So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
Can you tell me why the bells are ringing?
Nothing's happened in a million years
I've been sitting here since Wednesday morning
Wednesday morning can't believe my ears
Jazz police are looking through my folders
Jazz police are talking to my niece
Jazz police have got their final orders
Jazzer, drop your axe, it's Jazz police!
Jesus taken serious by the many
Jesus taken joyous by a few
Jazz police are paid by J. Paul Getty
Jazzers paid by J. Paul Getty II
Jazz police I hear you calling
Jazz police I feel so blue
Jazz police I think I'm falling,
I'm falling for you
Wild as any freedom loving racist
I applaud the actions of the chief
Tell me now oh beautiful and spacious
Am I in trouble with the Jazz police?
Jazz police are looking through my folders
They will never understand our culture
They'll never understand the Jazz police
Jazz police are working for my mother
Blood is thicker margarine than grease
Let me be somebody I admire
Let me be that muscle down the street
Stick another turtle on the fire
Guys like me are mad for turtle meat
Jazz police I hear you calling
Jazz police I feel so blue
Jazz police I think I'm falling,
I'm falling for you
Nothing's happened in a million years
I've been sitting here since Wednesday morning
Wednesday morning can't believe my ears
Jazz police are looking through my folders
Jazz police are talking to my niece
Jazz police have got their final orders
Jazzer, drop your axe, it's Jazz police!
Jesus taken serious by the many
Jesus taken joyous by a few
Jazz police are paid by J. Paul Getty
Jazzers paid by J. Paul Getty II
Jazz police I hear you calling
Jazz police I feel so blue
Jazz police I think I'm falling,
I'm falling for you
Wild as any freedom loving racist
I applaud the actions of the chief
Tell me now oh beautiful and spacious
Am I in trouble with the Jazz police?
Jazz police are looking through my folders
They will never understand our culture
They'll never understand the Jazz police
Jazz police are working for my mother
Blood is thicker margarine than grease
Let me be somebody I admire
Let me be that muscle down the street
Stick another turtle on the fire
Guys like me are mad for turtle meat
Jazz police I hear you calling
Jazz police I feel so blue
Jazz police I think I'm falling,
I'm falling for you
Lyrics submitted by softasfire
Jazz Police Lyrics as written by Leonard Cohen Jeff Fisher
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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its amazing how far music can come.. 24 years after it released and its one of the most heartfelt songs ive heard
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Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
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The way this song speaks to me🥺🥺when I sing it I feel like I relate
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
I think the first half conveys how it feels to be thought of as a transgressor merely for doing something new.
Young people get bored and get creative which alarms the establishment. The establishment wants what's best but they are overly serious compared to the joyous creatives.
Eventually the creatives start to get sucked into the spell of oversight, probably because they want to be on the side that gets less hassles.
I think the second half is more about street culture in cities. Maybe hip/hop culture since it was the 80s as Cohen wrote the song and Jazz is used as samples for hip hop and rap which could offend the critical and purists of the Jazz genre.
Mothers are concerned for their children and they end up repeating the same crap to their kids that the world is already telling them. Eventually, the youth falls under the sway of overserious oversight and they, too, want to be in charge.
The 'feel so blue' is a nice touch because of the blue notes in Jazz.