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Emily Lyrics
The meadowlark and the chim-choo-ree and the sparrow
Set to the sky in a flying spree, for the sport over the pharaoh A little while later the Pharisees dragged comb through the meadow Do you remember what they called up to you and me, in our window? There is a rusty light on the pines tonight Sun pouring wine, lord, or marrow Down into the bones of the birches And the spires of the churches Jutting out from the shadows The yoke, and the axe, and the old smokestacks and the bale and the barrow And everything sloped like it was dragged from a rope In the mouth of the south below We've seen those mountains kneeling, felten and grey We thought our very hearts would up and melt away From that snow in the nighttime Just going And going And the stirring of wind chimes In the morning In the morning Helps me find my way back in From the place where I have been And, Emily - I saw you last night by the river I dreamed you were skipping little stones across the surface of the water Frowning at the angle where they were lost, and slipped under forever In a mud-cloud, mica-spangled, like the sky'd been breathing on a mirror Anyhow - I sat by your side, by the water You taught me the names of the stars overhead that I wrote down in my ledger Thoough all I knew of the rote universe were those Pleiades loosed in December I promised you I'd set them to verse so I'd always remember That the meteorite is a source of the light And the meteor's just what we see And the meteoroid is a stone that's devoid of the fire that propelled it to thee And the meteorite's just what causes the light And the meteor's how it's perceived And the meteoroid's a bone thrown from the void that lies quiet in offering to thee You came and lay a cold compress upon the mess I'm in Threw the window wide and cried, "Amen! Amen! Amen!" The whole world stopped to hear you hollering You looked down and saw now what was happening The lines are fading in my kingdom (Though I have never known the way to border them in) So the muddy mouths of baboons and sows and the grouse and the horse and the hen Grope at the gate of the looming lake that was once a tidy pen And the mail is late and the great estates are not lit from within The talk in town's becoming downright sickening In due time we will see the far butte lit by a flare I've seen your bravery, and I will follow you there And row through the nighttime Gone healthy Gone healthy all of a sudden In search of the midwife Who could help me Who could help me Help me find my way back in There are worries where I've been Say, say, say in the lee of the bay; don't be bothered Leave your troubles here where the tugboats shear the water from the water (Flanked by furrows, curling back, like a match held up to a newspaper) Emily, they'll follow your lead by the letter And I make this claim, and I'm not ashamed to say I know you better What they've seen is just a beam of your sun that banishes winter Let us go! Though we know it's a hopeless endeavor The ties that bind, they are barbed and spined and hold us close forever Though there is nothing would help me come to grips with a sky that is gaping and yawning There is a song I woke with on my lips as you sailed your great ship towards the morning Come on home, the poppies are all grown knee-deep by now Blossoms all have fallen, and the pollen ruins the plow Peonies nod in the breeze and while they wetly bow With hydrocephalitic listlessness ants mop up-a their brow And everything with wings is restless, aimless, drunk and dour The butterflies and birds collide at hot, ungodly hours And my clay-colored motherlessness rangily reclines Come on home, now! All my bones are dolorous with vines Pa pointed out to me, for the hundredth time tonight The way the ladle leads to a dirt-red bullet of light Squint skyward and listen Loving him, we move within his borders Just asterisms in the stars' set order We could stand for a century Staring With our heads cocked In the broad daylight at this thing Joy Landlocked In bodies that don't keep Dumbstruck with the sweetness of being Until we don't be told Take this Eat this Told The meteorite is the source of the light And the meteor's just what we see And the meteoroid is a stone that's devoid of the fire that propelled it to thee And the meteorite's just what causes the light And the meteor's how it's perceived And the meteoroid's a bone thrown from the void that lies quiet in offering to thee
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08-03-2006
"anyhow, I sat by your side, by the water
you taught me the names of the stars overhead that I wrote down in my ledger
though all I knew of the rote universe were those pleiades loosed in december
I promised you I‘d set them to verse so I'd always remember
that the meteorite is a source of the light
and the meteor's just what we see
and the meteoroid is a stone that's devoid of the fire that propelled it to thee
and the meteorite's just what causes the light
and the meteor's how it's perceived
and the meteoroid's a bone thrown from the void that lies quiet in offering to thee"
that is one of the most beautiful things in the world. without a doubt
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09-06-2006
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09-18-2006
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10-02-2006
I read on a blog somewhere how the writer saw joanna at a party, and went to talk to her. All he said was "Youre joanna newsom... i love you." And then he left the party to go home.
I didint really understand how anybody could do that at the time. After Emily though... i would have done the same thing. And give me the situation, i will do the same thing.
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10-04-2006
Would that I could write a song with as much beauty and as beautifully nuanced imagery as Joanna Newsom's "Emily". The meteor chorus just kind of rips me apart a little bit. Thank you, Ms. Newsom, and I hope you'll be accepting my forthcoming marriage proposal.
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10-04-2006
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11-19-2006
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11-20-2006
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12-02-2006
"Like every other song on this record, "Emily" is deeply biographical. The Emily in the song is my sister, who's an astrophysicist; the narrator is myself, who is not an astrophysicist. Emily is the wanderer; she lives in Argentina and sometimes New Zealand. I'm not a wanderer, which is funny because I'm on tour half the time. I'm a home, hearth and family kind of person. It's difficult for me to make too many intelligent comments about [the symbolism in this song] because the song really is a very personal reaction to real life."
And in response to Shefik: Van Dyke Parks was only in collaboration for the production and recording, so it is unfair to call him "Joanna's producer". His task was mostly writing string parts for the orchestration, which he certainly did an excellent job of. And his role in Ys cannot be underestimated. However, the production was still mostly the work of Joanna, and the recording/mixing was headed by Jim O'Rourke, Steve Albini, and Tim Boyle (Albini recorded Joanna's vocals and harp, whereas Boyle recorded the orchestral additions. The mixing was done by O'Rourke).
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12-02-2006
10-26-2010
The meteorite is the only object of the three that resides here on Earth, that we can actually touch. She claims that this now-Earthly object is the true source of the light. Yes, it is no longer lighted, but the meteor, as it travels through the atmosphere is just what we see, not touch, and the meteoroid, though pre-light, is merely just a stone in space, and has no mark of the fire that later brings it to Earth.
See?
04-21-2011
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12-05-2006
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12-08-2006
If people are interested, it can be found here:
http://www.pitchforkmedia.com/article/feature/39700/Interview_Interview_Joanna_Newsom
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12-14-2006
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12-17-2006
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12-20-2006
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12-20-2006
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12-21-2006
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12-21-2006
It's clearly not an unintended error, so don't let it bother you: you can tell because it's such a central part of the song that, firstly, she would have checked her definitions whilst writing; and secondly, if it were a mistake it would most likely have been picked up in the publishing process. Joanna Newsom is incredibly clever: she pays attention to detail and scrutinises her work laboriously. The simplicity of these two stanzas and the way they stand apart structurally/conceptually is also perfectly inclined towards a deliberate play with ideas: assuming that valrus' suggestion is correct, we have here an example of Joanna taking her concept, and wrapping it up neatly into a couple of lines of condensed metaphor. This is very characteristic of her poetry, and is therefore not surprising enough to be assumed a mistake.
The idea itself also fits really well in its context, and I think is very clever, very deep, and brilliantly penned. The the speaker she is trying to hold onto her memory of her sister's closeness, but it slips away into the mists of memory and the distance caused by Joanna not having access to the depths of her sister's world. This is part of the "sky that is gaping and yawning", and echoes the ideas of loss, distance and desire that's just out of reach, which fill the entire song. This is redeemed by the fact that "the ties that bind, they are barbed and spined and hold [them] close forever", but nonetheless the intensity of the feeling is real.
Anyway, ten gold stars for you Robindra, for picking it up! Not a great deal of the audience would, I assume... I'm pretty impressed :-)
02-11-2009
"Though there is nothing would help me come to grips with a sky that is gaping and yawning".
She of explains there that nothing will help her understand the stars or space like her sister does.
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12-21-2006
:-)
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01-07-2007
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01-11-2007
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01-17-2007
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01-20-2007
:-)
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01-22-2007
I understood the meteorite being the source of the light to mean quite literally that a rock falling through the atmosphere is causing a light which we see.
The meteor is correct in any way you take it, being the way we perceive a meteorite falling, as a streak of light in the night sky.
I took the meteoroid to be devoid of the fire to mean pre-collision with the Earth's atmosphere. It's a meteoroid which has not yet been given the fire to propel it to thee, a space rock still on its way to become the source of a light which we perceive as a meteor. If you reverse the time frame and think of the meteor before atmospheric entrance then it all works out nicely without having to assume that Ms. Newsom was ironic in her lyricism.
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01-24-2007
I read this yesterday in an article by someone who interviewed her: "Newsom’s dad is also an amateur starhound, and she remembers him teaching her, over and over again, how to find the dirt red bullet of Arcturus by following the ladle of the Big Dipper. In the song, Newsom maps these overlapping relationships—father to daughters, and Emily’s studies to her dad’s hobby—with the figure of the asterism, a technical term that describes star clusters whose borders overlap or exist within larger constellations—the Dipper, for example, is an asterism of Ursa Major, the Big Bear."
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