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Counting all different ideas drifting away
Past and present, they don't matter.
Now the future's sorted out
Watch, you're moving in elliptical pattern
Think it's not what you say
What you say is way too complicated
For a minute thought I couldn't tell how to fall out.
It's twenty seconds 'til the last call, going "hey hey hey hey hey hey"
Lie down, you know it's easy like we did it all summer long
And I'll be anything you ask and more, going "hey hey hey hey hey hey"
It's not a miracle we needed, and no I wouldn't let you think so
Falling, falling, falling, falling
Girlfriend, you know your girlfriend's drifting away
Past and present, 1855-1901
Watch them build up a material tower
Think it's not gonna stay anyway
Think it's overrated
For a minute, thought I couldn't tell how to fall out
It's twenty seconds to the last call, going "hey hey hey hey hey"
Lie down, you know it's easy, like we did it all summer long
And I'll be anything you ask and more, going "hey hey hey hey hey"
It's not a miracle we needed, and no, I wouldn't let you think so
Falling, falling, falling, falling
Falling, falling, falling, falling
Past and present, they don't matter.
Now the future's sorted out
Watch, you're moving in elliptical pattern
Think it's not what you say
What you say is way too complicated
For a minute thought I couldn't tell how to fall out.
It's twenty seconds 'til the last call, going "hey hey hey hey hey hey"
Lie down, you know it's easy like we did it all summer long
And I'll be anything you ask and more, going "hey hey hey hey hey hey"
It's not a miracle we needed, and no I wouldn't let you think so
Falling, falling, falling, falling
Girlfriend, you know your girlfriend's drifting away
Past and present, 1855-1901
Watch them build up a material tower
Think it's not gonna stay anyway
Think it's overrated
For a minute, thought I couldn't tell how to fall out
It's twenty seconds to the last call, going "hey hey hey hey hey"
Lie down, you know it's easy, like we did it all summer long
And I'll be anything you ask and more, going "hey hey hey hey hey"
It's not a miracle we needed, and no, I wouldn't let you think so
Falling, falling, falling, falling
Falling, falling, falling, falling
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So, I can only presume that it's a song glorifying origami, and the great origami master Hojyo Takashi.
Hojyo Takashi was born in 1901, so it fits.
Those French and their covert coveting of Japanese culture...many French also wear kimonos.
The ambition, or some may argue gall, of the Eiffel Tower, reaching high toward the heavens, was a symbol of not just human reason and technical expertise, but of "unlimited" and "unchecked" human abilities (per the Age of Enlightenment). In short, it is hubris. This mindset is not all unlike the Tower of Babel in the biblical account. When this ambition or hubris takes place, past and present becomes meaningless and the future is all that matters; building ourselves a determined, cozy fate is all that matters. History wishes to control and guarantee future outcomes... Sound familiar???
Likewise, his girlfriend wishes understand all the complex parts of a relationship and build an edifice of it, so to guarantee it stands in the future. But, really, continued diligence and maintenance is the key to any relationship, as it is a dynamic thing in nature. You can't hold and see and feel "love." The narrator gets this. "It's not a miracle we needed." He tries to remind her of the simpler things, like making love and laying down to have sex --- literally, being horizontal with the earth rather than trying to transcend the heavens in vertical fashion, you might say.
-- But what really struck me about this song is the honesty of the narrator in the first stanza, where he almost falls for this elaborate blueprint of his girlfriend: "For a minute thought I couldn't tell how to fall out." I know in past relationships, I was willing to believe anything my gf said because you want to be one with your significant other --- hell, I even began to believe in the claims she made that I was cheating on her (when I wasn't in reality).
Being in a relationship is by definition a sort of weakness because we suddenly need to give up our sheer independence and become co-dependent with the other. In other words, we need to build something but it need not be so big and complex. Like an arch. If you have a cornerstone to hold it together, like "joy" or "love" or whatever, then it can be stronger than isolated, individual blocks. It also needs to have a function.
The trick, I guess, is building something strong enough to weather all the storms that WILL ensue.. Tricky formula that is. But in the end, returning to the earth, laying flat with another is a good way to start..
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Take an image of a couple in confrontation about their relationship. The song is portrayed from the man's perspective, and he his thoughts are detached from the moment and drifting away as she's speaking. She's talking about things that have happened between them in the past and what they have to do now to fix it. He doesn't care and is not even following her logic, because to him it all doesn't matter -- the future's been sorted out. He knows the relationship is not going to work out and has no illusions over it.
She grabs his attention, "Hey, hey, hey, hey, hey, hey." This is urgent for her -- she's on the verge of breaking up. He's still not taking it seriously. To him her troubles are trivial. He's thinking that they should just fall back to bed, have sex, and enjoy themselves like they have before. He knows the relationship won't last and won't even bother give her the impression that it will. He's going to fold this one and move on.
In between her protests, his thoughts drift away again. He's relating his situation to that of Paris in the late 19th century. Paris was bustling and great then when they built the Eiffel Tower, which they thought was an eyesore that would eventually go away -- but it didn't. Now Paris is stuck in the past while the world is moving on. In the same way, his relationship with his girlfriend was great in the past, but he knows better now. Rather than investing to build an Eiffel tower of their relationship and glorify their past, he's going avoid the fate of Paris and move on.
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This is a historical metaphor for a decision about not investing in a present relationship! Wow Phoenix! Cool.
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Take an image of a couple in confrontation about their relationship. The song is portrayed from the man's perspective, and he his thoughts are detached from the moment and drifting away as she's speaking. She's talking about things that have happened between them in the past and what they have to do now to fix it. He doesn't care and is not even following her logic, because to him it all doesn't matter -- the future's been sorted out. He knows the relationship is not going to work out and has no illusions over it.
She grabs his attention, "Hey, hey, hey, hey, hey, hey." This is urgent for her -- she's on the verge of breaking up. He's still not taking it seriously. To him her troubles are trivial. He's thinking that they should just fall back to bed, have sex, and enjoy themselves like they have before. He knows the relationship won't last and won't even bother give her the impression that it will. He's going to fold this one and move on.
In between her protests, his thoughts drift away again. He's relating his situation to that of Paris in the late 19th century. Paris was bustling and great then when they built the Eiffel Tower, which they thought was an eyesore that would eventually go away -- but it didn't. Now Paris is stuck in the past while the world is moving on. In the same way, his relationship with his girlfriend was great in the past, but he knows better now. Rather than investing to build an Eiffel tower of their relationship and glorify their past, he's going avoid the fate of Paris and move on.
---------------
This is a historical metaphor for a decision about not investing in a present relationship! Wow Phoenix! Cool.