@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Come on, Eileen
Come on, Eileen
Poor old Johnnie Ray
Sounded sad upon the radio
Moved a million hearts in mono
Our mothers cried
Sang along, who'd blame them?
You've grown (you're grown up)
So grown (so grown up)
Now I must say more than ever
(Come on, Eileen)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And we can sing just like our fathers
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
These people 'round here
Were beaten down, eyes sunk in smoke-dried face
They're so resigned to what their fate is
But not us (no never)
But not us (not ever)
We are far too young and clever
(Remember)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And you'll hum this tune forever
Come on, Eileen
Oh, I swear (what he means)
Ah, come on, let's
Take off everything
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
(Come on, Eileen, too-rye-ay)
(Come on, Eileen, too-rye-ay)
Now you're full grown (too-ra)
And now you have shown (too-ra, ta-loo-ra)
Oh, Eileen
Said, come on, Eileen (come on, Eileen) (you've grown)
These things they are real and I know (ta-loo-rye-ay) (so grown)
How you feel (come on, Eileen, ta-loo-rye-ay)
Now I must say more than ever (too-ra, ta-loo-ra)
Things 'round here have changed
I said, too-ra-loo-ra (come on, Eileen, ta-loo-rye-ay)
Too-ra-loo-rye-ay (come on, Eileen, ta-loo-rye-ay)
(Too-ra, ta-loo-ra)
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
In that dress
Oh, my thoughts I confess
Well, they're dirty
Come on, Eileen
Come on, Eileen
Whoa (what he means)
Whoa
Ah, come on, Eileen
Oh, believe me
If all those endearing young chums
That I gaze on so fondly today
Were to suddenly leave you, oh fly in the night
Just like fairy gifts gone in the sky
Come on, Eileen
Poor old Johnnie Ray
Sounded sad upon the radio
Moved a million hearts in mono
Our mothers cried
Sang along, who'd blame them?
You've grown (you're grown up)
So grown (so grown up)
Now I must say more than ever
(Come on, Eileen)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And we can sing just like our fathers
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
These people 'round here
Were beaten down, eyes sunk in smoke-dried face
They're so resigned to what their fate is
But not us (no never)
But not us (not ever)
We are far too young and clever
(Remember)
Too-ra-loo-ra
Too-ra-loo-rye-ay
And you'll hum this tune forever
Come on, Eileen
Oh, I swear (what he means)
Ah, come on, let's
Take off everything
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
That pretty red dress
Eileen (tell him yes)
Ah, come on, let's
Ah, come on, Eileen, please
(Come on, Eileen, too-rye-ay)
(Come on, Eileen, too-rye-ay)
Now you're full grown (too-ra)
And now you have shown (too-ra, ta-loo-ra)
Oh, Eileen
Said, come on, Eileen (come on, Eileen) (you've grown)
These things they are real and I know (ta-loo-rye-ay) (so grown)
How you feel (come on, Eileen, ta-loo-rye-ay)
Now I must say more than ever (too-ra, ta-loo-ra)
Things 'round here have changed
I said, too-ra-loo-ra (come on, Eileen, ta-loo-rye-ay)
Too-ra-loo-rye-ay (come on, Eileen, ta-loo-rye-ay)
(Too-ra, ta-loo-ra)
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
You in that dress
My thoughts, I confess
Verge on dirty
Ah, come on, Eileen
Come on, Eileen
Oh, I swear (what he means)
At this moment
You mean everything
In that dress
Oh, my thoughts I confess
Well, they're dirty
Come on, Eileen
Come on, Eileen
Whoa (what he means)
Whoa
Ah, come on, Eileen
Oh, believe me
If all those endearing young chums
That I gaze on so fondly today
Were to suddenly leave you, oh fly in the night
Just like fairy gifts gone in the sky
Lyrics submitted by yuri_sucupira, edited by MinuteWalt, cm035, jamescobalt, ParanoidDroid8, MalachaiSade, deborah305
Come on Eileen Lyrics as written by Kevin Rowland James Paterson
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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@bluelady I'm really surprised many don't see the complex nature of this song. As with many great songs, there are multiple meanings, and not just the obvious one. It may have started about sex, but it sure didn't end up like that. This song is about promising your love to get them out of of the hell of English poverty, and make a better life for themselves.<br /> <br /> You know this from the first verse. The reason why they used Johnny Ray, out of all the 50's singer, is because was he was known as the blue caller crooner, who was beloved by working class English women, because of his extreme poverty to riches story. Hence the first verse, and why the song starts out like that.<br /> <br /> Then there's the second verse, which makes it far more complex, that has nothing to with just trying to sleep with a young love. Some teenager just looking to "get a leg over" would never say this:<br /> <br /> These people round here, wear beaten down eyes<br /> Sunk in smoke dried faces, so resigned to what their fate is<br /> But not us, no not us, we are far too young and clever<br /> (Remember) Toora Loora Toora Loo-Rye-Aye<br /> Eileen I'll hum this tune forever<br /> <br /> In the 80's to be poor in England was miserable. This song actually ends up being more about using love to get out of poverty, than just sex. The sex part is just the hook to get you to listen and remember it.
He's pressuring the girl to have sex with him and feed his desires.
This kind of makes me want to put on over-alls and dance around in the street, know what I mean?
Actually the lead singer of Dexy's Midnight runners said it is about his child hood friend "eileen". Then things got sexual and they weren't friends anymore
I'm really surprised that the complex nature of this song is not seen by these comments.. As with many great songs, there are multiple poetic meanings, and not just the obvious one. It may have started about teenage sex, but it sure didn't end up that way. This song is about promising your love to get them out of the hell of English poverty, and make a better life for themselves.
You know this from the first verse. The reason why they used Johnny Ray, out of all the 50's singer, is because was he was known as the blue caller crooner, who was beloved by working class English women, because of his extreme poverty to riches story. Hence the first verse, and why the song starts out like that.
Then there's the second verse, which makes it far more complex, that has nothing to with just trying to sleep with a young love. Some teenager just looking to "get a leg over" would never say this:
These people round here, wear beaten down eyes Sunk in smoke dried faces, so resigned to what their fate is But not us, no not us, we are far too young and clever (Remember) Toora Loora Toora Loo-Rye-Aye Eileen I'll hum this tune forever
In the 80's to be poor in England was miserable. This song actually ends up being more about using love and a relationship to get out of poverty, than just sex. The sex part is just the hook to get you to listen and remember it.
@matt1111 Re Johnny Ray: he was the "blue-collar" crooner, which means that his appeal was to the working class (blue overalls rather than the bright white shirts/blouses of bankers and lawyers. Maybe 'caller' was a typo of yours, but it should be corrected anyway. Thanks for a good analysis!
it's happy, it makes me wanna dance... love it love it!! a good mood kind of song!!
I'd just like to add that the original version of this song is many times better than the cover by Saving Ferris.
@farewell to kings though the Saving Ferris version comes real darn close
It's about a pair of young people that don't realise that they are about to fall into exactly the same trap that their parents fell into - getting pregnant young. They think they are young and clever, but they are no younger and cleverer than all those resigned, beaten down adults were when they too were young.
Pretty soon it will be "I'm pregnant, Dexie. What are we going to do?" A hasty marriage, Eileen will lose her shape and sparkle, and he will be working 'down mill for tuppence a month for the rest of his life, just like his sad old dad.
(Compare to my comments on Bohemian Like You - another song that uses a similar irony).
@Paul364486 <br /> Because the young have ALWAYS believed that they are smarter than the previous generation
Toura loura loural is an irish lullaby. Seeing as the group is british, it is possible that the "we can sing just like our fathers" is a reference to the singer's father singing this lullaby to him when he was a child.
This song reminds me of growing up, and feeling that you are invincible in your youth....yeah.