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Faust Arp Lyrics
One, two, three, four
Wakey, wakey, rise and shine It's on again, off again, on again Watch me fall like Dominoes in pretty patterns Fingers in the blackbird pie I'm tingling, tingling, tingling It's what you feel Not what you ought to, what you ought to Reasonable and sensible Dead from the neck up I guess I'm stuffed, stuffed, stuffed We thought you had it in you But not, not, not For no real reason Squeeze the tubes and empty bottles I take a bow, take a bow, take a bow It's what you feel Not what you ought to, what you ought to The elephant that's in the room is Tumbling, tumbling, tumbling In duplicate and triplicate and Plastic bags in duplicate and triplicate Dead from the neck up I guess I'm stuffed, stuffed, stuffed We thought you had it in you But not, not, not Exactly where do you get off? Is enough, is enough I love you but enough is enough Enough of that stuff There's no real reason You've got a head full of feathers You got melted to butter
Interaction
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10-10-2007
rise and shine
it's on again off again on again
watch me fall like dominoes
in pretty patterns
fingers in
you're backward, lying
tingling tingling tingling
it's what you feel now
what you ought to what you ought to
reasonable and sensible
can't forget
look up because
i'm stuck stuck stuck
you thought you had a little
but no no no
for no real reason
squeeze the tubes and empty bottles and
take a bow take a bow take a bow
it's what you feel now
what you ought to what you ought to
in a fit
the cinnamon is
tumbling tumbling tumbling
drew up and cut her drew up and cut her
plastic bags and
drew up and cut her drew up and cut
can't forget
look up because
i'm stuck stuck stuck
you thought you had a little
but no no no
tell me when here
is enough is enough
i love you but
enough is enough is enough
and I'm stuck
there's no real reason
in a fit
a fit
you're melting in to butter
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10-10-2007
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10-11-2007
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10-11-2007
For some reason this song really annoys me and I've been skipping it every time it comes on. It reminds me a bit of "Lozenge of Love" except...crap.
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10-11-2007
Does anyone know what Faust Arp means?
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10-11-2007
oh well lol...I absolutely love this track, I wish it was longer, and leads awesomely in to Reckoner.
And yeah, I want to know what Faust Arp means too...
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10-11-2007
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10-11-2007
can't forget
look up because
i'm stuck stuck stuck
you thought you had it in you
but no no no
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10-11-2007
11-04-2009
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10-12-2007
"i love you, but enough is enough" could be talking about a love for something material but falling out of his own delusion. except then he realizes that he's "stuck" and it's too late.
total speculation on my part.
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10-12-2007
Arp is (this is really out on a limb here) a reference to Jean Arp, the founder of the Dadaist movement. With the stream-of-consciousness style here... maybe?
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10-12-2007
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10-12-2007
Also I like this song slightly more than first hearing it but I still think it's the weakest on the album. It reminds me of what Thom Yorke once said about the lyrics to "Fitter Happier"--that if he'd sung them himself it would have sounded like a pile of wank. To me this song is bordering on that.
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10-12-2007
Is it a coincidence that in Videotape, the last line (of the song and the album) is "Whatever happens now, you shouldn't be afraid because I know today has been the most perfect day I've ever seen"
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10-13-2007
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10-13-2007
one two three four
wakey wakey
rise and shine
it's on again off again on again
watch me fall
like dominoes
in pretty patterns
fingers in the blackbird pie
I'm tingling tingling tingling
it's what you feel now
what you ought to what you ought to
reasonable and sensible
dead from the neck up
because I'm stuffed, stuffed, stuffed
we thought you had it in you
but no no no
for no real reason
squeeze the tubes and empty bottles and
take a bow take a bow take a bow
it's what you feel now
what you ought to what you ought to
an elephant that's in the room is
tumbling tumbling tumbling
in duplicate and triplicate and
plastic bags and
duplicate and triplicate
dead from the neck up
I guess I'm stuffed stuffed stuffed
we thought you had it in you
but no no no
exactly where do you get off
is enough is enough is enough
I love you but enough is enough, enough
and I'm stuffed
there's no real reason
you'll go to hell for our fathers
you got melted to butter
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10-13-2007
First stanza, continuing drug use
2nd, a friend encouraging the use?
3rd, being numb from the drugs, and perhaps the echoes of disappointed family/better friends/doctors
4th, spiraling out of control
5th, hazing in and out after OD?
6th, arguing, close friend/mate deciding to leave
7th, ?
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10-16-2007
the faustian themes really would fit that perfectly though. the idea about finding a perfect moment and being sent to hell for it (but wasn't faust redeemed?)
also, two lines from nude (which is older of course):
"Now that you've found it, it's gone"
"You'll go to hell for what your dirty mind is thinking"
I think I heard that Nude was supposed to be about meaningless sex
maybe 'arp' in the title refers back to 'arpegi' or something. there's some organization whose abbreviation is ARP (i think someone else on this site mentioned that) but it was political in nature and this album doesn't seem that political.
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10-16-2007
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10-17-2007
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10-25-2007
squeeze the tubes and empty bottles and
take a bow take a bow take a bow
it's what you feel now
what you ought to what you ought to
an elephant that's in the room is
tumbling tumbling tumbling
in duplicate and triplicate and
plastic bags and
duplicate and triplicate
- basically accusing people who say "I've done my bit" because it's not enough and they're kidding themselves if they think it is (there's an elephant in the room).
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10-26-2007
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10-29-2007
http://www.rhymes.org.uk/sing_a_song_of_sixpence.htm
I also thought Thoms' pronunciation of "duplicate" sounded suspiciously like "chupacabra" :)
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10-29-2007
"The second part begins with the spirits of the earth forgiving Faust (and the rest of mankind) and progresses into rich allegorical poetry. Faust and his devil pass through the world of politics and the world of the classical gods, and meet with Helen of Troy (the personification of beauty). Finally, having succeeded in taming the very forces of war and nature Faust experiences a single moment of happiness."
And also Arp, which I believe to be a reference to Hans/Jean Arp, who is a French/German painter/sculptor. One of the famous stories about him can be found on Wikipedia. It's about his reluctance to be dragged into the army:
QUOTE
Arp later told the story of how, when he was notified to report to the German embassy, he avoided being drafted into the army: he took the paperwork he had been given and, in the first blank, wrote the date. He then wrote the date in every other space as well, then drew a line beneath them and carefully added them up. He then took off all his clothes and went to hand in his paperwork. He was told to go home.
Next, the reference to the blackbird pie, which is taken from Sing a Song of Sixpence:
QUOTE
Sing a song of sixpence,
a pocket full of rye.
Four and twenty blackbirds,
baked in a pie.
When the pie was opened,
the birds began to sing.
Now, wasn't that a dainty dish
to set before the king?
The king was in his counting house,
counting out his money.
The queen was in the parlour,
eating bread and honey.
That's where the black bird pie reference comes from. I think metaphorically, its in the song to display bringing the king something, aka, an issue. Meanwhile the king just counts his money and the queen enjoys decadent delicacies.
Add it up...
I take the lyrics of the song to be a reference to Thom's work as an activist. I remember reading in an interview with him in an issue of Paste about the time of the Eraser's release that he was very ambivalent about activism because he was afraid of being blackmailed or used. Here's a bit of it:
QUOTE
“I think what he does for AIDS is amazing,” says Yorke. “No one else seems to have that energy. I think what happened with the Drop the Debt campaign, unfortunately, is that the very people responsible for those debts, the G8—as these things go in high-level politics, if someone chooses to engage with them saying, ‘I want you to help this or change that,’ they want something in return. They don’t give a f— if it’s morally right, they just want the photo op, and that’s where I got off the ride.”
Power brokers attempting to capitalize on the intensity and devotion of Radiohead’s audience is obviously a cunning, deviant method of attracting support for political issues. But, remember, this audience is comprised of musical zealots. A picture of a politician’s arm around Thom Yorke isn’t necessarily going to open up a demographic some interest group is desperately trying to convert. Still, Yorke is acutely aware of the power of his iconology, how it can be abused, and how, in the end, it can actually hurt the greater cause.
“After all the talk, they don’t do shit; they get something out of it and you get nothing in return. They tried to do the bizarre blackmail scheme with me because I’m involved with Friends of the Earth who are trying to get the British Government to reduce carbon emissions by 50 percent by 2050. They were talking about setting up a meeting with me and Tony Blair. I wasn’t particularly happy or wild about meeting the guy who took us into Iraq, and then they started talking about having a few meetings beforehand with us [Yorke lapses into a formal British voice] just to discuss how the day would go, and to make sure I was ‘onsides,’ so that if perhaps after the meeting I said things less than positive about the situation and what Blair was doing… just to remind me that [kind of behavior] may well jeopardize Friends Of The Earth’s access to the Prime Minister in the future. That’s called ‘blackmail,’ and that’s exactly what they used to do with Bono. And I don’t think that’s good enough, and it’s not Bono’s fault. The constant discussion I’ve had with him about it was, ‘I’ll try to work from the inside, and you try and work from the outside,’ which is good. But what I worry about is that you don’t come out of it intact, and it can jeopardize the issue.”
If I had to sum it up, I would say that the singer is somewhere between Faust and Arp. A bit of a split personality on social/political issues. On one hand wanting to control it all (Faust) and on the other hand just wishing to play crazy so that they leave him alone and he doesn't have to fight (Arp).
It's on again, off again, on again
In his heart though, he knows he should be doing something. (Ought to feel.) But, he knows the area of activism is just as shady as anything else. So, this frustrates him. Instead of getting involved with the little groups, he'd prefer to just make art. Bob Dylan does the same thing. He'll do stuff for a cause, but he also saw the way Lennon got used by people like Ruben and Hoffman. Even if people have the best intentions, they still may do things in a shady way. A way that compromises Thom's morals.
What he wants to do is create art, as his activism.
QUOTE
watch me fall
like dominos
in pretty patterns
and
squeeze the tubes and empty bottles now
take a bow, take a bow, take a bow
are both references to him giving all that he can artistically, but it still not being enough. Falling like dominos in pretty patterns to me means writing a song during a very intense emotional breakdown. Pouring your heart into something like a global warming, collapsing mentally from just wanting to help and change things, and the end result is a beautiful painting, poem, song, etc.
I believe this part:
QUOTE
i guess im stuffed, stuffed, stuffed
we thought you had it in you
but no, no, no
exactly where do you get off
is enough, is enough
i love you but enough is enough, enough
a last stop
..is a dialog between him and someone wanting him to give more to a certain cause. Probably a ton of people in anyone famous' life. People are constantly courting you for their cause. Some of those lines sound like what someone may say to someone, being disappointed that they aren't giving more, and some sound like a frustrated response. Again, compare these two:
QUOTE
exactly where do you get off
is enough, is enough
i love you but enough is enough, enough
a last stop
and
They don’t give a f— if it’s morally right, they just want the photo op, and that’s where I got off the ride.
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10-30-2007
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