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You're on in five
It's time you rise
Or fade
They've gone before
Stood by your door
All day
For what it's worth
Defend your kind
From shame
The lights are down
Go on inside
They've paid
You're the face in stone
Through the land I own
You never found it home
You're not the girl I used to know
What would you hide from such a glow
If I had only told you so
You're on in five
It's time you rise
Or fade
They've gone before
Stood by your door
All day
But you never found it home
A Fair price I'd pay to be alone
What would you hide from such a glory ?
If I had only told you so
It's time you rise
Or fade
They've gone before
Stood by your door
All day
For what it's worth
Defend your kind
From shame
The lights are down
Go on inside
They've paid
You're the face in stone
Through the land I own
You never found it home
You're not the girl I used to know
What would you hide from such a glow
If I had only told you so
You're on in five
It's time you rise
Or fade
They've gone before
Stood by your door
All day
But you never found it home
A Fair price I'd pay to be alone
What would you hide from such a glory ?
If I had only told you so
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It sound as though he wishes he'd expressed what he found special about her and he thinks it's a shame that she's hiding parts of her that make herself and he can't understand why. (What would you hide from such a glory? If I had only told you so).
The duality of the word glory also is almost cutting in its delivery. The glory she's gained (praise and adoration) is covering her own glory (i.e splendour). Really lovely sentence.
A slight bitterness as well in the delivery of "You're the face in stone" metaphorically they've built a statue of her, she's been immortalised but symbolically she's betrayed her loved ones and been set in stone (Lot's wife) or maybe she is incapable of being herself anymore because a statue is created through the eyes of the beholder rather than through any part of it's own doing.
I might be way off if there is indeed an on but that's what I took from it. Such a gorgeous song and so sad "You never found it home" seems to hint at a disappointment in her for not returning (or staying both in person and in character) and him for playing no part in trying to keep her.
So much you could take this song before and so beautifully composed.
It sound as though he wishes he'd expressed what he found special about her and he thinks it's a shame that she's hiding parts of her that make herself and he can't understand why. (What would you hide from such a glory? If I had only told you so).
The duality of the word glory also is almost cutting in its delivery. The glory she's gained (praise and adoration) is covering her own glory (i.e splendour). Really lovely sentence.
A slight bitterness as well in the delivery of "You're the face in stone" metaphorically they've built a statue of her, she's been immortalised but symbolically she's betrayed her loved ones and been set in stone (Lot's wife) or maybe she is incapable of being herself anymore because a statue is created through the eyes of the beholder rather than through any part of it's own doing.
I might be way off if there is indeed an on but that's what I took from it. Such a gorgeous song and so sad "You never found it home" seems to hint at a disappointment in her for not returning (or staying both in person and in character) and him for playing no part in trying to keep her.
So much you could take this song before and so beautifully composed.
Q: "The highlight of the album is “Goshen.” It’s heartbreaking, just you and the piano and an old-school torch song. Is it about a real experience, a real breakup?"
Condon: "That’s what I like about it. Some close friends asked me about it — is that about you in real life or is it you on the stage? At this point I can’t tell the difference. Not in reality, but it’s fun to think of it that way. Everything is a performance, be it a relationship or on the stage. It was fun writing that song. It’s a heavy song. That three-chord piano progression was ripe for melody. It’s also the most raw song on the record — just piano and vocals. It was the last one I did. Everything I put down I was scared to leave in. I was scared to finish it, to say, “This is the take.” I remember, the producer, Griffin Rodriguez, I had to call him out from New Mexico to keep moving forward. The vocal take on there is the first one I did when he was in town. When I do vocals on record I usually do them alone, out of the studio. I go home and record by myself. He made it feel as private as possible by surrounding me with blinders. I felt like an ostrich with my head in the sand. He gave me a glass of whisky and said, “Do it!” It took one take for the vocals and a couple more for the backing."
Source: mtvhive.com/2011/09/02/beirut-settles-down-buys-a-dog/
Love the song either way.
I sort of agree with you, Papa, with the abandonment. The imagery I got was a man and a woman (or a woman and a woman, based on the "You're not the girl I used to know," line) that have had their relationship ended - could be for a while, could be very recent. The singer is looking at it from the outside and he sees that his partner is "putting on a good show/face," and is bitterly commenting "It's time you rise/Or fade," meaning, keep up with the facade and fooling all of the others around her ("They've gone before/Stood by your door/All day"). I am not sure what the facade is exactly; maybe that she's pretending to be fine post-breakup or maybe she is hiding some other dark part of her that only the singer only knows. I am leaning towards there is something darker going on that only the singer knows about, and he is seeing that the dark part of her is hurting and hindering her ("Why would you hide from such a glow/If only I had told you so,") and that he feels some remorse for either not helping her through it or maybe causing it inadvertently. I think he is calling her a coward for her actions (or lack there of) by saying "For what it's worth/Defend your kind/From shame". He continues and does note that she has never found herself, or felt comfortable with herself "You never made it home," and follows by feeling sad/depressed about it because she was "Not the girl I used to know." This could be that he thought she was someone different, or that somehow they separated with time and evolved into very different people. I think the separation relates back to the dark side of her. This may be my own relationship experience talking; but he's basically telling her with this line that he is disappointed in her for not overcoming what is holding her back. He continues with his bitter remarks about her going on to put on a good show for everyone, stating that "Go inside/They've paid." He laments that he does not enjoy being alone but he feels it is better than being with someone who is "faking" it ("A fair price I'd pay to be alone"). He closes again with some remorse about either causing her this pain or not stopping it.
I could be completely missing mark, though! Would not be the first time. But regardless, it is such a beautiful song.
In terms It appears to have a biblical connection Goshen is the name of the region in which where the story of Joseph & his brothers/father is centred in Egypt and most of the lines allude to this; "It's time you rise or fade" "Defend your kind from shame", "Go inside they've paid" to name a few lines that have clear reference to Joseph's story. But these are intermingled with other lines that I can't quite work out.
The best I can come up with is that it appears to centre on the scenes when the brothers visit Joseph once he's risen to high rank in Egypt after they had abandoned him and left him for dead. He ponders going out and 'performing' in front of them ("you're on in five, it's time to rise or fall") and after their waiting "at the door" they come in and he (perhaps with a inner struggle) does the honourable thing and "defends his kind". After the encounter, the "lights are down" the 'show' is over and "they've paid" what was asked of them as the story goes.
Emotionally it seems to capture the mix of emotion of the ups and downs of going from abandonment, loneliness and then to 'success' while still being apart from one's origins. This all comes to a head when you're forced to encounter the ones you are intimately related to and find identity with yet are also the source of your feeling aloneness in the first place.
Probably more to it that I'm missing, but that's my take on it. Would love to hear other peoples comments on the meaning of this song