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Recessional Lyrics
"It's so beautiful here," she says,
"This moment now and this moment, now."
And I never thought I would find her here:
Flannel and satin, my four walls transformed.
But she's looking at me, straight to center,
No room at all for any other thought.
And I know I don't want this, oh, I swear I don't want this.
There's a reason not to want this but I forgot.
In the terminal she sleeps on my shoulder,
Hair falling forward, mouth all askew.
Fluorescent announcements beat their wings overhead:
"Passengers missing, we're looking for you."
And she dreams through the noise, her weight against me,
Face pressed into the corduroy grooves.
Maybe it means nothing, maybe it means nothing,
Maybe it means nothing, but I'm afraid to move.
And the words: they're everything and nothing.
I want to search for her in the offhand remarks.
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover,
Dark curtains drawn by the passage of time?
Oh, words, like rain, how sweet the sound.
"Well anyway," she says, "I'll see you around..."
--- "Recessional" as written by Vienna Teng Lyrics © CHRYSALIS MUSIC GROUP Lyrics powerd by LyricFind
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08-12-2006
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09-18-2006
So you can get frustrated with the casualness of the situation, or you can convince yourself of deeper meaning in everything that they do.
and what's really better?
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03-17-2007
I think the song made more sense to me personally before I started trying to piece it together backwards. I don't really understand -- if you reverse the verses, the story actually starts off with the couple feeling like they don't know one another anymore.
Regardless, it's absolutely one of my favorite love songs ever.
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05-16-2007
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09-13-2007
I love this song, though. It's written very nicely.
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09-21-2007
I'm actually afraid of looking too deeply into it, which is not something I usually experience with a song. There's something beautiful and intangible about the emotions expressed here that might hurt too much if I tried too hard. Maybe someday.
In the meantime, bless you, Vienna (from a fellow Stanford CS grad).
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11-09-2007
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12-25-2007
Disregarding the "love story in reverse" bit. I honestly thought of this as two people, meeting in an airport. Sitting together, one falling asleep on the other, one of them (possibly both of them) and then the other leaving.
And just because it was sung by a woman, my friend and I felt some lesbianic undertones. Which made it more beautiful in our opinion.
This is by far one of my favorites.
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03-18-2008
First I though this is about two people meeting for first time. Then I though this is about braking up. But I belive now, as someone said, that this is about two people meeting again. No matter what it is actually about, it's very beautiful song, one of my favorites from Vienna! It leavs such amazing feeling in me, it's touching, lyric are magical and music is wonderful! Simply - everything is on it's place!
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06-01-2008
Like in the beginning, the man just woke up after a night of... admittedly "Adult-like Activities" and realizes that he just made a mistake... but doesnt care.
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11-24-2008
"And I never thought I would find her here: flannel and satin" - flannel and satin are common material of children's clothes and blankets. Children are also struck by beauty and seem to see right through people to their character in uncanny ways sometimes. That might fit this verse.
"Oh, I swear I don't want this. There's a reason not to want this but I forgot..." - She didn't think she ever wanted children, but suddenly she finds herself enchanted by this child and can't remember her reasons for not wanting one.
"In the terminal she sleeps on my shoulder, hair falling forward, mouth all askew." - Sounds just the way a child would sleep, but the big clue is the next lines:
"And she dreams through the noise, her weight against me, face pressed into the corduroy grooves.
maybe it means nothing, but I'm afraid to move." - Again, sounds just like a child would sleep and the reaction of the adult holding the child. I've often watched children sleep and have laughed because they can fall asleep in the noisiest places. You hold them and it's the sweetest moment...but you're afraid to move for fear of waking them up. "Dreaming through the noise" is the most beautiful, peaceful, loving way to articulate the moment of holding a sleeping child in your arms in a noisy environment.
After she takes her to the airport and the girl leaves, she feels a huge void and realizes that the girl almost became part of her and now she's not quite sure of who she is anymore in the unbearable loneliness without her: "Who are you?" she repeats several times with other lines about daily activities. I don't know how or why the character of the song came to care for this child...but somehow she became attached and letting go wasn't as easy as she thought.
I just get the feeling this song is more innocent, pure, and beautiful than anyone has imagined.
08-29-2011
To add a little to what you said,
"There's a reason not to want this but I forgot..." - this line is obvious, in this context
"Who are you, echoing street signs?" - children do this all the time in the car
"Who are you, the stranger in the shell of a lover" - children resemble their parents but are their own person
08-29-2011
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11-24-2008
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12-17-2008
And the words, they're everything and nothing.
I want to search for her in the offhand remarks.
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?
As dresdendoll (props on the name, by the way) put it- innocent, pure, and beautiful.
05-03-2009
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05-13-2009
She's met an ex-lover by accident somewhere. They've chatted, and the speaker has searched their soul for the person they knew and remember still. But this person is not that - they are a stranger, shrouded by time apart. They're a different person.
And then parting again as quick as it came - see you around. A beautiful moment, so many thoughts and emotions, and then it was over.
One of my favorite songs of all time. What raw emotion and perfect expression of this event. Beautiful.
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06-30-2009
But that's just my interpretation as people interpret things differently, as Vienna Teng has commented on the meaning of this song, she obviously intended it for some other interpretation, but others see it other ways
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07-27-2009
"Well anyway," she says, "I'll see you around..."
Oh words, like rain, how sweet the sound
And the words, they're everything and nothing
I want to search for her in the offhand remarks
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?
In the terminal she sleeps on my shoulder, hair falling forward, mouth all askew
Fluorescent announcements beat their wings overhead: passengers missing, we're looking for you
And she dreams through the noise, her weight against me, face pressed into the corduroy grooves
Maybe it means nothing
Maybe it means nothing
Maybe it means nothing, but I'm afraid to move
And I know I don't want this
Oh, I swear I don't want this
There's a reason not to want this but I forgot
But she's looking at me, straight to center
No room at all for any other thought
And I never thought I would find her here: flannel and satin, my four walls transformed
"It's so beautiful here," she says, "this moment now,
And this moment, now"
---
For me, then, taking those set of rearranged lyrics, the story moves from a person meeting an ex-lover (or, in the context of the film she based the song off of, a lover who was wiped from his mind), and they strike up a conversation again, basically get to know each other anew. "Well anyway," she says, "I'll see you around" - so the relationship has a future. And then slowly they get closer, and he "searches for her", the "stranger in the shell of a lover" (the future lover, with the dark curtains to the lover she's going to be "drawn by the passage of time" - the time which hasn't *passed yet*).
And then - now this is very much my loose interpretation, I'm not sure why exactly I think this, it's just the images the song conjures for me personally - she ends up sleeping over with him at his house/apartment. "Flannel and satin" = pajamas, "my four walls transformed" = the place he lives - the physical representation of his entire life - is transformed entirely by her presence. Because she says it's "so beautiful here"... and then the song "ends" with this wonderful feeling of how time, life, really is, a string of "now"s passing us by and we can never live in the future or in the past. Just "this moment now". I don't know. It's just such a gorgeous, brilliant song, the way the lyrics play with the idea of time and intimacy.
... yeah, I don't know. I ramble too much.
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11-29-2009
I follow the song from beginning to end. I will not rearrange the lyrics or take them backwards.
Vienna sang them this way for a reason. I prefer to take things the way they come to me.
I sat in an abandoned building with my girlfriend of the time. We had dated off and on for years...Her
head was leaned on my shoulder. She whispered sweet words, but I was always paranoid of the future...
I didnt want that future without her, but she kept changing. Kept running away without me... I always
took her when she came back to me though...but each time, a little more of her was lost. Until there was
no room for me in her heart, and she left me forever.
And it is her and my story that i believe this song resembles. Letting yourself get caught up by the same
happiness that has trapped you before, knowing that it will not remain. Conscience of the fact that she
is not what she says. Not wanting to get hurt. But so dazzled in the beauty of the little things...the little
things and love.
"It's so beautiful here", she says, "this moment now."
And this moment, now.
-She acted so sweet...her voice...we were together. Her words ring in my head.
And I never thought I would find her here: flannel and satin, my four walls transformed.
But she's looking at me, straight to center. No room at all for any other thought.
-Thinking back, I would never have believed that we would end up back together. Everything
always changes when she is here....with me. I cant seem to pull my thoughts away from her.
And I know I don't want this.
Oh, I swear I don't want this.
There's a reason not to want this but I forgot...
-I know how she has hurt me in the past...I dont want that again...I dont want her...I dont want this.
I know I dont want this...but I forgot...I want her.
In the terminal she sleeps on my shoulder, hair falling forward, mouth all askew.
Fluorescent announcements beat their wings overhead: passengers missing, we're looking for you.
And she dreams through the noise, her weight against me, face pressed into the corduroy grooves.
-watching her sleep, she's with me now. "we're looking for you". I was looking for you. She is comfortable with
me, the way it should be.
Maybe it means nothing...
maybe it means nothing...
maybe it means nothing, but I'm afraid to move.
-Maybe she does not really want it, like I do. Maybe I should not fall for her again. Maybe I shouldnt move,
I wouldnt want to wake her.
And the words, they're everything and nothing.
I want to search for her in the offhand remarks.
-Everything she says, they tell me everything I should already know, but I ignore them...they mean nothing.
I want to find the real her, in her offhand remarks. But I cannot find her....
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?
-You're so different now. How is it I still love you?
oh words, like rain, how sweet the sound...
"Well anyway," she says, "I'll see you around..."
-I hear the beauty of her words, before their meaning. Their meaning...so formal.
No emotion or care, we are not what I wanted us to be...But that doesnt mean I dont care.
The sadness of the end of the song is what ties me the most to it. She doesnt want it to end
this way...knowing that there is nothing left. How can she be so comfortable treating me this way?
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12-09-2010
"And I never thought I would find her here"
And even the speaker did not want them to get amorous, she can't remember why because se maybe develops feelings she doesn't want to have.
"And I know I don't want this.
Oh, I swear I don't want this.
There's a reason not to want this but I forgot..."
In the second verse they go through some kind of strange routine. maybe they work together or have to fly somewhere for another reason. And they try to combine their new relationship with their everyday life, which makes it even weirder because a short affair is becoming more permanent. She tries to ease herself and believe that everything is normal and they are just friends or colleages that had an affair, but it feels so strange, as this could be more.
"maybe it means nothing, but I'm afraid to move."
In the last part the speaker recognizes that she still doesn't know what she feels and what the other one feels.
"And the words, they're everything and nothing"
And they probably don't even know each other.
"Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?"
In the end they can't manage it, and leave each other without speaking out on their feelings. They trie to go back to their former lives, but don't know what will hapen the next time they meet.
"Well anyway," she says, "I'll see you around..."
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02-12-2011
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06-17-2011
There's a man who had a child out of wedlock with an old girlfriend. He wants to have a separate life from them, because things don't work out or he becomes overwhelmed by it, or for whatever reason. He pays his child support and always wonders about his daughter, but he goes on with his life.
Then one day, when his daughter has become a preteen, the mother suddenly dies in a car crash. There's no one who will take her in, so that leaves him. He agrees.
I imagine that this song describes their first meeting in the airport when he goes to pick her up, and it describes the strange feelings that he's having by finally meeting and getting to know his daughter.
"It's so beautiful here", she says, "this moment now."
And this moment, now.
And I never thought I would find her here: flannel and satin, my four walls transformed.
It is a beautiful moment. Father and daughter are finally reunited, but he never thought that he would ever be a part of her life.
But she's looking at me, straight to center. No room at all for any other thought.
And I know I don't want this.
Oh, I swear I don't want this.
There's a reason not to want this but I forgot...
There's a reason that he didn't want to be in her life. He's more of a loner, more of a person who wants to keep to himself. He could have just said that he didn't want to take her in. But now that he's seeing her, he's getting that connection that every father feels to his daughter.
In the terminal she sleeps on my shoulder, hair falling forward, mouth all askew.
Fluorescent announcements beat their wings overhead: passengers missing, we're looking for you.
And she dreams through the noise, her weight against me, face pressed into the corduroy grooves.
Maybe it means nothing...
maybe it means nothing...
maybe it means nothing, but I'm afraid to move.
Her sleeping on his shoulder, so comfortable, establishes that father-daughter connection. She's so innocent, happy to see her father, but perhaps she is still too young to recognize how powerful it really is. But he does, and he doesn't want to move, doesn't want to ruin it.
And it's as though she's been a missing passenger in his life, but he hasn't realized it till now.
And the words, they're everything and nothing.
I want to search for her in the offhand remarks.
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?
oh words, like rain, how sweet the sound...
I imagine that this is after he's taken her home, and as they start to talk he's finding out about all of the little quirks that are part of her personality. She's a preteen but she's already drinking coffee, and she takes it with no sugar. She has voice like rain. And he also notices that she is really beautiful--because she looks just like her mother, the "shell" of a past lover. It's as though a dark curtain was cast over her, because he didn't see her grown up. He was just alone and then--suddenly--he has this daughter to take care of.
"Well anyway," she says, "I'll see you around..."
But the fact of the matter is that she is a preteen, as she's at that age where she's getting closed-off. She also probably feels very awkward, suddenly being in the care of her father who had almost nothing to do with her for her entire life up till now. Not to mention that her mother just passed away. It's going to take a long time before they can really connect, but there is hope in both of them that they can.
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06-21-2011
"It's so beautiful here", she says, "this moment now."
And this moment, now.
And I never thought I would find her here: flannel and satin, my four walls transformed.
But she's looking at me, straight to center. No room at all for any other thought.
And I know I don't want this.
Oh, I swear I don't want this.
There's a reason not to want this but I forgot...
the first line is the first female (lets call her ana, the second.. mary so there's no confusion) talking about how beautiful the scenery is, possibly her going into mary's house and examining it considering she just moved in or perhaps a vacation with the two as friends, but mary is too focused on the girl herself and not the scenery surrounding her. 'there's a reason not to want this, but i forgot.' there's a reason not to fall head over heels in love, possibly not being socially accepted, but she forgot this because she doesn't care about the rest of the world.
In the terminal she sleeps on my shoulder, hair falling forward, mouth all askew.
Fluorescent announcements beat their wings overhead: passengers missing, we're looking for you.
And she dreams through the noise, her weight against me, face pressed into the corduroy grooves.
Maybe it means nothing...
maybe it means nothing...
maybe it means nothing, but I'm afraid to move.
i interpreted this as ana going off on a plane somewhere and their flight is delayed a little bit, so she takes a nap on mary's shoulder. since the love is unrequited, she constantly thinks that this is just a friendly gesture. 'maybe it means nothing, but i'm afraid to move.' her feelings are possibly not returned, but she wants to hold onto the feeling of her being there as long as she can.
And the words, they're everything and nothing.
the words ana said meant the world to her, but they had no real meaning.
I want to search for her in the offhand remarks.
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover, dark curtains drawn by the passage of time?
this is the part that hit me the most; possibly during the trip ana gets amnesia and she is taken back home, but she doesn't remember anything. so she goes to a coffee shop, and along the way, she remarks the homeless person on the side of the road; 'who are you, echoing street signs?', someone holding up a sign to raise money and get a home. she meets mary at this cafe, and she doesn't remember who she is, but mary remembers full and well. when they talk, mary tries to convince her that they were friends before, the best of friends, and at some point admit her feelings.
oh words, like rain, how sweet the sound...
"Well anyway," she says, "I'll see you around..."
ana doesn't understand all of this, and sees it as a stranger trying to kidnap her or something, so she leaves. mary still loves the sound of her voice, even if all hope is lost of trying to find her again in the way she was.
of course, it can be interpreted in different ways, but this is the one i thought of the most.
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09-16-2011
In the third/beginning verse, the narrator is already enamored with this woman, despite knowing so little about her, and they already want to know everything; why does she like her coffee the way she does? What happened in her past to make her closed off ("dark curtains drawn by the passage of time")? Even the slightest little nothings she says ("And the words, they're everything and nothing/I want to search for her in the offhand remarks") mean everything, because they're another insight into this woman and what's made her who she is. The final line, "'Well anyway,' she says, 'I'll see you around...'", is a promise that they'll meet again, as they do in the second verse.
In the second verse, the pair are waiting in an airport terminal. Some time has obviously passed, as the two are more comfortable with one another, enough so that the woman is comfortable enough with the narrator to fall asleep on them in front of the multitudes of people around them. In the last line of the verse, "maybe it means nothing, but I'm afraid to move", the narrator isn't daring to hope that this small moment could mean anything, but at the same time, they're terrified that it could (could the woman be feeling the same way the narrator feels towards her?); having feelings for someone, but not knowing if they're reciprocated, is a terrifying prospect.
In the first verse of the song, we get the ending of the story. The narrator and the woman are in bed together (flannel and satin being common fabrics used for pajamas), the narrator astounded at the fact that she's really, truly here with them, feelings finally reciprocated ("'It's so beautiful here'", she says, "'this moment now'"). The line "my four walls transformed" leads me to believe the pair might be living together, or at least that the woman is around enough that she's had an affect even on the narrator's home with her presence. The last lines of the song ("And I know I don't want this/Oh, I swear I don't want this/There's a reason not to want this but I forgot...") imply that the narrator had some reason to fear such a relationship (maybe due to past rejection/betrayal, or as someone else suggested, maybe it's a homosexual relationship, which is still generally frowned upon). But whatever those reasons were, they don't matter, forgotten in the face of the love that the pair share.
That's just my two cents, anyway. :P
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