In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
The world begins
With new born skin
We are right now
You're needle girl
In a haystack world
We are right now
You're breathing in
The highs and lows
We call it living
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime
Don't let go
Don't give up hope
All is forgiven
You're breathing in
The highs and lows
We call it living
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime
All is not lost
All is not lost
Become who you are
It happens once in a lifetime
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime alive
We are once in a lifetime
In this needle and haystack
(We are once in a lifetime)
With new born skin
We are right now
You're needle girl
In a haystack world
We are right now
You're breathing in
The highs and lows
We call it living
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime
Don't let go
Don't give up hope
All is forgiven
You're breathing in
The highs and lows
We call it living
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime
All is not lost
All is not lost
Become who you are
It happens once in a lifetime
In this needle and haystack life
I found miracles there in your eyes
It's no accident we're here tonight
We are once in a lifetime alive
We are once in a lifetime
In this needle and haystack
(We are once in a lifetime)
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This is one of my favorite songs. https://fnfgo.io
Gentle Hour
Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
In this one, Jon is singing to a girl who is losing hope for her life. She feels like she's lost in all of it, that maybe God doesn't care about her (needle in the haystack). But Jon's just like "look around! we're here for a reason! things get better." Beautiful song about keeping hope and keeping in mind that this life is a blessing.
Jon Foreman- "Here's a song that epitomizes the way that we recorded this record, pushing at every stage to reach a higher ground. There are several iterations of this song, each of them with a radically different approach- a method we never had the time for until we built our own studio. One of the reasons we built our own studio was to enable productive experimentation like this without paying for it by the hour. We first tracked this tune with a long time friend named Shane Wilson (we did our very first SF record with Shane). Then we revisited this song again with another friend of ours, Darryl Thorpe (Radiohead, Paul McCartney). For both of these versions the song was cut at half time (rather than the frenetic double-time pace that's on the record). Upon reviewing the list of songs with Mike Elizondo, "Needle" felt too similar in tempo and feel to "Yet" (a tune on the final list for the record). So it was scrapped from the list of tunes for the record. Because we recorded more than 80 songs for this record, we had a lot of songs to push to the side. Mike's objective input on determining which songs not to work on was invaluable. I had learned to really trust his instincts and agreed whole-heartedly with most the final list that he had suggested. He was right that "Needle" and "Yet" on the same record made the record much sleepier. However, "Needle" kept coming back to Tim and I as an important track.
So we put it aside for a week or two to see if it would return (the best ones always come back around). I kept coming back to the content of the lyric. All of the concepts behind the song - hope against the backdrop of chaos and meaninglessness, recognizing the value of every human life -these felt so existentially motivating. "Needle" felt like a song that I wanted to sing every night. And I felt like it could be done with an element of the horizon built into the song. So, onstage in Vegas we worked up the song in sound-check, recorded the idea into a cell phone, and came back with a fresh direction for the tune.
Drew came up with an ingenious idea for a unique guitar tone. We played the electric guitar through an amp, miked the amp with an acoustic guitar (in open tuning of the key of the song), plugged the acoustic guitar into another amp and recorded the signal from that second amp. The result was so expansive and dramatic I felt like it should start the record. So that's what you hear at the top: a sweet amalgamation of electric and acoustic madness.
This song makes me think of abundant, overflowing life. The math involved for life to be possible at all is staggering. Let alone beauty. love. joy. forgiveness. To hold someone in your arms is to hold a living, breathing miracle. At any age, this life is a gift."
I really, really love this song... it might be my favorite song by Switchfoot, actually. :/ Weird, right?
Well I can definitely see this being really big and existential in meaning, but I also see it being just about two people. Finding your "soulmate" [if you believe in such things] is a once-in-a-lifetime, needle-in-haystack deal. In a way its the multiple interpretations I love about the song. And as always with this band, I adore the music.
Personally, I feel that this song is about being caught up in a blossoming love, epitomized by: "You're a needle girl In a haystack world We are right now"
It references living in the present repeatedly ( "We are right now." "...we're here tonight." etc.), reflecting that feeling of when you just want to stop time and be with that special person.
Of course, in classic Switchfoot style, it could also simply be about not taking any moment for granted and simply enjoying every moment of the journey of life ("You breathe it in- the highs and lows. We call it living.")
Lovely song.