like, which I believe was Dylan's intent -- Like he said in the interview, he's just painting an honest picture.

    The two parts that have always left me confused though were the bits about the Sword-Swallower and the One-Eyed Midget. It seems pretty clear to me, within the context, that Dylan is referring to himself through these characters. What is with the kneeling and the crossing of himself and the clicking of his high-heels in the former verse? If you watch the interview, I think it all has to do with the stream-of-consciousness aspect of his convictions. In the case of the One-Eyed Midget, it might just be Dylan's poetic way of referring to himself as a dick, or at least through the eyes of the beholder.
    Flag mussman717on March 27, 2013   Link
  • -1
    General Comment:Don't Look Back was released in 1967, but it documents Dylan's 1965 tour of the U.K. Which lasted from April 30 to May 10. "Ballad of a Thin Man" was recorded in August of that year and released a few weeks later. The famous Time magazine interview (youtube.com/…) was in Don't Look Back, so it's obviously about that interview. Other explanations are stupid in light of this information. Of course, you can interpret it as you like, which I believe was Dylan's intent -- Like he said in the interview, he's just painting an honest picture.

    The two parts that have always left me confused though were the bits about the Sword-Swallower and the One-Eyed Midget. It seems pretty clear to me, within the context, that Dylan is referring to himself through these characters. What is with the kneeling and the crossing of himself and the clicking of his high-heels in the former verse? If you watch the interview, I think it all has to do with the stream-of-consciousness aspect of his convictions. In the case of the One-Eyed Midget, it might just be Dylan's poetic way of referring to himself as a dick, or at least through the eyes of the beholder.
    Flag mussman717on March 27, 2013   Link
  • +1
    General Comment:I've always understood this song as a rant against bourgeoisie.
    For sure Bob was mad at someone or at a group of people...

    On the other hand, I've always wondered about the title:
    Why "Ballad of a Thin Man"? Who is the Thin Man? Is he singing the ballad or is he being sung in the ballad? And why is he thin? Is it a symptom of a sickness or a lack of something, or probably he is not being fed enough and is starving? Or is it only a metaphore of emptinees? Or something else? I wonder if anyone has ever though about it...
    Flag CancerTwinon March 08, 2013   Link
  • +1
    General Comment:It seems like there is a lot of split opinion on this. I think all the ideas that people have about this song's 'meaning' are in some way correct. I'm pretty sure it has something to do with a reporter. There are too many references to suggest otherwise. As he said in San Francisco in late '65, he wants to "needle them". Them being the press, the folk purists which he so obviously despised and also the Warhol/factory scene, much of which I think will never be truly understood. I also see a strong theme of homosexuality in the imagery. The way I look at this song is a culmination of everyone and everything Dylan wants to "needle". He is obviously miles ahead of his fans at this point, who will continue to misunderstand him for years after H61. He is ahead of the press who continue to persist in asking him stupid questions and then he gives the song an extra radical slant by introducing homosexuality and "needling" the subject(s) into somehow realising that they may in fact not know themselves as well as they thought. So in my eyes, this song could be about a homosexual reporter and Dylan fan who has just broken out of Warhol's factory for all I care. It doesn't take away from the potency of his words and its ability to connect with such a wide demographic of people.
    Flag Balzo93on February 09, 2013   Link
  • 0
    My Opinion:Read the lyrics - including the title - again. There are over a dozen explicit references to homosexuality.
    I'm not Bob, so of course I can't say for sure. But it seems pretty obvious to me.
    Flag roborouseron September 11, 2012   Link
  • 0
    General Comment:I'm still figuring this out:. I notice that though some comments make sense, no-one's mentioned that back in '65 the press (the masses) didn't understand the core of the (then) current shift in consciousness. What Mr Jones didn't understand and would have a hard time explaining when he got home was love - not fake "love" - not 'you scratch my back and I'll scratch yours', but the actual and real seeing and accepting of another person for who they are with no deals involved; no investment. The 'naked man' is one who isn't hiding agenda. Nine times out of ten, Mr Jones goes home and explains this and 'home' swiftly disintegrates! Hey, Mr Reader, have you ever tried this? :) Peace, Love and Brown Rice to all.
    Flag CruisinGon September 10, 2012   Link
  • 0
    General Comment:Railroadgin's response jersey73 is spot on. It's most definitely about a reporter.
    I've seen a youtube press conference wherein someone asks Dlyan who Mr. Jones is, and Dylan replies, "I can't tell you that, I'll get sued."

    I've also heard many times that the song is about this amusing interview:

    youtube.com/…
    Flag babyyblueon August 15, 2012   Link
  • 0
    General Comment:I haven't read every post, but the song is clearly about someone who comes upon a strange scene and doesn't understand it, and the narrator is sort of taunting him for it. Dylan uses sideshow freaks to represent the strange scene, and he's mentioned in many places that he was fascinated by side shows as a child and identified with the performers. Whether the song has a direct correlation to any real scene is anyone's guess, but judging by what Dylan was doing in 1965, I'd say he could have been thinking of the tourists who came to Greenwich Village to check out the folk/beatnik scene, or he could be thinking of hallucinogens and Mr. Jones is encountering people who are high or have had their minds expanded. It could be the freaks are artists and Mr. Jones is a journalist or academic trying to understand their art. (Their dialogue with him is similar to the way Dylan talked to the press in 1965.) And it could be yet another barb at Dylan's old folkie friends who didn't understand his new artistic direction. Probably it's a little of all these things.

    As far as homosexuality goes, the Village was a place where there were gay bars, and the whole scene was still very underground in 1965. I'm sure Dylan knew about it. When he met Allen Ginsburg in 1964, Ginsburg supposedly came on to him -- entirely plausible -- and Dylan was neither receptive nor freaked out about it. So I don't think it's about a gay encounter that Dylan had.
    Flag thedroidon May 18, 2012   Link
  • 0
    General Comment:I don't think anyone can claim to know what any song lyrics are ultimately "about", particularly not Dylan's lyrics, but personally, this song always comes to mind when my general experience is confusing, nothing makes sense, chaos seems to be taking hold, etc. And, just like the lyrics suggest, this can happen no matter how learned, sophisticated, engaged, experienced, happening, etc., etc. whatever you are, and possibly, those things even only exacerbate the potential for the feeling of the poor "freak" (i.e., everyman) at the center of this situation. It's existentially about the fact that there is no particular "reality" and we are ever alone in recognition of that fact. And, now, I'll say it for you - Harumph!
    Flag ugotstahwonderon April 20, 2012   Link

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