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Watch my back so I'll make sure
You're right behind me as before
Yesterday the night before tomorrow
Dry my eyes so you won't know
Dry my eyes so I won't show
I know you're right behind me
And don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
You walk the surface of this town
The high heels above the ground
And high horses that we know
Keep us safe until the night
You know them all, I know it all
Stay put and play along
'cause I'm looking for my friend
Now I got you, got you
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
I dry my eye, dry my eye
Falling deeper by the hour
Dry my eye
Dry my eye, dry my eye
Don't let me fall deeper now
Dry my eye
Yeah,
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Let me go, let me go
Let me go, let me go
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
You're right behind me as before
Yesterday the night before tomorrow
Dry my eyes so you won't know
Dry my eyes so I won't show
I know you're right behind me
And don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
You walk the surface of this town
The high heels above the ground
And high horses that we know
Keep us safe until the night
You know them all, I know it all
Stay put and play along
'cause I'm looking for my friend
Now I got you, got you
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
I dry my eye, dry my eye
Falling deeper by the hour
Dry my eye
Dry my eye, dry my eye
Don't let me fall deeper now
Dry my eye
Yeah,
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Let me go, let me go
Let me go, let me go
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Don't you let me go, let me go tonight
Lyrics submitted by catsinheat
Track duration: 04:13
"Tonight" as written by Thomas/remark Li
Lyrics © Warner/Chappell Music, Inc., EMI Music Publishing
Lyrics powered by LyricFind
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Shame on you.
As for the tears, I also get a feeling of crying for him as if she was sad, but her mind is tripped out by the fact that the tears are representations of those feelings so he tries to wipe them away to protect her so she will not drown in those tears and only in him. If she cries, it will be for him to protect her throughout the darkness. I think it is more of a protection song than a self-tumultuous song. It really isn't a raucous song. It isn't vehement in the need for others to leave--and to find friendship, but more in the fact that she wants to share deeper emotions with him.
To me this song seems to be about a friendship on the
edge of becoming a relationship, but none of them takes
the step. Thus also dealing with the lack of communication
in their friend/relationship.
Sometimes we hurt the ones we love the most by saying something
thoughtless, and sometimes by saying nothing at all.
The verses deals with her unability to open up about her
insecurities and feelings. And the chorus seems to be her
pleading for (him) to hold her put for tonight.
Which in other words would make him take a stance.
We always want the other part to take the first step.
But sometimes we have to be able to show ourselves fragile and
swallow our pride.
Conclusion: nothing ventured, nothing gained.
My boyfriend just broke up with me and I very much feel like franciscodanconia's comment made the most sense to it.
I also felt like the Christian Haag video was so special because of her sad, heart broken look...I feel like that was the look I gave to my ex as I was trying to figure out the words I couldn't think of.
Thank you, Lykke Li!
so she says let me go( so the he will let her leave, get out of her head) and dont let me go (because she still loves him and wants to be with him)
second verse i was thinking that they tried to just be friends but they still know they love each other but they know its best to stay friends
second chorus is referring to him being in her head now. even though they are friends and logically they should be her heart still wants to be with him.
dry my eye/falling deeper part is about the grief/depression of losing him.
to me it is as if she were leaving for some reason but she still wants him to fight for her "don't you let me tonight" to possibly give her hope that they could work it out
What I love about this song is how Lykke Li captures that turmoil between not wanting to be let go and wanting to be let go of. "don't you let me go, let me go tonight." That point of internal struggle between two simultaneous but conflicting desires.
Lykke Li also does something interesting in the first verse. She creates this spatial and temporal confusion with alternating directions and double meanings. I'll explain what I mean. In the second line "you're right behind me as before" 'behind' and 'before' are locations like 'behind' and 'in front of', but 'before' is also a time word, so 'behind' becomes imbued with its temporal meaning. This sense of temporal slipperiness is further greased with the next line "yesterday the night before tomorrow." It takes you a moment to figure out what she is trying to say about time. When you do, the narrator is sandwiched between yesterday and tomorrow; just like the narrator is snuggled between 'behind and 'before', spatially and temporally. It almost gives the sense the narrator is blind, feeling behind and in front of herself. And the following line "dry my eyes so you won't know/dry my eyes so I won't show" reveals the narrator is crying and blinded with her tears, wanting those who might see her to be blind to her crying as well. The final line "I know you're right behind me" is a repeat of the second line, but with the alternating opposites in space and time created by the previous 4 lines, the effect is less than the certainty expressed in the first lines "watch my back so I make sure/you're right behind me as before." You're not really sure any more whether that person who has been entrusted with watching her back is really there. Line two reads "you're right behind me as before," but the last line of the first verse drops the 'as before' and the effect seems like something has been lost. A certainty replaced now with blind hope.
So when Lykke Li sings the line "don't you let me go, let me go tonight" the listener feels the narrator's confusion and conflict. With that somber, almost funeral tune, the temporal slipperiness tells a story of confusion, sadness, and pain. Something so lonely; a litany, "he loves me, he loves me not," rocking back and forth to calm. Within that echo ". . .let me go, let me go tonight" there is the opposite desire for freedom and the cessation of pain. In Lykke Li's voice is the intensest longing of wanting to be held. The accompanying piano notes like a child left alone in a house.
By the third verse, the barest sketch of a love affair. Something seemingly long ago with too much pain to hold on to for very long. A sense of love lifting the narrator "above the ground", higher than high heels and higher still, onto high horses, "keeping us safe into the night." A sense of security, "we know them all" and hubris "i know it all." and a game like tag, "now i got you, got you."
two more things of note. "falling deeper by the hour" both falling in love and falling into melancholy. Love how Lykke Li's voice expresses this falling with her descending note. and then a brief struggle as the music and her voice swell for the fourth line "dry my eye, dry my eye." like drying eyes to stop crying.
I'll write more later. got to go for now.
-just making sure the partner is still there-
Then "dry me eyes so you won't know", they're stressed and as franciscodanconia said, bipolar?
"I know you're right behind me"
It seems to me that they're very very worried about being left alone.