This is about bronies. They communicate by stomping.
Both our families after gathering
We're cutting a baby out
With my grandmother's heirloom antler-handled carving knife
They were under her grand chandelier
Where we all, together, have shared holiday dinner
But it was your father that was holding the knife
Yeah, I begged you not to make me tell ya
Yeah, I pleaded with you to, to leave it alone
I told ya
I told you that you didn't want to know
What went on in my horrible dream
I was peering in through the picture window
It was a heart-warming tableau
Like a Norman Rockwell painting
Until I zoomed in
I was making noises in my sleep
But you wouldn't believe me when I told ya
That I wasn't with someone in my dream
Catfish were wriggling in blood and gore in the kitchen sink
Yeah, I told ya
I told ya
I told you
Now sweetie, please promise me
That you won't see
This sad song, grim augury
We're cutting a baby out
With my grandmother's heirloom antler-handled carving knife
They were under her grand chandelier
Where we all, together, have shared holiday dinner
But it was your father that was holding the knife
Yeah, I begged you not to make me tell ya
Yeah, I pleaded with you to, to leave it alone
I told ya
I told you that you didn't want to know
What went on in my horrible dream
I was peering in through the picture window
It was a heart-warming tableau
Like a Norman Rockwell painting
Until I zoomed in
I was making noises in my sleep
But you wouldn't believe me when I told ya
That I wasn't with someone in my dream
Catfish were wriggling in blood and gore in the kitchen sink
Yeah, I told ya
I told ya
I told you
Now sweetie, please promise me
That you won't see
This sad song, grim augury
Lyrics submitted by ButtercupSaiyan
Grim Augury Lyrics as written by Mark Linkous Brian Joseph Burton
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
There is such a huge disconnect between the way these lyrics read on paper, and the stuff you see when you hear them.
This needs to be listed as artist "Danger Mouse and Sparklehorse", connected to the album, "Dark Night of the Soul", and the title changed to "GRIM Augury".
A man awakes from a nightmare. His wife accuses him of "being with someone" during the dream but he denies this. He begs her not to make him tell her what the dream is but she forces him. In this dream, he was peering through the picture window of his grandmother's home into her dining room. Both the narrator's and his wife's families were present. For the narrator, this at first seems heartwarming and pleasant, until he "zooms in" and realized what is going on. In this dream, his wife is pregnant (it is unknown if this is also true in real life) and is apparently restrained or otherwise unable to defend herself while lying on the dining room table. The wife's father is holding the husband's grandmother's heirloom antler-handled carving knife, "for cutting the baby out". The implied violence is fleshed out in the line "Catfish were wriggling in blood and gore in the kitchen sink!"... At the song's conclusion the husband tells his wife not to take this dream as some "grim augury" of what is to come in the future, which dubiously implies that she is, in fact, pregnant.