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Armchairs Lyrics
I dreamed you were a cosmonaut
of the space between our chairs And I was a cartographer of the tangles in your hair I sang the song that silence sings It's the one that everybody knows, everybody knows The song that silence sings And this is how it goes These looms that weave apocrypha they're hanging from a strand The dark and empty rooms were full of incandescent hands The awkward pause The fatal flaw Time, it's a crooked bow Time is a crooked bow In time you need to learn, to love The ebb just like the flow Grab hold of your bootstraps, and pull like hell until gravity feels sorry for you, and lets you go As if you lack the proper chemicals to know the way it felt the last time you let yourself fall this low Time's a crooked bow Time's a crooked bow Time, it's a crooked bow Fifty-five and three-eighths years later At the bottom of a gigantic crater An armchair calls to you Yeah, and armchair calls to you It says, someday, we'll get back at them all With epoxy and a pair of pliers As ancient sea slugs begin to crawl through the ragweed and barbed wire You didn't write You didn't call It didn't cross your mind at all Through the waves waves of hay and straw You couldn't feel a thing at all Fifty-five and three-eighths Time Fifty-five and three-eighths Time Time
Interaction
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09-29-2005
This is just about my favorite song ever. It's so epic and... dynamic, and I just love it. The 1st stanza and the 3rd are sheer brilliance... "these looms that weave apocrypha"... damn! That's good. I also love the oxymoron of dark and empty rooms being full of incandescent hands, heh. I don't even want to start thinking about the meaning right now; I just want to experience the song for the moment.
If I didn't get the lyrics right feel free to post corrections.
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12-19-2005
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12-19-2005
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01-11-2006
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03-03-2006
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12-19-2006
I love all of your analyses of Bird's lyrics, and am beyond jealous that you were able to see him live.
On the fabchannel.com performance of "Armchair Apocrypha", though, I heard him say "bring" instead of "sing" in the first line of the second stanza.
I would love to hear your interpretation of this song eventually! Can't wait for this album to come out.
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01-27-2007
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02-12-2007
Anyway, wow. One of his best.
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02-18-2007
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02-19-2007
The ebb just like the flow
Grab hold of your bootstraps, and pull like hell
until gravity feels sorry for you, and lets you go
As if you lack the proper chemicals to know
the way it felt the last time you let yourself fall this low
wow, this part is my favorite. i agree with bobwronski, this song is quite an epic.
i think it's about the (imminent?) crumbling of a relationship. in the first stanza, he seems to be conveying the emotional distance between two people, even though they're only a chair apart.
i don't know how the verse beginning with "Fifty-five and three-eighths years later" would correspond with that. what exactly does time's a crooked bow mean?
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03-07-2007
theres a theory (actually its almost become a figure of speech) that says that time, because of its linear properties (meaning it changes at a constant rate), can be warped or bent. This is usually used to explain time travel in science fiction novels and such, but can also be used in a far more figurative sense. I've taken this line almost as, "Things tend to come back to bite you later."
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03-07-2007
often (and i know this from experience) artists will often use seemingly random pieces of information pulled from life experiences. lyrics don't have to be (and andrew bird's often aren't) entirely explicit. There's probably something profound and intellectual about this reference, but sometimes, it's better to just interpret it your own way.
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03-18-2007
there's a lot of different symbolism involved there, but here's the one that comes most often to my mind. i think of it as in reference to a bow and arrow, and a crooked bow is one that is taught, pulled, ready to be let go of in order to fire. if time's a crooked bow, perhaps the more time given, the more the bow is bent, and in that, the inevitable becomes even more so until it eventually has to be released and fired.
but the idea of time as a structure that can be bent, rather than a purely linear construction presents its own fascinating possibilities as well.
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03-22-2007
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03-22-2007
http://en.wikipedia.org/wiki/Arrow_of_time
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03-26-2007
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03-26-2007
i totally agree with eisey about the meaning of "time is a crooked bow".
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03-30-2007
The line about waves is actually "waves of a.m. squall." A squall is a sudden wind, so this could be a storm at sea. A squall is also a sort of scream, and waves could be airwaves, so it could also a.m. radio. Hmm.
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04-03-2007
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04-04-2007
they're hanging from a strand
The dark and empty rooms were full
of incandescent hands
exactly. hands of a clock. kind of a foreboding image, in all honesty. rooms that would be completely dark if not for the ticking clocks inside, being the only life to be found in there.
the image leading up to time being a crooked bow.
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04-05-2007
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04-05-2007
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04-13-2007
"armchair something" - eg, an armchair quarterback - refers to someone removed from the actual action. Webster's puts it really well: "remote from direct dealing with problems." There's a lot of passivity/inaction in this song.
"a cosmonaut of the space between our chairs" conjures up not simply the great distance between them, but a cosmonaut is also free of gravity (more on gravity below). Cartographers not only deal with distances, but they deal with them at an analytic/conceptual remove (ie, maps are only representations of what they represent).
No one's mentioned it and it may be obvious, but looms, weaving, and cut strands are classic references to the Greek Fates. Even if the "incandescent hands" are the hands of a clock, they also tie in the to the weaving, which amazes me.
When he talks about pulling yourself up until "gravity...lets you go," it could refer to simply pulling yourself out of an armchair, out of a depression, or, if you link it to the cosmonaut idea, pulling yourself out of yourself and towards someone else. Gravity here could also imply a grave mood, an overseriousness. In this respect, the song reminds me as well of Weather Systems, as mentioned above.
"You didn't write/You didn't call...You didn't feel a thing at all" could be the speaker yelling at himself for not having done anything, for his own "awkward pause/fatal flaw," and then for sitting through an emotional storm (waves, squall) in a state of numbness/inaction. More armchair passivity, and regret.
I love the above thoughts on time as a tensed and dangerous bow (and also the implication of a single shot, a single chance). It's also occurred to me that the mathematical/scientific symbol for infinity resembles a crooked bow, but I don't think the idea of infinity adds much here, unless you want to invoke time just dragging on.
I think that's all for now, except to add that I am greatly amused by the fact of Google ads for actual armchairs appearing to the right of these lyrics.
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04-15-2007
until gravity feels sorry for you, and lets you go"
i love that part. hes saying not to give up and to keep on insisting. and that if you do fall down, just pull your self back up by "your bootstraps." my language arts teacher actually used that expression a week ago :)
this song just overall is amazing
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04-18-2007
SO
i think we all ought to forget our pedestrian theories and move on to a different song. If the meaning comes to somebody, or somebody gets the chance to ask the bird, himself just wtf it means, then i suppose you've got an obligation, but for the rest of us, lets just agree that it's hopeless and enjoy it like modern art: its really really cool without necessarily knowing its a picture of a house.
Quisquilloso: please no more chemistry, don't open the wounds i've so tirelessly healed... however, that was really an amazing reference, Bird definitely likes Salvador Dali, thats fo sho'
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