Lyrics for Sawdust and Diamonds as interpreted by amina

Sawdust and Diamonds Lyrics
from the top of the flight
of the wide, white stairs
through the rest of my life
do you wait for me there?

there's a bell in my ears
there's a wide white roar
drop a bell down the stairs
hear it fall forevermore

drop a bell off of the dock
blot it out in the sea
drowning mute as a rock;
sounding mutiny

there's a light in the wings, hits this system of strings
from the side while they swing;
see the wires, the wires, the wires

and the articulation
in our elbows and knees
makes us buckle as we couple in endless increase
as the audience admires

and the little white dove
made with love, made with love:
made with glue, and a glove, and some pliers

swings a low sickle arc
from its perch in the dark:
settle down
settle down my desire

and the moment I slept I was swept up in a terrible tremor
though no longer bereft, how I shook!
and I couldn't remember

then the furthermost shake drove a murdering stake in
and cleft me right down through my center
and I shouldn't say so, but I know that it was then, or never

push me back into a tree
bind my buttons with salt
fill my long ears with bees
praying: please, please, please
love, you ought not!
no you ought not!

then the system of strings tugs on the tip of my wings
(cut from cardboard and old magazines)
makes me warble and rise like a sparrow
and in the place where I stood, there is a circle of wood
a cord or two, which you chop and you stack in your barrow

it is terribly good to carry water and chop wood
streaked with soot, heavy booted and wild-eyed
as I crash through the rafters
and the ropes and pulleys trail after
and the holiest belfry burns sky-high

then the slow lip of fire moves across the prairie with precision
while, somewhere, with your pliers and glue you make your first incision
and in a moment of almost-unbearable vision
doubled over with the hunger of lions
"hold me close," cooed the dove
who was stuffed now with sawdust and diamonds

I wanted to say: why the long face?
sparrow, perch and play songs of long face
burro, buck and bray songs of long face!
sing: I will swallow your sadness and eat your cold clay
just to lift your long face

and though it may be madness, I will take to the grave
your precious longface
and though our bones they may break, and our souls separate
- why the long face?
and though our bodies recoil from the grip of the soil
- why the long face?

in the trough of the waves
which are pawing like dogs
pitch we, pale-faced and grave
as I write in my log

then I hear a noise from the hull
seven days out to sea
and it is the damnable bell!

and it tolls - well, I believe, that it tolls - for me!
it tolls for me!

though my wrists and my waist seemed so easy to break
still, my dear, I would have walked you to the very edge of the water
and they will recognise all the lines of your face
in the face of the daughter of the daughter of my daughter

darling, we will be fine, but what was yours and mine
appears to be a sandcastle that the gibbering wave takes
but if it's all just the same, then will you say my name:
say my name in the morning, so I know when the wave breaks?

I wasn't born of a whistle or milked from a thistle at twilight
no, I was all horns and thorns, sprung out fully formed, knock-kneed and upright
so: enough of this terror
we deserve to know light
and grow evermore lighter and lighter
you would have seen me through
but I could not undo that desire

oh, desire...

from the top of the flight
of the wide, white stairs
through the rest of my life
do you wait for me there?

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myeh_man
02-26-2006

Rated 0 
Without reading the whole thing, and just commenting on the first and last stanze in the song, I'm pretty positive she's talking about eternity. There was an interview with Joanna where she said that all her songs are an attempt to remake a dream she had when she was a little girl about these dogs and cats with party hats, but anyway, there were these stairs, and she had these sense that they were eternity. Check it out at Milky Moon. So, there's probably more, but I thought that was pretty cool.

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amina
07-19-2006

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yeah, that is what this is about. this is my second favourite song, behind clam, crab, cockle, cowrie.

i think this one is tied with emily. i'm hoping for a studio version of this and emily on the upcoming album

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HyperGlitter
09-09-2006

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i love this song. love love love love it.

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HyperGlitter
09-09-2006

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the last verses especially. that's just moving. shit.

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delial
09-09-2006

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this has been one of my favorites ever since i first heard the green man recording of it as posted on milkymoon. it's one of those songs almost cinematic in drama, to me about that quiet pondering everyone tends to fall into over the afterlife or whatever. when you lose people in your life you start to wonder if when you expire, they'll be waiting for you there "at the top of the wide white stairs."

the imagery having to do with false angels rising with wires and flying with wings of clipped magazines and cardboard is so vivid for me, so gorgeous.

"what was yours and mine
appears to be a sandcastle that the gibbering wave takes,"

there's something so touching in these lines for me. sometimes it seems no matter how much tender loving care you put into something, there's always a wave that can easily take it away.

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thomas doyle
09-19-2006

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so often her voice on this album reminds me of joan baez, particularly the joan baez song diamonds and rust, and then a song here is titled sawdust and diamonds, coincidencefest.

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urchinau
10-21-2006

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http://community.livejournal.com/milkeyed_mender/110734.html

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ConduitForSale
11-21-2006

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newsom said that all 5 songs on Ys are based on true stories

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heartbeats_xxx
11-23-2006

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according to the album liner notes, it's not a "murdering stake," it's a
"murthering stake" - the words mean the same thing, but the above lyrics are incorrect

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ArrestedDevelopment
11-27-2006

Rated 0 
This song fuckinig moves me to tears every time I hear it. I don't know what it is about that Joanna Newsom but she sure knows how to play with your emotions.

"And it tolls - well, I believe, that it tolls - for me!
it tolls for me!"

Beautiful.

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PHersh
12-13-2006

Rated 0 
Looking at the mid part of the song i definately see alot of themes of death which would fit in with the overall theme of eternity and afterlife. But i also see alot of themes of injustice. "it is terribly good to carry water and chop wood
streaked with soot, heavy booted and wild-eyed
as I crash through the rafters
and the ropes and pulleys trail after
and the holiest belfry burns sky-high" Sort of shows me the life of a worker who struggles to creat and dies due to the danger of his work.
Also the theme of the einjustice of war even a war you think is just to make change that you feel are for the better is apparent in "then the slow lip of fire moves across the prairie with precision
while, somewhere, with your pliers and glue you make your first incision
and in a moment of almost-unbearable vision
doubled over with the hunger of lions
"hold me close," cooed the dove
who was stuffed now with sawdust and diamonds"
And peace cant stand up to the more powerful lion.

Any thoughts on this, It really touched me either way.

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Annelise
01-24-2007

Rated 0 
This was in an article on Joanna: some of it relates to this song:

"...The last element of Newsom’s magnum opus to arrive was its title. Newsom spent a long time fishing for a name that would encapsulate the spirit of the project. One night she dreamed about the title, a swirling reverie that featured the letters Y and S smashing together in unusual combinations. Afterwards she began searching for a single-syllable word that bluntly combined the two letters. At the same time, Newsom also finally got around to reading the fantasy novel on her nightstand, which happened to be her best friend’s favorite book. She thought the novel might be cheesy, but she loved it. And one night, there it was: a passage about a seaside castle that had been raised 'by the magic of the ancient folk of Ys.'

"Et voila–Newsom had found her title. Ys is a lost city immortalized in the folklore of Brittany, a region that lies along the northwest coast of France. As Newsom read more deeply into the legend, things got a little spookier. Here, in a nutshell, is one version of the tale: Dahut, the blond daughter of King Gradlon, begs her father to build her a citadel by the sea. And so he does, creating a city that’s protected from the waves by an enormous wall of stone whose one entrance, a gigantic bronze door, is opened by a key that Gradlon carries around his neck. Like a lot of seaside towns, Ys attracts horny sailors laden with goods, and Dahut makes a wicked pact with the powers of the ocean to make the already decadent city rich. The agreement is rather kinky: every night the princess takes a new sailor as a lover, and places a black mask on his head. In the morning, when the song of the meadowlark is heard, the mask strangles the guy, whose body is then offered to the waves. Eventually Dahut meets her match: a haughty crimson-clad lover who persuades her to slip the key from around the neck of her sleeping father. The rake then opens the gates of Ys to the raging ocean, which swallows the city. Father and daughter escape on a magic steed, but daddy is forced to drop the princess into the sea and she drowns. In some tellings, she is then transformed into a mermaid.

"Newsom saw so many parallels between this story and her own that it freaked her out. There were the themes of decadence and excess, of fathers and daughters and boundaries burst, not to mention details like the meadowlark and the heroine’s underwater metamorphosis. Then Newsom stumbled across the clincher: according to Breton folklore, on calm days along the coast you can hear the sunken bell of the cathedral of Ys, tolling evermore. Later, as Newsom finished the fantasy novel, she stumbled across yet another uncanny echo of her own tale: a line that spoke of 'that damnable bell,' a direct sample, as it were, from 'Sawdust & Diamonds.'

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3 Replies
Annelise
01-24-2007

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"

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jtexploder
02-02-2007

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did anyone else think there were a lot of references to taxidermy in it??

"and the little white dove...made with glue, and a glove, and some pliers"

"I will swallow your sadness and eat your cold clay
just to lift your long face"

maybe it am reading it wrong, but they really make me think of taxidermy... maybe like being put on display for people.

"cooed the dove
who was stuffed now with sawdust and diamonds"

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frinkianz
02-14-2007

Rated 0 
since nobody's mentioned it yet, this is the only song on Ys that she performs completely solo - just her voice and her harp. it makes the song seem much more intimate than the others

when i casually listen to the album i like Only Skin the most, but when i am trying to absorb this album, I loooooooooove Sawdust & Diamonds the most.

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eigenv1
03-10-2007

Rated 0 
Questions: Does anyone think the dove is the harp and the sparrow is Joanna?

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Autobahn_
03-10-2007

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I like to think she was singing about Bill Callahan, but she wrote it before she started seeing him, so I guess she's talking about another performer. Maybe Devendra Banhart, but probably someone she performed with pre-famous stage.

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blacksheepgirl
03-13-2007

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I love joanna's writing style. When I actually sit and read the lyrics, it takes my breath away. I prefer not to pick away at what she actually might mean through her lyics, but rather absorb what they do for me, as they are.

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dll
03-25-2007

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Joanna's lyrics ARE fascinating. Some even stand apart from the music as poetry. The fascination really invites one to "pick away at what she might actually mean" as blacksheepgirl says. But I guess this invitation is a side effect. Artists seem to no more know what to do with our critiques and interpretations than they know from where there inspiration flows. Its all beautiful anyway!

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stkatherine
04-13-2007

Rated 0 
Does anyone have any comments on the verses, "push me back into a tree
bind my buttons with salt
fill my long ears with bees
praying: please, please, please
love, you ought not!
no you ought not!"?

To me, they seem extremely intimate.. almost abrasively so. Like the narrator is feeling pressured into doing something that she really doesn't want to do. If it were of an intimate nature, that would (to me) explain, "I could not undo that desire/oh, desire..."

I, like most of you, haven't closely contemplated what the song might mean, but just by listening to it without any real deep thought suggests a relationship to me, rather than eternity.

I would have to say it's one of the more bittersweet songs on the album. It's a sad, waning love. Another verse that especially makes me feel this way is, "darling, we will be fine, but what was yours and mine/appears to be a sandcastle that the gibbering wave takes"

Maybe my own waning, bittersweet relationship has influenced me into thinking this way, but that's just what I feel, and what comes to mind for me. I would love to hear any comments you might have, especially if you got the same impression. :)

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2 Replies
catherine k
04-29-2007

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"Hold me close," cooed the dove who was stuffed now with sawdust and diamonds.

-one of my favorite lines ever.

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ReliableCredible
05-15-2007

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Based solely upon the first and last stanzas it looks shes asking someone who is already dead if they will be waiting for her when she dies. I haven't looked at the rest of the lyrics yet, but thats my first impression.

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Art_er
05-17-2007

Rated 0 
I have great respect for Joanna’s lyrics, and the puzzles she constructs within them. I interpret this song as expressing her relationhip with her instrument. Sawdust...the scent of the instrument, diamonds...the notes. The opening verses describe the deep resonant sounds of her harp. The little white dove is the sound created as they (J and Harp) collaborate (as the audience admires). If you apply this theory, the rest of the lyrics make sense in terms of being a study of what happens when she and her instrument are in top flight. The long face I can only interpret as referring to the look of the instrument. I often see a 'face' on familiar objects like my guitar or car, the act of personification, I suppose Long live her desire to struggle with her instrument and create such important work.

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yungmastr
05-27-2007

Rated 0 
so enough of this terror
we deserve to know light
and grow evermore lighter and lighter...

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stkatherine
06-05-2007

Rated 0 
Art_er... i really like your take on it. performing onstage and music definately come to mind when hearing this song.

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