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White Winter Hymnal Lyrics
I was following the pack
All swallowed in their coats With scarves of red tied around their throats To keep their little heads From falling in the snow And I turned around and there you go And, Michael, you would fall And turn the white snow red as strawberries In the summertime
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09-10-2008
01-19-2010
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10-08-2008
I was read this story when I was younger about a fawn that had be rescued and raised by some children when his mother was shot by hunters.
When the fawn grew up and had to be released, the children put a red ribbon around his neck so the hunters wouldnt shoot him because he was a pet... eventually he did end up getting shot.
That is what this song reminds me of.
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10-08-2008
Thats what I immediately thought of when I heard the lyrics, but there are many tales like this from many cultures.
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10-09-2008
and its sad.
but i love it!!!
11-24-2008
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11-24-2008
and i can not stop listening to it
it is the most beautiful song i have heard in a while
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11-26-2008
p.s. Foxes are lone animals, I think he is thinking of wolves :- )
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11-26-2008
11-24-2008
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I think possibly this song could be talking about NC State Wolfpack football. Their colors are red and white also. Everyone in NC refers to the school as "The Pack"
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12-02-2008
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12-02-2008
I think it's a poetic image. I thought it interesting that in the beginning the singer is singing solo and you could interpret his loop as "I was following the I," like he's following himself. Then when the other singer(s) come in and the accompaniment starts, then it changes to "I was following the pack..."
Just a little interesting overlay of music and lyrics.
07-01-2009
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12-02-2008
My initial impression is that it's someone remembering a friend being left behind. Being "in the pack" isn't always bad, but it is upsetting to leave someone behind. Also, I think it is interesting that the narrator here thinks of "summertime" during the winter when he sees his fallen comrade.
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12-04-2008
I guess in that case he's talking about the dream to Michael, who was in the dream and who may or may not have died (dreams are often pretty vague on that sort of thing, you know?).
I actually doubt that that's what the writer had in mind, but it's how it sounds to me.
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12-24-2008
Note first that there seems to be a play on words in the song's opening - "I was following the eye/I was following..." This strikes me as being a kind of canine internal dialogue -- simple, repetitive, breathless and completely phenomenological. I don't believe foxes run in packs so I think the pack referred to here is one of wolves. Wolves, of course are symbolic of the wild and also of death. They are swallowed in their heavy winter coats. Winter also is the time of want, of danger even death. The scarves are a reference to the fairy tale in which a woman has a scarf or choker that she won't take off and when her husband finally goes mad and makes her do so her head falls off. So that places us squarely in the realm of faerie here and also establishes the danger. But note, the word 'little'. This is, I think, not a reference to the literal size of their heads. Rather this should be read as in "don't worry your little head." So the danger of their heads falling is not to be taken too seriously. Now the narrator is following the pack, suggesting that he is near the rear of the group when he turns to find the individual to whom the song is addressed. Here's the real mystery -- who is this character? The word 'go' is the high note which places some degree of importance on it. This line "there you go," sounds like a mild scolding, as in "there you go again," a reference to an established personality or characteristic action. Tonally though it comes off as friendly, even admiring: here is this character who is a member of the pack, but an iconoclast, not the leader, but not a blind follower either. But what is it that truly distinguishes him? He's called Michael, the name of the archangel, a warrior and advocate of his people, an unsurpassed healers and sometimes associated with the creation. This may not be the right reference, but the name is a strong one and the Michael of this song lives up to it. "Michael you would fall" is perhaps the most intriguing line of thes song. The move into the subjunctive has a couple of possible readings. It could mean "you would" as in "you used to..." or "you would always..." referring to a habitual action. But the action described is apparently dying, a strange action to be able to repeat often enough to form a habit of it. I think rather this line should be read, "you would," as in "this is something you would do." Again, what the narrator says Michael would do is fall, and fall in such a way as to turn the snow red -- hard not to read that as death, and as just established this is something Michael would do, that is willfully, purposefully! But the attitude here is not the least bit tragic, though it is wistful, and maybe a little awestruck. This reading is strengthened by the closing line which likens Michael's blood on the snow to strawberries in summertime -- an entirely inappropriate simile if his death is to be read as a tragic act of self-destruction. But it's not. The red on the snow reminds the narrator of summertime, standing in opposition to winter. The sweetness of strawberries standing in opposition to the hunger of winter. Michael's attitude toward death is praiseworthy -- he is a warrior, unafraid of death, even courting it. In that fact he stands out from the pack.
07-10-2009
"Theres a natural mystic in the air" -Bob Marley
10-30-2009
Nice job on that.
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12-27-2008
...Could be about her brother. The scarves that keeps their necks warm and heads up to look at the beauty of the snow, so no one falls because of the cold.
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01-02-2009
Hearing the song and then reading the lyrics here brings out different aspects to me. This is particularly true with the lines "to keep their little heads from fallin’ in the snow". When I read it, I see how it can pertain to the scarves, but when I hear it, it often evokes the narrator as an older brother whose job is to keep the younger kids from hurting themselves, thus he’s “the brother’s keeper” following Michael as he runs through the snow with his friends and siblings, all in their scarves and oversized winter coats. But he's still a distractible, error-prone kid himself, and "there you go" is a you-know-what-I’m-talking-about confession of both how things can happen in a blink of an eye, and the helplessness he sometimes feels when a bad thing happened because he had averted his attention. But there's no (or very little) blood when Michael falls; all (or most) of the red in the snow is from the brightly colored scarf that splays in various ways about the younger boy’ head. Sometimes when Michael would “face plant”, the scarf would wrap around his head, making it look like a big, red strawberry, which makes the older brother laugh as he stands Michael on his feet again.
Sometimes I see the narrator as a younger boy following a pack of older kids, trying to catch up, and Michael is lagging even farther behind. The narrator turns, and for various reasons, Michael “chooses” just that moment to “fall”. Again, no tragedy, just kids doing what they do.
Sometimes I think of the archangel Michael, and “you would fall” thus refers to a fallen angel, but more specifically in the sense that everyone, including the narrator, loves the angelic Michael, but the narrator is reminded of his brother’s humanity when he does something un-angelic. But I don’t think the writer was actively thinking about such an obtuse, convoluted connection when he wrote this song. Does it really have to be any deeper than a simple image that countless kids have experienced?
I do believe the line is “all swallowed in their coats”, both because that’s what it sounds like in all three verses, and because it’s more powerful imagery than “swaddled”. With little kids, the winter clothes are disproportionately large, and they look like they were quite literally swallowed up to their faces by their coats. This is why I tend to see Michael and the rest of the pack as little kids and the narrator as older, consistent with the first interpretation I offered above. A swaddled kid would not be mobile. There’s also the bonus that “follow” and “swallow” are phonetically similar and go well in their respective places in adjacent lines.
OK, that’s it.
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01-03-2009
i interpreted it as kinda morbid and cute at the same time.
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01-05-2009
If you've ever been the eldest in a group of children, but not much older yourself, and have been given the burden of being the "responsible one" by default...that's what this song reminds me of.
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01-05-2009
And the simile at the end sounds very innocent about a not very pleasant subject, not sure if that's genuienly innocent, as in from a childs point of view making a statment about what they see, or a morbid one, almost mocking the bleeding.
Just some ideas, love this song...
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01-12-2009
second i'd like to acknowledge that the lyrics were said to have no real meaning
but regardless i thought it was ironic that the scarves, which are seemingly meant to protect the children, are red. then Michael falls and hurts himself (his head maybe?) and the snow turns red.
doesnt really mean anything but its interesting
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01-14-2009
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01-18-2009
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01-18-2009
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01-20-2009
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01-22-2009
Hymnals do not reek of tragedy, but celebration, praise, thanksgiving. The song then, by virtue of its title, cannot be tragic in tone.
Try reading it from the point of view of a guardian of a pack of children whose intent it is to prevent their little heads from falling in the snow, figuratively, to keep them dry and comfortable. Delete the descriptors and the poem reads, logically, as "I was following the pack to keep their little heads from falling in the snow". Thus, "all swallowed in their coats with scarves of red tied 'round their throats" can function as a participial phrase chosen to amplify description of what they were wearing. The strand of thought may not necessarily link the inevitability of their heads falling in the snow with a scarf's
removal. Put commas after "pack" and "throats", and try reading it again.
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01-24-2009
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01-27-2009
Maybe its better not to question the meaning and just enjoy the song's beauty.
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