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Sawdust and Diamonds Lyrics
from the top of the flight
of the wide, white stairs through the rest of my life do you wait for me there? there's a bell in my ears there's a wide white roar drop a bell down the stairs hear it fall forevermore drop a bell off of the dock blot it out in the sea drowning mute as a rock; sounding mutiny there's a light in the wings, hits this system of strings from the side while they swing; see the wires, the wires, the wires and the articulation in our elbows and knees makes us buckle as we couple in endless increase as the audience admires and the little white dove made with love, made with love: made with glue, and a glove, and some pliers swings a low sickle arc from its perch in the dark: settle down settle down my desire and the moment I slept I was swept up in a terrible tremor though no longer bereft, how I shook! and I couldn't remember then the furthermost shake drove a murdering stake in and cleft me right down through my center and I shouldn't say so, but I know that it was then, or never push me back into a tree bind my buttons with salt fill my long ears with bees praying: please, please, please love, you ought not! no you ought not! then the system of strings tugs on the tip of my wings (cut from cardboard and old magazines) makes me warble and rise like a sparrow and in the place where I stood, there is a circle of wood a cord or two, which you chop and you stack in your barrow it is terribly good to carry water and chop wood streaked with soot, heavy booted and wild-eyed as I crash through the rafters and the ropes and pulleys trail after and the holiest belfry burns sky-high then the slow lip of fire moves across the prairie with precision while, somewhere, with your pliers and glue you make your first incision and in a moment of almost-unbearable vision doubled over with the hunger of lions "hold me close," cooed the dove who was stuffed now with sawdust and diamonds I wanted to say: why the long face? sparrow, perch and play songs of long face burro, buck and bray songs of long face! sing: I will swallow your sadness and eat your cold clay just to lift your long face and though it may be madness, I will take to the grave your precious longface and though our bones they may break, and our souls separate - why the long face? and though our bodies recoil from the grip of the soil - why the long face? in the trough of the waves which are pawing like dogs pitch we, pale-faced and grave as I write in my log then I hear a noise from the hull seven days out to sea and it is the damnable bell! and it tolls - well, I believe, that it tolls - for me! it tolls for me! though my wrists and my waist seemed so easy to break still, my dear, I would have walked you to the very edge of the water and they will recognise all the lines of your face in the face of the daughter of the daughter of my daughter darling, we will be fine, but what was yours and mine appears to be a sandcastle that the gibbering wave takes but if it's all just the same, then will you say my name: say my name in the morning, so I know when the wave breaks? I wasn't born of a whistle or milked from a thistle at twilight no, I was all horns and thorns, sprung out fully formed, knock-kneed and upright so: enough of this terror we deserve to know light and grow evermore lighter and lighter you would have seen me through but I could not undo that desire oh, desire... from the top of the flight of the wide, white stairs through the rest of my life do you wait for me there?
Interaction
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02-26-2006
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07-19-2006
i think this one is tied with emily. i'm hoping for a studio version of this and emily on the upcoming album
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09-09-2006
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09-09-2006
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09-09-2006
the imagery having to do with false angels rising with wires and flying with wings of clipped magazines and cardboard is so vivid for me, so gorgeous.
"what was yours and mine
appears to be a sandcastle that the gibbering wave takes,"
there's something so touching in these lines for me. sometimes it seems no matter how much tender loving care you put into something, there's always a wave that can easily take it away.
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09-19-2006
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10-21-2006
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11-21-2006
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11-23-2006
"murthering stake" - the words mean the same thing, but the above lyrics are incorrect
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11-27-2006
"And it tolls - well, I believe, that it tolls - for me!
it tolls for me!"
Beautiful.
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12-13-2006
streaked with soot, heavy booted and wild-eyed
as I crash through the rafters
and the ropes and pulleys trail after
and the holiest belfry burns sky-high" Sort of shows me the life of a worker who struggles to creat and dies due to the danger of his work.
Also the theme of the einjustice of war even a war you think is just to make change that you feel are for the better is apparent in "then the slow lip of fire moves across the prairie with precision
while, somewhere, with your pliers and glue you make your first incision
and in a moment of almost-unbearable vision
doubled over with the hunger of lions
"hold me close," cooed the dove
who was stuffed now with sawdust and diamonds"
And peace cant stand up to the more powerful lion.
Any thoughts on this, It really touched me either way.
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01-24-2007
"...The last element of Newsom’s magnum opus to arrive was its title. Newsom spent a long time fishing for a name that would encapsulate the spirit of the project. One night she dreamed about the title, a swirling reverie that featured the letters Y and S smashing together in unusual combinations. Afterwards she began searching for a single-syllable word that bluntly combined the two letters. At the same time, Newsom also finally got around to reading the fantasy novel on her nightstand, which happened to be her best friend’s favorite book. She thought the novel might be cheesy, but she loved it. And one night, there it was: a passage about a seaside castle that had been raised 'by the magic of the ancient folk of Ys.'
"Et voila–Newsom had found her title. Ys is a lost city immortalized in the folklore of Brittany, a region that lies along the northwest coast of France. As Newsom read more deeply into the legend, things got a little spookier. Here, in a nutshell, is one version of the tale: Dahut, the blond daughter of King Gradlon, begs her father to build her a citadel by the sea. And so he does, creating a city that’s protected from the waves by an enormous wall of stone whose one entrance, a gigantic bronze door, is opened by a key that Gradlon carries around his neck. Like a lot of seaside towns, Ys attracts horny sailors laden with goods, and Dahut makes a wicked pact with the powers of the ocean to make the already decadent city rich. The agreement is rather kinky: every night the princess takes a new sailor as a lover, and places a black mask on his head. In the morning, when the song of the meadowlark is heard, the mask strangles the guy, whose body is then offered to the waves. Eventually Dahut meets her match: a haughty crimson-clad lover who persuades her to slip the key from around the neck of her sleeping father. The rake then opens the gates of Ys to the raging ocean, which swallows the city. Father and daughter escape on a magic steed, but daddy is forced to drop the princess into the sea and she drowns. In some tellings, she is then transformed into a mermaid.
"Newsom saw so many parallels between this story and her own that it freaked her out. There were the themes of decadence and excess, of fathers and daughters and boundaries burst, not to mention details like the meadowlark and the heroine’s underwater metamorphosis. Then Newsom stumbled across the clincher: according to Breton folklore, on calm days along the coast you can hear the sunken bell of the cathedral of Ys, tolling evermore. Later, as Newsom finished the fantasy novel, she stumbled across yet another uncanny echo of her own tale: a line that spoke of 'that damnable bell,' a direct sample, as it were, from 'Sawdust & Diamonds.'
02-19-2009
02-19-2009
never read the book, but i love the movie...
06-06-2009
I read this article excerpt a while ago when I was devouring all things Newsom-related, and just a little while ago I started reading The Mists of Avalon. Ys is mentioned on the first page, and then, when I read the later passage that included "that damnable bell," I knew it had to be it! The "damnable bell" line is something Morgaine in the novel thinks about the convent and all of its ringing bells.
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01-24-2007
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02-02-2007
"and the little white dove...made with glue, and a glove, and some pliers"
"I will swallow your sadness and eat your cold clay
just to lift your long face"
maybe it am reading it wrong, but they really make me think of taxidermy... maybe like being put on display for people.
"cooed the dove
who was stuffed now with sawdust and diamonds"
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02-14-2007
when i casually listen to the album i like Only Skin the most, but when i am trying to absorb this album, I loooooooooove Sawdust & Diamonds the most.
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03-10-2007
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03-10-2007
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03-13-2007
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03-25-2007
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04-13-2007
bind my buttons with salt
fill my long ears with bees
praying: please, please, please
love, you ought not!
no you ought not!"?
To me, they seem extremely intimate.. almost abrasively so. Like the narrator is feeling pressured into doing something that she really doesn't want to do. If it were of an intimate nature, that would (to me) explain, "I could not undo that desire/oh, desire..."
I, like most of you, haven't closely contemplated what the song might mean, but just by listening to it without any real deep thought suggests a relationship to me, rather than eternity.
I would have to say it's one of the more bittersweet songs on the album. It's a sad, waning love. Another verse that especially makes me feel this way is, "darling, we will be fine, but what was yours and mine/appears to be a sandcastle that the gibbering wave takes"
Maybe my own waning, bittersweet relationship has influenced me into thinking this way, but that's just what I feel, and what comes to mind for me. I would love to hear any comments you might have, especially if you got the same impression. :)
07-22-2009
Is anyone familiar with Shakespeare's The Tempest.
There are a couple of lines in this song that stand out to me in relation to that play.
10-01-2009
I am not coming out of a bittersweet relationship at the moment, but with that interpretation, I'm not always sure of that, so the song somewhat uncomfortable. But darling we will be fine, it is still one of my favorites.
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04-29-2007
-one of my favorite lines ever.
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05-15-2007
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05-17-2007
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05-27-2007
we deserve to know light
and grow evermore lighter and lighter...
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06-05-2007
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