"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Down in the green hay
Where monkey and bear usually lay (lay)
They woke from a stable-boy's cry
Said someone come quick
The horses got loose, got grass-sick
They'll founder, fain, they'll die
What is now known by the sorrel and the roan?
By the chestnut, and the bay, and the gelding grey?
It is, stay by the gate you are given
And remain in your place, for your season
And had the overfed dead but listened
To that high-fence, horse-sense, wisdom
But Did you hear that, Bear? said
Monkey, we'll get out of here, fair and square
They left the gate open wide
So, my bride, here is my hand Where is your paw?
Try and understand my plan, Ursula
My heart is a furnace
Full of love that's just and earnest
Now you know that we must unlearn this
Allegiance to a life of service
And no longer answer to that heartless
Hay-monger, nor be his accomplice
The charlatan, with artless hustling
But Ursula, we've got to eat something
And earn our keep, while still within
The borders of the land that man has girded
All double-bolted and tightfisted
Until we reach the open country
A-steeped in milk and honey
Will you keep your fancy clothes on, for me?
Can you bare a little longer to wear that leash?
My love, I swear by the air I breathe
Sooner or later, you'll bare your teeth
But for now, just dance, darling
C'mon, will you dance, my darling?
Darling, there's a place for us
Can we go, before I turn to dust?
Oh, my darling there's a place for us
Oh darling, c'mon will you dance my darling?
Though the hills are groaning with excess
Like a table ceaselessly being set
Oh my darling, we will get there yet
They trooped past the guards
Past the coops, and the fields
And the farmyards, all night till finally
The space they gained grew much farther than
The stone that Bear threw
To mark where they'd stop for tea
But Walk a little faster, don't look backwards
Your feast is to the East, which lies a little past the pasture
And the blackbirds hear tea whistling they rise and clap
And their applause caws the kettle black
And we can't have none of that
Move along, Bear, there, there, that's that
Though cast in plaster
Our Ursula's heart beat faster
Than monkey's ever will
But still, they had got to pay the bills
Hadn't they? That is what the monkey'd say
So, with the courage of a clown, or a cur
Or a kite, jerking tight at its tether
In her dung-brown gown of fur
And her jerkin of swan's down and leather
Bear would sway on her hind legs
The organ would grind dregs of song
For the pleasure of the children who'd shriek
Throwing coins at her feet and recoiling in terror
Sing, Dance, darling
C'mon, will you dance, my darling?
Oh darling, there's a place for us
Can we go, before I turn to dust?
Oh my darling there's a place for us
Oh darling, c'mon, will you dance, my darling?
You keep your eyes fixed on the highest hill
Where you'll ever-after eat your fill
Oh my darling dear mine, if you dance
Dance darling, and I'll love you still
Deep in the night, shone a weak and miserly light
Where the monkey shouldered his lamp
Someone had told him the
Bear'd been wandering a fair piece away
From where they were camped
Someone had told him the bear'd been sneaking away
To the seaside caverns, to bathe
And the thought troubled the monkey
For he was afraid of spelunking
Down in those caves, also afraid what the
Village people would say if they saw the bear in that state
Lolling and splashing obscenely
Well, it seemed irrational, really
Washing that face, washing that matted and flea-bit pelt
In some sea-spit-shine old kelp dripping with brine
But monkey just laughed, and he muttered
When she comes back, Ursula will be bursting with pride
Till I jump up saying, You've been rolling in muck
Saying, You smell of garbage and grime
But far out, far out, by now, by now
Far out, by now, Bear ploughed
'Cause she would not drown
First the outside-legs of the bear
Up and fell down, in the water, like knobby garters
Then the outside-arms of the bear
Fell off, as easy as if sloughed from boiled tomatoes
Lowered in a genteel curtsy
Bear shed the mantle of her diluvian shoulders
And, with a sigh she allowed the burden of belly to drop
Like an apron full of boulders
If you could hold up her threadbare coat to the light
Where it's worn translucent in places
You'd see spots where
Almost every night of the year
Bear had been mending, suspending that baseness
Now her coat drags through the water
Bagging, with a life's-worth of hunger
Limitless minnows
In the magnetic embrace, balletic and glacial
Of bear's insatiable shadow
Left there, left there
When Bear left Bear
Left there, left there
When bear stepped clear of bear
Sooner or later you'll bury your teeth
Where monkey and bear usually lay (lay)
They woke from a stable-boy's cry
Said someone come quick
The horses got loose, got grass-sick
They'll founder, fain, they'll die
What is now known by the sorrel and the roan?
By the chestnut, and the bay, and the gelding grey?
It is, stay by the gate you are given
And remain in your place, for your season
And had the overfed dead but listened
To that high-fence, horse-sense, wisdom
But Did you hear that, Bear? said
Monkey, we'll get out of here, fair and square
They left the gate open wide
So, my bride, here is my hand Where is your paw?
Try and understand my plan, Ursula
My heart is a furnace
Full of love that's just and earnest
Now you know that we must unlearn this
Allegiance to a life of service
And no longer answer to that heartless
Hay-monger, nor be his accomplice
The charlatan, with artless hustling
But Ursula, we've got to eat something
And earn our keep, while still within
The borders of the land that man has girded
All double-bolted and tightfisted
Until we reach the open country
A-steeped in milk and honey
Will you keep your fancy clothes on, for me?
Can you bare a little longer to wear that leash?
My love, I swear by the air I breathe
Sooner or later, you'll bare your teeth
But for now, just dance, darling
C'mon, will you dance, my darling?
Darling, there's a place for us
Can we go, before I turn to dust?
Oh, my darling there's a place for us
Oh darling, c'mon will you dance my darling?
Though the hills are groaning with excess
Like a table ceaselessly being set
Oh my darling, we will get there yet
They trooped past the guards
Past the coops, and the fields
And the farmyards, all night till finally
The space they gained grew much farther than
The stone that Bear threw
To mark where they'd stop for tea
But Walk a little faster, don't look backwards
Your feast is to the East, which lies a little past the pasture
And the blackbirds hear tea whistling they rise and clap
And their applause caws the kettle black
And we can't have none of that
Move along, Bear, there, there, that's that
Though cast in plaster
Our Ursula's heart beat faster
Than monkey's ever will
But still, they had got to pay the bills
Hadn't they? That is what the monkey'd say
So, with the courage of a clown, or a cur
Or a kite, jerking tight at its tether
In her dung-brown gown of fur
And her jerkin of swan's down and leather
Bear would sway on her hind legs
The organ would grind dregs of song
For the pleasure of the children who'd shriek
Throwing coins at her feet and recoiling in terror
Sing, Dance, darling
C'mon, will you dance, my darling?
Oh darling, there's a place for us
Can we go, before I turn to dust?
Oh my darling there's a place for us
Oh darling, c'mon, will you dance, my darling?
You keep your eyes fixed on the highest hill
Where you'll ever-after eat your fill
Oh my darling dear mine, if you dance
Dance darling, and I'll love you still
Deep in the night, shone a weak and miserly light
Where the monkey shouldered his lamp
Someone had told him the
Bear'd been wandering a fair piece away
From where they were camped
Someone had told him the bear'd been sneaking away
To the seaside caverns, to bathe
And the thought troubled the monkey
For he was afraid of spelunking
Down in those caves, also afraid what the
Village people would say if they saw the bear in that state
Lolling and splashing obscenely
Well, it seemed irrational, really
Washing that face, washing that matted and flea-bit pelt
In some sea-spit-shine old kelp dripping with brine
But monkey just laughed, and he muttered
When she comes back, Ursula will be bursting with pride
Till I jump up saying, You've been rolling in muck
Saying, You smell of garbage and grime
But far out, far out, by now, by now
Far out, by now, Bear ploughed
'Cause she would not drown
First the outside-legs of the bear
Up and fell down, in the water, like knobby garters
Then the outside-arms of the bear
Fell off, as easy as if sloughed from boiled tomatoes
Lowered in a genteel curtsy
Bear shed the mantle of her diluvian shoulders
And, with a sigh she allowed the burden of belly to drop
Like an apron full of boulders
If you could hold up her threadbare coat to the light
Where it's worn translucent in places
You'd see spots where
Almost every night of the year
Bear had been mending, suspending that baseness
Now her coat drags through the water
Bagging, with a life's-worth of hunger
Limitless minnows
In the magnetic embrace, balletic and glacial
Of bear's insatiable shadow
Left there, left there
When Bear left Bear
Left there, left there
When bear stepped clear of bear
Sooner or later you'll bury your teeth
Lyrics submitted by delial, edited by mstepanian
Monkey & Bear Lyrics as written by Joanna Newsom
Lyrics © ROUGH TRADE PUBLISHING
Lyrics powered by LyricFind
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Fast Car
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In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
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Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Blue
Ed Sheeran
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“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
For lack of another interpretation on this site, here is mine... I hope someone points out to me the things I've added in and missed out of the meaning, because there may be some :-)
Anyway, I think it's a discussion on the nature of freedom, wrapped up in a kind of 'creation narrative'. The name Ursala comes directly from the fact that 'Ursa' is Latin for 'Bear'... thus the 'Ursa Major' constellation being called the 'Great Bear'. Given Joanna's oft-displayed celestial fascination, I think the story that's so wonderfully woven here, then, is of the origin of that constellation.
The song is about a cunning and duplicitous monkey's exploitation of a performing bear... promising friendship and freedom, but all the while keeping her trapped in the old slavery as she works towards the unattainable dream, "A-steeped in milk and honey", offered in Monkey's words. He feigns love, pretends that he is working for Bear's good - "My heart is a furnace/ Full of love that's just and earnest" - but his intention is to keep her boxed in. This is seen in his being troubled when she gets a taste of life outside his control, and in his scheme to dissuade her from getting away at that point... in reality, he is using her performances for his own profit (thus the irony in 'But still/ They have got to pay the bills/ Hadn't they?/ That is what the monkey'd say').
There is a hopelessness in that: the promise is amazing, but the bear's present reality is that she is bound by fancy clothes (so opposite to the freedom of the wild), a leash, the tragic dancing for the pleasure of the children who love her for her intrigue, but are terrified of her; and really, despite Monkey's words, there is no indication that if Bear stays where she is, she will ever come out of this cycle. That is a lonely and constricted place, the kind of place where oppression makes one fade away to death.
The meaning therefore comes down to the conflict between the desire for freedom, and the consequence of escape... also the tragedy of slavery within an illusion of liberty. I think the comment of the song on this topic may be seen in comparing and contrasting the start of the song and conclusion. The first few stanzas give the warning of the horses who escaped through an open gate, and died in their indulgence; the proverb is to "stay by the gate you are given", not to seek change or look beyond what you are told and offered, for fences keep us safe. But Bear, if she sees past the illusion that keeps her going in her slavery, is really in a place where she is as good as dead anyway. So the message of the song is perhaps a reckless one: as she breaks free in the final imagery, there is no indication of what happens to her, beyond the purely positive portrayal of her vivid and exhilarating liberation, totally separate and oblivious to Monkey and his scheming. We do not know what happens when time moves on, as it must, and she steps out of the seaside caverns. We only know that she had no choice, and that only in this is there any meaning or fulfillment. There is a strong and overriding caution of the cost of escape in the mirroring story of the horses... but in accepting that and plunging into it Bear transcends it, and finds herself eternally free in her existence shining in the night sky, a testimony to light the way and give direction to all those who hear her story and come after her.
This presents a message that though it is safer to stay locked in the places and mentality in which we are already positioned... perhaps by the cords of society's attempts to lock up our potential through a facade of convincing lies and elusive, unattainable hopes... we do have an option of breaking out. This is both foolish and wonderful - vital. The ideal ending, the image of Ursala's freedom, implies that it is worth anything. The only advice offered about how one may pull this off is in the revelation that Monkey is a liar... perhaps we do not have to listen to the "You've been rolling in muck!... You smell of garbage and grime"... perhaps the bear is stronger than the monkey...
Inspired by this story, perhaps today is the day when we can throw off the wearisome restraints of conformity, and step blindly into an unknown which is frightening, perhaps fatal, but which is good, for it typifies truth and the Freedom we have always dreamed of - and in the true tradition of all story-telling, this ideal is worth everything.
Great stuff. Glad you did this so I don't have to. I think this is Joanna Newsom's clearest song in terms of its meaning, although it's still quite open to interpretation.<br /> <br /> The monkey is made out to be quite underhanded and sly - and is obviously the antagonist here. But there's no indication that the bear would be better off for escaping. When the bear finally does venture into the caves, she ends up drowning, 'lowered in a genteel curtsey' (still a slave to her domestication).<br /> <br /> There are no assumptions made about the nature of control here, just observations. I think she's quite careful not to put any obvious political slant on this. Yes, the bear dies. But was she better off experiencing this freedom and then dying in the wild, than she would have been had she lived a longer but less fulfilled life under control, ie. in the farm/dancing for the monkey? Brilliant song. Always entertaining. Well worth a sit down with the lyric booklet.
This a really great write up.<br /> You've given me the inspiration to do some more thinking about this song now - a song which I always rather disliked: I've always found the (overly?) elaborate "Monkey and Bear" metaphor so distracting and weighty. (But loved most of Newsom's other stuff).
@Annelise its about selling your soul to the devil. monkey is man (and the real devil), and bear is the illusion of the beast- outside of one's self.
It never actually states that the bear is shedding her skin or fur or transcending her body in any way. I think the last few verses simply mean that she is shedding her costume, which metaphorically is like shedding her skin I suppose, but not necessarily by literal interpretation. She simply swims until the costume (that has burdened her for so long) literally falls off her body, allowing her stomach and shoulders to stretch and breathe with unbridled, new-found freedom.
Then she uses the discarded threadbare coat to catch minnows in the sea to finally eat bountifully like the monkey always promised she would.
The final verse, when Bear left Bear, seems to imply that she is leaving her old role (and the costume that represented it) behind to become a new bear, a free bear, no longer oppressed or controlled.
The song sees to be a fable depicting the nature of freedom, the illusion of control, and the futility of trying to make someone (or some animal) be someone they are not, or act in ways against their nature.
The very last line about burying your teeth, almost seem to imply that she might eventually seek revenge on that damned monkey. Or it could just mean that she is finally free to act like a real bear rather than a hay-fed circus act.
@hudsucker <br /> The song says her legs fell off and she shed her shoulders and allowed the burden of her belly to drop like dropping boulders and all that's left is her empty coat of fur. Her body literally comes apart as she transcends physical reality. The only way for her to be not oppressed is to leave this earthly existence. This is a great article on the song: allthebirds.tumblr.com/post/14974282311/sooner-or-later-youll-bury-your-teeth-the and it references the myth of Callisto the bear, who transcends earth to become Ursa Major.
@grayson116<br /> I interpret her legs and shoulders falling off as the legs and shoulders of her costume, not her actual body parts, as evidenced by the following stanza that has her using that same costume to catch minnows. While I do love the idea that she eventually transcends her body to become one with the stars, I don't think the lyrics imply her body is falling apart in that verse or that the song implies her leaving her physical body... yet. The entire song is very literal and straightforward in tone and verse up until this point, and to suddenly become cerebral and murky at the end would seem out of place in my opinion. But metaphorical stuff is always open for interpretation I suppose.
@grayson116<br /> I interpret her legs and shoulders falling off as the legs and shoulders of her costume, not her actual body parts, as evidenced by the following stanza that has her using that same costume to catch minnows. While I do love the idea that she eventually transcends her body to become one with the stars, I don't think the lyrics imply her body is falling apart in that verse or that the song implies her leaving her physical body... yet. The entire song is very literal and straightforward in tone and verse up until this point, and to suddenly become cerebral and murky at the end would seem out of place in my opinion. But metaphorical stuff is always open for interpretation I suppose.
@grayson116<br /> I interpret her legs and shoulders falling off as the legs and shoulders of her costume, not her actual body parts, as evidenced by the following stanza that has her using that same costume to catch minnows. While I do love the idea that she eventually transcends her body to become one with the stars, I don't think the lyrics imply her body is falling apart in that verse or that the song implies her leaving her physical body... yet. The entire song is very literal and straightforward in tone and verse up until this point, and to suddenly become cerebral and murky at the end would seem out of place in my opinion. But metaphorical stuff is always open for interpretation I suppose.
@grayson116<br /> I interpret her legs and shoulders falling off as the legs and shoulders of her costume, not her actual body parts, as evidenced by the following stanza that has her using that same costume to catch minnows. While I do love the idea that she eventually transcends her body to become one with the stars, I don't think the lyrics imply her body is falling apart in that verse or that the song implies her leaving her physical body... yet. The entire song is very literal and straightforward in tone and verse up until this point, and to suddenly become cerebral and murky at the end would seem out of place in my opinion. But metaphorical stuff is always open for interpretation I suppose.
Ouch, I didn't mean to post that reply five times. Stupid IE.
poor bear.. damn monkey!
The song is full of bear the animal, bear as in put up with, bare as in show, bare in not much there, etc. Lots of wordplay as in so many other songs on Ys.
Question: if the transcription is correct, does anyone have a theory why Bear appears uppercase in some places and lowercase in others?
THis is the only song I've heard off the new album. It is not yet released in Australia. It's a very brave move. I didn't enjoy this song. Maybe it'll grow on me.
As to the music, I love it... it is incredible... I was saying to a friend today that this artist is incredibly clever, and it's so intricate and abstract and profound and strange and beautiful, all at once! I love the way she uses language and pictures and stories. This music strange, it had to grow on me, and sometimes I cringe, but it is artistically wonderful... so well controlled that beauty is skillfully retained. It is richer every time I play it... I am utterly fascinated by minutiae of all its facets... I love it how some things in the world captivate you and make you see beauty from a totally unexplored angle, and this is one of those.
totally agree. the first time i heard her music (it was "Cosmia") i wasn't even sure if i liked it, i just knew i couldn't stop listening to it... it's so mesmerizing.
Or unless you're on a songs meanings site? Hehe :-P
Actually, I must agree... I like getting the meaning behind people's words when they're this clever, and some of my friends at school and I had fun exploring it all. But part of the charm of Joanna's work is in its first impression... it just sounds really good, and the words are all so tasteful and so artistic... aaahhhhh, love it!
Just as a note, the comments at the end weren't necessarily my perspective, just what I thought the song was implying.
Anyway, sorry. If you didn't like it, I suggest you don't read it again ;-)
Pretty straightforward song, beside the fate of the bear. I suppose "when bear stepped free of bear" reffers to the constellation. Very celestial album.
fjording: as Annelise pointed out, the name of the site is "song meanings." If you're just coming here to say OMG I LIEK THIS SONG, I think you might be missing the point. Annelise, I thought that was splendid. Now do the last three songs! ;)
Anneliese, you outdid yourself on this one.
My take is that if you are on the lam, pick the right partner. Reminds me of those placemats in the Chinese restaurants with the 12 zodiac signs...if you are a rat, do not marry a cat.