This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
The watchmaker works all day and long into the night
He pieces things together despite his failing sight
Though all the cogs connect with such poetic grace
Time has left its curse upon this place
Each hour becomes another empty space to fill
Wasted with the care and virtues of his skill
The watchmaker buries something deep within his thoughts
A shadow on the staircase of someone from before
This thing is broken now and cannot be repaired
Fifty years of compromise and aging bodies shared
Eliza dear, you know, there's something I should say
I never really loved you, but I'll miss you anyway
Well, you were just meant to be temporary
While I waited for gold
We filled up the years and I found that I liked
Having someone to hold
But for you I had to wait
Until one day it was too late
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
He pieces things together despite his failing sight
Though all the cogs connect with such poetic grace
Time has left its curse upon this place
Each hour becomes another empty space to fill
Wasted with the care and virtues of his skill
The watchmaker buries something deep within his thoughts
A shadow on the staircase of someone from before
This thing is broken now and cannot be repaired
Fifty years of compromise and aging bodies shared
Eliza dear, you know, there's something I should say
I never really loved you, but I'll miss you anyway
Well, you were just meant to be temporary
While I waited for gold
We filled up the years and I found that I liked
Having someone to hold
But for you I had to wait
Until one day it was too late
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
Cogs and levers mesh
We are bound in death
Melt that silver down
I'm still inside you
Lyrics submitted by jedilink, edited by strashilol, Sephian
The Watchmaker Lyrics as written by Steven John Wilson
Lyrics © Downtown Music Publishing
Lyrics powered by LyricFind
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“Another adventure. This is the story of the watchmaker, the guy who is meticulous about his craft, but he never has any kind of emotional outburst, nor does he express violence or any extreme emotions whatsoever.
“It’s the idea of a couple who have been together for 50 years or more, purely because it was convenient and comfortable. There’s a line that says something like ‘You were just meant to be temporary while I waited for gold.’ So it’s the idea that they got together almost because they didn’t want to be in a situation where they weren’t dating somebody, and they’ve ended up together for 50 years, even though there was never a strong feeling of love between them.
“If you allow yourself, life can pass you by. Time is tick, tick, ticking away. If you’re not careful, you can find that your whole life has gone by, with this idea of ‘Maybe I’ll do this one day...’ It’s a very sad sentiment of regret, of what should have been and what could have been. Sometimes that feeling of comfort can be a real drug.
“The watchmaker ends up killing his wife and burying her under the floorboards of his workshop. But, of course, she comes back, because she’s been with him for 50 years; she’s not going to leave him now. So again, it’s the idea of death not making any difference in a situation. You can kill me, chop me up, bury me, but I’m still not leaving.
“At the very end, it’s very dark, and the wife comes back to take him with her, which is another classic ghost story, in a way.
“Musically, the beginning section is very much inspired by the way Genesis used acoustic guitars early in their career. I was never a big fan of Genesis; I never listened to them as a kid. But I’ve started listening to them more recently because I’m good friends with Steve Hackett. One thing I love about their early records is the chiming quality of the 12-string acoustic guitars. That became the inspiration for starting off The Watchmaker.
“I like the idea of intertwining harmony vocals, two or three lines that work in a counterpunctual way. It’s something I learned from guys like Brian Wilson but also Crosby, Stills & Nash and Todd Rundgren — anyone who has fabulous, multi-part harmonies.
“We got some great bass sounds on the album, thanks to Alan. There’s kind of a bass solo on this song, but it’s one that I wrote out and planned meticulously. In the past, there haven’t been a lot of opportunities for me to explore that. In my solo work, however, I’ve backed off heavy guitar stuff, which has opened up all of this space for things like keyboards and woodwinds but also this big, upfront lead bass sound. Think Geddy Lee or Chris Squire of John Entwistle.”
In the last part of the song when the wife's ghost comes back to take the Watchmaker, the only thing that isn't clear to me is what the line "Melt the Silver Down" at the end of the song refers to. Any ideas?
After further thought, I think "Melt the Silver Down" is juxtaposed to the earlier line "While I waited for Gold". The watchmaker was always waiting for someone better to come along ("gold"), his wife was just "silver", so I think "Melt that Silver Down" may be her reference to when he murdered her.<br /> <br /> This is my favorite song on the album - very reminiscent of "The Musical Box" from Genesis. Similar sounding guitar, both songs about a ghost of someone murdered come back to haunt the living, both very much an "adventure" with multiple musical movements, and a climactic ending!
I took it to be a reference to melting down his wife's wedding band after killing her, melting down the ring as a way of trying to erase memories of their marriage, but I must say, BigRed, I think your analysis plays into it as well.
I think "Melt the Silver Down" is refering to his Job - as a Watchmaker you're also a Silversmith to fit the tiny cogs and stuff. In other words his wife is saying "You just carry on with that Job of yours - i'm still inside you."
This song sounds like if Jethro Tull did a cover of Shine On You Crazy Diamond. And it's fuckin wonderful.