So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Cut glass porcupine sailing on the Serpentine
Fingers on the skyline pulling down the black blinds
Terminal eyes at the edge of the night
Rivulet of dark wine moving in a straight line
Smudging out the stop signs, running down the life lines
Terminal eyes at the edge of the night
Shadows on the ceiling, coffee cup congealing
Tarot cards revealing, a solitary feeling
Terminal eyes, but I think it's alright
Silver studded jet plane screaming through the migraine
Cutting through the cellophane, wrappers of your tired brain
Terminal eyes, put out the light
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Hands of the windmill moving to a standstill
Rain on the windowsill, ashes on the phone bill
Terminal eyes at the edge of the night
Rain drop fire flies sparkle on the shop blinds
Echoes of the summertime flicker in the street-signs
Terminal eyes at the edge of the night
Shadows on the ceiling, coffee cup congealing
Eyes that look unseeing, hands that look unfeeling
Terminal eyes, I think it's alright
Silver-studded sea plane breaking through the migraine
Cutting through the cellophane, enveloping your tired brain
Terminal eyes, put out the light
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Fingers on the skyline pulling down the black blinds
Terminal eyes at the edge of the night
Rivulet of dark wine moving in a straight line
Smudging out the stop signs, running down the life lines
Terminal eyes at the edge of the night
Shadows on the ceiling, coffee cup congealing
Tarot cards revealing, a solitary feeling
Terminal eyes, but I think it's alright
Silver studded jet plane screaming through the migraine
Cutting through the cellophane, wrappers of your tired brain
Terminal eyes, put out the light
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Hands of the windmill moving to a standstill
Rain on the windowsill, ashes on the phone bill
Terminal eyes at the edge of the night
Rain drop fire flies sparkle on the shop blinds
Echoes of the summertime flicker in the street-signs
Terminal eyes at the edge of the night
Shadows on the ceiling, coffee cup congealing
Eyes that look unseeing, hands that look unfeeling
Terminal eyes, I think it's alright
Silver-studded sea plane breaking through the migraine
Cutting through the cellophane, enveloping your tired brain
Terminal eyes, put out the light
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Terminal eyes
Only the lonely Arabian skies
Terminal eyes
Calling you home from your restless disguise
Lyrics submitted by webmasterdee
Terminal Eyes Lyrics as written by Alistair Ian Stewart
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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A quote from Al himself: "Any similarities between Terminal Eyes and the Beatles' 'I am the Walrus' is intentional. For the Past, Present and Future LP, I wanted to capture something that was like the sixties. For egg-men everywhere." The Serpentine is a lake in Hyde Park in London. Al wanted to make a song with lots of tumbling images to capture how the sixties went for him.