In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Come on, Eileen
Come on, Eileen
Poor old Johnnie Ray
Sounded sad upon the radio
Moved a million hearts in mono
Our mothers cried
Sang along, who'd blame them?
You've grown (you're grown up)
So grown (so grown up)
Now I must say more than ever
(Come on, Eileen)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And we can sing just like our fathers
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
These people 'round here
Were beaten down, eyes sunk in smoke-dried face
They're so resigned to what their fate is
But not us (no never)
But not us (not ever)
We are far too young and clever
(Remember)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And you'll hum this tune forever
Come on, Eileen
Oh, I swear (what he means)
Ah, come on, let's
Take off everything
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
(Come on, Eileen, too-rye-ay)
(Come on, Eileen, too-rye-ay)
Now you're full grown (too-ra)
And now you have shown (too-ra, ta-loo-ra)
Oh, Eileen
Said, come on, Eileen (come on, Eileen) (you've grown)
These things they are real and I know (ta-loo-rye-ay) (so grown)
How you feel (come on, Eileen, ta-loo-rye-ay)
Now I must say more than ever (too-ra, ta-loo-ra)
Things 'round here have changed
I said, too-ra-loo-ra (come on, Eileen, ta-loo-rye-ay)
Too-ra-loo-rye-ay (come on, Eileen, ta-loo-rye-ay)
(Too-ra, ta-loo-ra)
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
In that dress
Oh, my thoughts I confess
Well, they're dirty
Come on, Eileen
Come on, Eileen
Whoa (what he means)
Whoa
Ah, come on, Eileen
Oh, believe me
If all those endearing young chums
That I gaze on so fondly today
Were to suddenly leave you, oh fly in the night
Just like fairy gifts gone in the sky
Come on, Eileen
Poor old Johnnie Ray
Sounded sad upon the radio
Moved a million hearts in mono
Our mothers cried
Sang along, who'd blame them?
You've grown (you're grown up)
So grown (so grown up)
Now I must say more than ever
(Come on, Eileen)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And we can sing just like our fathers
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
These people 'round here
Were beaten down, eyes sunk in smoke-dried face
They're so resigned to what their fate is
But not us (no never)
But not us (not ever)
We are far too young and clever
(Remember)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And you'll hum this tune forever
Come on, Eileen
Oh, I swear (what he means)
Ah, come on, let's
Take off everything
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
(Come on, Eileen, too-rye-ay)
(Come on, Eileen, too-rye-ay)
Now you're full grown (too-ra)
And now you have shown (too-ra, ta-loo-ra)
Oh, Eileen
Said, come on, Eileen (come on, Eileen) (you've grown)
These things they are real and I know (ta-loo-rye-ay) (so grown)
How you feel (come on, Eileen, ta-loo-rye-ay)
Now I must say more than ever (too-ra, ta-loo-ra)
Things 'round here have changed
I said, too-ra-loo-ra (come on, Eileen, ta-loo-rye-ay)
Too-ra-loo-rye-ay (come on, Eileen, ta-loo-rye-ay)
(Too-ra, ta-loo-ra)
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
In that dress
Oh, my thoughts I confess
Well, they're dirty
Come on, Eileen
Come on, Eileen
Whoa (what he means)
Whoa
Ah, come on, Eileen
Oh, believe me
If all those endearing young chums
That I gaze on so fondly today
Were to suddenly leave you, oh fly in the night
Just like fairy gifts gone in the sky
Lyrics submitted by yuri_sucupira, edited by MinuteWalt, cm035, jamescobalt, ParanoidDroid8, MalachaiSade, deborah305
Come on Eileen Lyrics as written by Kevin Rowland James Paterson
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Standing On The Edge Of Summer
Thursday
Thursday
Dreamwalker
Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
I've always known this song was about him trying to "get his leg over" his childhood friend who he has suddenly realised is a grown woman now. Teenage angst and all that crap.
Cheery song anyway.
@bluelady I'm really surprised many don't see the complex nature of this song. As with many great songs, there are multiple meanings, and not just the obvious one. It may have started about sex, but it sure didn't end up like that. This song is about promising your love to get them out of of the hell of English poverty, and make a better life for themselves.<br /> <br /> You know this from the first verse. The reason why they used Johnny Ray, out of all the 50's singer, is because was he was known as the blue caller crooner, who was beloved by working class English women, because of his extreme poverty to riches story. Hence the first verse, and why the song starts out like that.<br /> <br /> Then there's the second verse, which makes it far more complex, that has nothing to with just trying to sleep with a young love. Some teenager just looking to "get a leg over" would never say this:<br /> <br /> These people round here, wear beaten down eyes<br /> Sunk in smoke dried faces, so resigned to what their fate is<br /> But not us, no not us, we are far too young and clever<br /> (Remember) Toora Loora Toora Loo-Rye-Aye<br /> Eileen I'll hum this tune forever<br /> <br /> In the 80's to be poor in England was miserable. This song actually ends up being more about using love to get out of poverty, than just sex. The sex part is just the hook to get you to listen and remember it.
He's pressuring the girl to have sex with him and feed his desires.
This kind of makes me want to put on over-alls and dance around in the street, know what I mean?
Actually the lead singer of Dexy's Midnight runners said it is about his child hood friend "eileen". Then things got sexual and they weren't friends anymore
I'm really surprised that the complex nature of this song is not seen by these comments.. As with many great songs, there are multiple poetic meanings, and not just the obvious one. It may have started about teenage sex, but it sure didn't end up that way. This song is about promising your love to get them out of the hell of English poverty, and make a better life for themselves.
You know this from the first verse. The reason why they used Johnny Ray, out of all the 50's singer, is because was he was known as the blue caller crooner, who was beloved by working class English women, because of his extreme poverty to riches story. Hence the first verse, and why the song starts out like that.
Then there's the second verse, which makes it far more complex, that has nothing to with just trying to sleep with a young love. Some teenager just looking to "get a leg over" would never say this:
These people round here, wear beaten down eyes Sunk in smoke dried faces, so resigned to what their fate is But not us, no not us, we are far too young and clever (Remember) Toora Loora Toora Loo-Rye-Aye Eileen I'll hum this tune forever
In the 80's to be poor in England was miserable. This song actually ends up being more about using love and a relationship to get out of poverty, than just sex. The sex part is just the hook to get you to listen and remember it.
@matt1111 Re Johnny Ray: he was the "blue-collar" crooner, which means that his appeal was to the working class (blue overalls rather than the bright white shirts/blouses of bankers and lawyers. Maybe 'caller' was a typo of yours, but it should be corrected anyway. Thanks for a good analysis!
it's happy, it makes me wanna dance... love it love it!! a good mood kind of song!!
I'd just like to add that the original version of this song is many times better than the cover by Saving Ferris.
@farewell to kings though the Saving Ferris version comes real darn close
It's about a pair of young people that don't realise that they are about to fall into exactly the same trap that their parents fell into - getting pregnant young. They think they are young and clever, but they are no younger and cleverer than all those resigned, beaten down adults were when they too were young.
Pretty soon it will be "I'm pregnant, Dexie. What are we going to do?" A hasty marriage, Eileen will lose her shape and sparkle, and he will be working 'down mill for tuppence a month for the rest of his life, just like his sad old dad.
(Compare to my comments on Bohemian Like You - another song that uses a similar irony).
@Paul364486 <br /> Because the young have ALWAYS believed that they are smarter than the previous generation
Toura loura loural is an irish lullaby. Seeing as the group is british, it is possible that the "we can sing just like our fathers" is a reference to the singer's father singing this lullaby to him when he was a child.
This song reminds me of growing up, and feeling that you are invincible in your youth....yeah.