So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Raised to be a lady by the golden rule
Alice was the spawn of a public school
With a double-barrel name in the back of her brain
And a simple case of mummy-doesn't-love-me blues
Reality it seems, was just a dream
She couldn't get it on with the boys on the scene
But what do you expect from a chick who's just sixteen?
And hey, hey, hey (hey, hey, hey) you know what I mean
All the young girls love Alice
Tender young Alice, they say
Come over and see me
Come over and please me
Alice, it's my turn today
All the young girls love Alice
Tender young Alice, they say
If I give you my number
Will you promise to call me?
Wait till my husband's away
Poor little darling with a chip out of her heart
It's like acting in a movie when you got the wrong part
Getting your kicks in another girl's bed
And it was only last Tuesday they found you in the subway dead
And who could you call your friends down in Soho?
One or two middle-aged dykes in a Go-Go
And what do you expect from a sixteen year old yo-yo
And hey, hey, hey (hey, hey, hey) oh don't you know?
All the young girls love Alice
Tender young Alice, they say
Come over and see me
Come over and please me
Alice, it's my turn today
All the young girls love Alice
Tender young Alice, they say
If I give you my number
Will you promise to call me?
Wait till my husband's away
Alice was the spawn of a public school
With a double-barrel name in the back of her brain
And a simple case of mummy-doesn't-love-me blues
Reality it seems, was just a dream
She couldn't get it on with the boys on the scene
But what do you expect from a chick who's just sixteen?
And hey, hey, hey (hey, hey, hey) you know what I mean
All the young girls love Alice
Tender young Alice, they say
Come over and see me
Come over and please me
Alice, it's my turn today
All the young girls love Alice
Tender young Alice, they say
If I give you my number
Will you promise to call me?
Wait till my husband's away
Poor little darling with a chip out of her heart
It's like acting in a movie when you got the wrong part
Getting your kicks in another girl's bed
And it was only last Tuesday they found you in the subway dead
And who could you call your friends down in Soho?
One or two middle-aged dykes in a Go-Go
And what do you expect from a sixteen year old yo-yo
And hey, hey, hey (hey, hey, hey) oh don't you know?
All the young girls love Alice
Tender young Alice, they say
Come over and see me
Come over and please me
Alice, it's my turn today
All the young girls love Alice
Tender young Alice, they say
If I give you my number
Will you promise to call me?
Wait till my husband's away
Lyrics submitted by x_nikole_x
All The Girls Love Alice Lyrics as written by Elton John Bernie Taupin
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Actually according to the liner notes on one of Elton's best of albums the song was initially written as a tribute to Alice Cooper but got re-written to reflect a prostitute or lesbian.