So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
I used to live in New York City
Everything there was dark and dirty
Outside my window was a steeple
With a clock that always said twelve thirty
Young girls are coming to the canyon
And in the mornings I can see them walking
I can no longer keep my blinds drawn
And I can't keep myself from talking
At first so strange to feel so friendly
To say good morning and really mean it
To feel these changes happening in me
But not to notice till I feel it
Young girls are coming to the canyon
And in the mornings I can see them walking
I can no longer keep my blinds drawn
And I can't keep myself from talking
Cloudy waters cast no reflection
Images of beauty lie there stagnant
Vibrations bounce in no direction
And lie there shattered into fragments
Young girls are coming to the canyon
(Young girls are in the canyon)
And in the mornings I can see them walking
(In the mornings I can see them walking)
I can no longer keep my blinds drawn
(Can no longer keep my blinds drawn)
And I can't keep myself from talking
Everything there was dark and dirty
Outside my window was a steeple
With a clock that always said twelve thirty
Young girls are coming to the canyon
And in the mornings I can see them walking
I can no longer keep my blinds drawn
And I can't keep myself from talking
At first so strange to feel so friendly
To say good morning and really mean it
To feel these changes happening in me
But not to notice till I feel it
Young girls are coming to the canyon
And in the mornings I can see them walking
I can no longer keep my blinds drawn
And I can't keep myself from talking
Cloudy waters cast no reflection
Images of beauty lie there stagnant
Vibrations bounce in no direction
And lie there shattered into fragments
Young girls are coming to the canyon
(Young girls are in the canyon)
And in the mornings I can see them walking
(In the mornings I can see them walking)
I can no longer keep my blinds drawn
(Can no longer keep my blinds drawn)
And I can't keep myself from talking
Lyrics submitted by magicnudiesuit
Twelve-Thirty (Young Girls Are Coming to the Canyon) Lyrics as written by John Edmund Andrew Phillips
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
I think the heart of the song is found in this verse:
<i>At first so strange to feel so friendly To say good morning and really mean it To feel these changes happening in me But not to notice till I feel it</i>
Like many people in the 60s/70s the narrator experienced a lovely period in which he learned to accept himself and others with genuine warmth.
Unfortunately there is a creepy side to it in that the narrator seems to restrict his newfound openness and warmth to befriending the young, presumably beautiful girls coming to Laurel Canyon.
@LuckyTown Twelve-Thirty is ACTUALLY about Papa John writing a song to make Michelle Phillips jealous, that he didn’t need her because of all the “young girls” coming to the canyon that he’s gonna try to fuck. That’s it...