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West on a plane bound west I see her stretching out below
Land blessed motherland the place where I was born
Scars yeah, she's got her scars sometimes it starts to worry me
'Cause lose, I don't wanna lose sight of who we are
From the mountains high to the wave-crashed coast
There's a way to find better days I know
It's been a long hard ride, got a ways to go
But this is still the place, that we all call home
Free, nothing feels like free
Though it sometimes means we don't get along
'Cause same, no we're not the same
But that's what makes us strong
From the mountains high, to the wave-crashed coast
There's a way to find, better days I know
It's been a long hard ride, got a ways to go
But this is still the place that we all call home oh yeah
Brave got it call it brave to chase that dream across the sea
Names then they sign their names for something they believe
Red how the blood ran red and we laid our dead in sacred ground
Just think wonder what they'd think if they could see us now
It's been a long hard ride, got a ways to go
But this is still the place, that we all call home
It's been a long hard ride and I won't lose hope
This is still the place that we all call home
Land blessed motherland the place where I was born
Scars yeah, she's got her scars sometimes it starts to worry me
'Cause lose, I don't wanna lose sight of who we are
From the mountains high to the wave-crashed coast
There's a way to find better days I know
It's been a long hard ride, got a ways to go
But this is still the place, that we all call home
Free, nothing feels like free
Though it sometimes means we don't get along
'Cause same, no we're not the same
But that's what makes us strong
From the mountains high, to the wave-crashed coast
There's a way to find, better days I know
It's been a long hard ride, got a ways to go
But this is still the place that we all call home oh yeah
Brave got it call it brave to chase that dream across the sea
Names then they sign their names for something they believe
Red how the blood ran red and we laid our dead in sacred ground
Just think wonder what they'd think if they could see us now
It's been a long hard ride, got a ways to go
But this is still the place, that we all call home
It's been a long hard ride and I won't lose hope
This is still the place that we all call home
Lyrics submitted by hockeyguy9
Home Lyrics as written by Stuart John N Crichton Grant Black
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Royalty Network
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True story I was in an undergrad prelaw class and I was going to write a paper on copyright law.
It's undergrad so I was drunk all the time, so I posted that I was going to do an independent theoretical analysis. I incorrectly posted it would be subjective in nature and therefor inconclusive because I did not know the jurisprudence.
When I started learning the jurisprudence for copyright infringement I was like "shit fuck" I put it off for too long. So I didn't have time to transcribe this onto sheet paper and give an objective analysis.
It would be good to argue either way, but the best legal arguments are on Jason's side because the melody is so damning.
An argument for Dirks is basically "Jason is a nobody I've never heard this song".
Now what happened is both sides hired a musicologist, now the musicologist probably focused on the differences rather than the similarities, and perhaps was unfamiliar with the jurisprudence. I think also Dirks is a high powered guy.
But when I posted on my class I thought it was legally stolen. When I got drunk enough to listen to Dirks Bentley I was shamefaced I had posted that because I heard no similarities.
But after a short listen I noticed the melody, which is cleverly and intentionally altered and very damning when you combine the jurisprudence with Nashville (location) which implies access. Now that that and move logically into substantial similarity, and striking similarity (which negates access requirement) which in my opinion as a musician who has played all genres and knows music theory has been met.
When I'm in law school I will write a brief for each side. Dirks Bentley's brief will rely on his accomplishments, which are basically how many records he sold, and Jason is a nobody. Not good legal arguments, not objective, nothing really to do with the copyright jurisprudence. It's all bullshit but you have to be able to argue both sides in law school. And it's very hard to argue for Dirks, if you know music theory.
Unfortunately a jury is not going to understand music theory. I do want to be an attorney and I hope this doesn't offend anyone but judges don't even understand music theory.
mcir.usc.edu/cases/1970-1979/Pages/fergusonnbc.html
"But even indulging every permissible inference in favor of the plaintiff's affidavit to support what she must establish under the law, what the affidavit purports still falls far short of musicological Bach-like proportions."
The argument made is what I would make. Bach really sets the rules for music theory, polyphony and counterpoint voice leading. So I would trace it to Bach, music theory it's easy to make good legal arguments with it, it just by its nature is objective.
I had a teacher say though you can trace it to Bach, but you can trace a I IV V back further.
So the judge didn't understand the argument made, but held great reverence for Bach, and probably enjoyed his music.
My dad is an attorney and I talked to him about other options and he said there is an example where each side appoints an expert and they both agree on a third expert. If that is binding it would be good.
A huge disagreement with "The Case for a Specialized Music Tribunal" is setting a set number of notes for a melody, which most musicians incorrectly think it is three. Each phrase contextually would have a different number of notes, which is why if the jurisprudence is binding it could get pretty complex but you would feel like the work you did was setting good jurisprudence for those to come.
In Nashville I think a specialized music tribunal would be necessary. Copyright infringement is a big deal there, and it's all a poker game. Dirks held 7 deuce, but half the battle is handling it correctly. What happened to Jason was unfortunate.
In my opinion this would be the most egregious case of copyright infringement ever, except we only heard about it because Jason probably got a tip from a friend and was like well shit I gotta get drunk as fuck to listen to Dirks Bentley.
In short it's the only one we've heard of but it happens all the fucking time.
@bkabbott But when I"m in law school I will write a brief on both sides because this is one case I'm aware of.<br /> <br /> And I had a good teacher in undergrad who always tried to throw me off by making me argue another side.
Of course the most objective argument against striking similarity for Dirks is the rhythmic alterations. <br /> <br /> But I've decided to finish a music performance degree with classical and jazz guitar at Georgia Southern. My heart is back in music so I really have an opportunity to learn classical pieces from every<br /> <br /> But best of all I most likely will have access to a repository of scores and I can theoretically analyze all of the more difficult copyright cases. Hopefully this will counteract my scores because if I do this I might be able to get into a law school that specializes in entertainment law.<br /> <br /> That way in law school I will be scared in every class because my teachers will know music theory, and it will give me a better foundation.