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Southern California Wants to be Western ... Lyrics
There's a part of the country could drop off tomorrow in an earthquake
Yeah it's out there on the cutting edge, the people move, the sidewalks shake And there's another part of the country, with a land that gently creaks and thuds Where the heavy snows make faucets leak in bathrooms with free-standing tubs They're in houses that are haunted, with the kids who lie awake and think about All the generations past who used to use that dripping sink And sometimes one place wants to slip into the other just to see what it's Like to trade its demons for the restless ghost of Mrs. Ogilvey She used to pick the mint from her front yard to dress the Sunday pork Sometimes southern California wants to be western New York It wants to have a family business in sheet metal or power tools It wants to have a diner where the coffee tastes like diesel fuel and it Wants to find the glory of a town they say has hit the skids and it Wants to have a snow day that will turn its parents into kids And it's embarassed, but it's lusting after a SUNY student with mousy-brown hair who is Taking out the compost, making coffee in long underwear Southern California says to save a place, "I'll meet you there" and it Tried to pack up its Miata, all it could fit was a prayer Sometimes the stakes are bogus, sometimes the fast lane hits a fork, sometimes Southern California wants to be western New York Tempe, Arizona thinks the Everglades are greener and wetter and Washington, D.C. thinks Atlanta integrated better but I Think that southern California has more pain than we can say cause it Wants to travel back in time, but it just can't leave L.A.-ay-ay-ay But now I hear they've got a theme park planned, designed to make you gasp and say: Oh, I bet that crumbling mill town was a booming mill town in its day and the Old investers scoff at this, but the young ones hope they'll take a chance and they Promise it will make more dough than Mickey Mouse in northern France and the Planners got an opening day, the town historian will host and the Waitresses look like waitresses who want to leave for the west coast And they'll have putterning on rainy weekends, autumn days that make you feel sad, They'll have hundred-year-old plumbing and the family you never had and a Hudson River clean-up concert and a bundle-bearing stork and I Hear they've got a menu planned, it's tres western New York
Interaction
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04-01-2003
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04-11-2003
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11-06-2004
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03-31-2005
Sorry, stuff like that bugs me. :P
But anyway, I think the "grass is always greener" thing is a part of it, but I also think this song is about glamor and surface beauty vs. history (all those references to ghosts and haunted houses!) and a sort of authenticity.
The song opens with SoCal in danger of falling into the ocean; for all the Hollywood mythology, all the perceived fabulousness, it's all so transient and unstable. And phony: in the last verse SoCal tries to compensate by setting up an ersatz "theme park" of WNY! Whereas Western NY is solid, weighted down by "heavy snows" and a deep sense of history...even if that history is so romanticized because it's better than the present, as with all those rust-belt towns that have "hit the skids."
This song is pointing out the value of all that history and the sense of community, even though our culture doesn't always recognize it: "Sometimes the stakes are bogus, sometimes the fast lane hits a fork..." Sometimes what we think we want isn't as satisfying as we expected it to be.
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07-09-2005
I think that the song is ironic. The California Myth a la the Beach Boys, Annete Funicello and Frankie Avalon, The OC - Dar Williams turns that around. What if western New York were the ideal? She gives all these snapshots of New York, like diner coffee, and a weekly meal of pork on sunday, always served with mint, creaking houses full of age. There are very few references to things specific to the stereotypical SC, only the Miata. None of the usual fun-on-the-beach, Hollywood glamour, finding oneself in California that fills so many other pop songs. She turns the cliche around to a part of the country that no one idealizes, sad old western New York, forgotten, but still steeped in New England. The inverse cliche mocks itself, though, when typical WNY waitresses are characterized as looking liek they "want to leave for the west coast," even if (by gravity defiant's measure) they are already in California.
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01-16-2006
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07-09-2007
Her impression of this song sounds a bit like mine, which is that, while some of its lines are brilliantly acute: in the end, there's simply too much irony and too many references and too many words period to fit into 4:11. She's showing off on this one, and like the more over-the-top work of Michael Moore or Cindy Sheehan, it ultimately shoots itself in the foot.
No matter. She's got a healthy body of work that does not suffer from this problem, and it's to be celebrated.
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03-14-2008
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