This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
I don't know how it even started
I'd always thought that we were cool
But recently there's been a change in your demeanor
You're like those nasty girls from school
Look at you huddled 'round the table there
You're like an argument with witches
As I walk by you can't stop whispering and laughing
You're just a bunch of sad old bitches
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
Do you create these situations
'Cause you've got nothing else to do
It's like you've always got to have it in for someone
You and your god forsaken crew
Well girls, I think your days are numbered
And I think you probably know that too
I know it's hard for you to hear, but you should listen
'Cause it's all absolutely true
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
I know exactly how you operate
I've seen you do it time and time again
You keep it up until there's something that you want from me
Then you'll decide that we're the best of friends
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
I don't mind babe, who the fuck are you?
I'd always thought that we were cool
But recently there's been a change in your demeanor
You're like those nasty girls from school
Look at you huddled 'round the table there
You're like an argument with witches
As I walk by you can't stop whispering and laughing
You're just a bunch of sad old bitches
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
Do you create these situations
'Cause you've got nothing else to do
It's like you've always got to have it in for someone
You and your god forsaken crew
Well girls, I think your days are numbered
And I think you probably know that too
I know it's hard for you to hear, but you should listen
'Cause it's all absolutely true
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
I know exactly how you operate
I've seen you do it time and time again
You keep it up until there's something that you want from me
Then you'll decide that we're the best of friends
I don't care, I've got better things to do
I will not be made to feel like shit by you
There was a time, you don't impress me anymore
Here's your coat love, there's the door
Don't you think it's time we went our separate ways
To put it bluntly, please just get out my face
Yeah you can scream and you can shout until you're blue
I don't mind babe, who the fuck are you?
I don't mind babe, who the fuck are you?
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The Night We Met
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In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Head > Heels
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awesome tune. :)
I'll look at the sun and I'll look in the mirror I think that this is refering to the British tabloid papers "The Sun" and "The Mirror"
Awesome demo of the song that has just been released
what's "packing plastic"?
I LOVE this song so much! I agree about the 'sun' and 'mirror' being references to the newspapers. I think ultimatley this song is about the whole fame and image obsessed society we live in and how people get so obsessed by fame they lose their judgement and don't know what's right or wrong any more. I think the first verse especially is aimed at young fame hungry girls. I really hope the song makes it onto her next album!
Yeah, the comments about the tabloids make sense. This song shows how much Lily has matured.
I absolutely ADORE this song! Lily is unbelieveably strong, so goddamn smart. People watching her over the past few months probably thought she'd break down, but she's come back even stronger. If that's not worth appreciation and reverance, I have no idea what is. I fucking adore this woman. Love. Love LOVE.
Oh, and to StuffLikeHearts: "packing plastic" is a slang term for having a credit card, I believe.
Yeah, i really really like this song, too. i've always liked her music, and this song just makes me think about how strange it is that she can be so famous on one continent and hardly heard of in another. once in a blue moon she'll pop up in vogue or something for sthg that she wore, but otherwise you never hear about her (or her music) unless you go searching for it. i just thought it was interesting that because of this dichotomy (in a sense), what i initally see as a nicely witty commentary on today's entertainment industry someone else sees as her comeback to show she didn't break down, which gives a totally different pov to consider (thanks feel me loud :-) ). this site is great in that sense.
and i also really love her music. it has the extremely rare combo of being catchy, fun, and very well thought-out.
oh right i'm in ny so i was talking about the us vs europe lol
im diggin her new stuff
Now I'm not a saint but I'm not a sinner And everything's cool as long as I'm getting thinner
my favorite part. her new demos sound a lot more mature but still like lily allen. i love how ironic her music is, the way her lyrics contrast with her high pitched cute voice it's hilarious i love it.