Brother hold your head this way,
And bustle to the front of the line;
'cause if they catch your eyes before you get inside
Well, you'll never be allowed.
People got a name for us
'cause we escape the strain of the days
Oh we stretch at the sides and bend in the middle
But we never ever break.

But if you're feeling that way now,
Or if you ever feel so inclined -
Skip past the doors of boring forty somethings and rise.
Oh, and if you want to lose your frown,
Or your name or even your face -
Lick up a dream that seemingly sings with whistling neon breath.

Come and have a drink with us,
A little wine or a nice champagne?
Oh thanks that's nice, and I would decline,
But at night things seem to change.
People got a name for us,
'cause we escape the strain of the days -
Oh we stretch at the sides and bend in our minds
But well never ever change.

And if you're feeling that way now,
Or if you ever feel so inclined,
Well, kick in the shins of all those fucking whingers and rise.
Oh and if you want to lose your frown,
Or your name or even your face,
Lick up a dream that seemingly sings with whistling neon breath.

Sid was at the gates of dawn,
And Jimmy said ride the snake:
So we bent our spoons and howled at the moon
To find what science replaced.
And it turns out it ain't that much
Though I may have missed it in the haze -
Oh drips in the mind and fills up your eyes
But well never be the same.
(Shhh)
But if you're ever coming down,
Or if you ever take too much -
Remember that's much better than never ever getting enough.
So if your want to lose your frown,
Or your name or even your face,
Lick up a dream that seemingly screams with rushing neon death.

All your spirits gone, and you are barley alive.
You hand me a smoke, though its like you hardly notice.
And its sad I suppose - When I look into your eyes you say:
It seems to go this way, no matter what's at stake,
Oh it seems to go this way with everything I start!

(Solo)

So if you're feeling that way now,
Or if you ever feel so inclined -
Skip past the doors of boring forty somethings and rise.
Oh but if you want to loose your frown,
Or your name or even your face -
Lick up a dream that seemingly sings with rushing neon death.



Lyrics submitted by crayola_colours

Polka Lyrics as written by Michael Tomlinson

Lyrics © DOWNTOWN MUSIC PUBLISHING LLC

Lyrics powered by LyricFind

Polka song meanings
Add Your Thoughts

13 Comments

sort form View by:
  • 0
    General Comment

    ah this song is incredible

    MCRfanaticon August 16, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Love in a Vacuum
'Til Tuesday
Well, in my opinion this song is about being a young & maybe a little naive &/or introverted girl and finding yourself loving a man who is at first very charming, carefree & outgoing, and seems at first to be without limits, as in "There was a time you opened up every doorway you didn't mind if everything wasn't your way" then that man starts to gradually become more introverted & shows their more possessive/obsessive side to you as the relationship progresses, even while they keep up the appearance of being carefree & outgoing to everyone else, "Don't pull away that goes against what you told me I look in your eyes I realize what you've sold me is love in a vacuum" so you confront them about the way they're acting and of course they deny it, "I think you've changed but you insist that that's not true" quite possibly they are an addict of some sort, my guess would be cocaine, &/or showing very obsessive behavior towards you (early on in the video for this song we see the man hanging a picture up, it is a very large portrait of Aimee & it is prominently displayed in his/their apartment for the duration of the song), thus their "love in a vacuum", "You look so strange, so distant that you're hardly you Now I can see how you have been acting different You say it's me but I know that it isn't it's love in a vacuum" but still you are in love with them and don't want to leave them and you know that they are truly in love with you and they don't want you to leave them either, maybe they are convinced you can save them from themself, maybe they are so broken that the possibility of an overdose &/or suicide attempt is very real and you want to get through to them that their behavior not only dangerous but it is also just pissing you off and if they don't wise up they run the risk of loosing you, as in the lines "You will be lonely if you leave me alone", so you want to save them but can't get through to them due to the addiction &/or emotional problems they have, "Love in a vacuum and that's not enough love in a vacuum You will be lonely you'll be the only one who feels this way You will be lonely if you leave me alone You will be lonely you'll be the only one who feels this way it's just not enough" you want them to understand that the love they are giving you is not enough when it is filtered through the vacuum of their drug addiction &/or emotional impairment, "You will be lonely you'll be the only one who feels this way it's just not enough and just wait you will be lonely Love in a vacuum Love in a vacuum and that's not enough Love in a vacuum". 'Love In A Vacuum' for me is a hauntingly truthful acute argument on the loneliness of obsession and almost inevitable loss of love that follows people who are broken in some way or another; the obsessives, the coke heads, the drunks, addicts or the just-plain-old emotionally broken; a razor sharp, lyrically driven, deceptively poppy, yet ultimately-depressing-in-the-best-way song. Quintessential Aimee Mann.
Album art
Spirit Within
Bertoldi Brothers
Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
Album art
Techno Ted
Audioslave
Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.