Know something about this song or lyrics?
Add it to our wiki.
and there was a booming above you
that night, black airplanes flew over the sea
and they were lowing and shifting like
beached whales
shelled snails
as you strained and you squinted to see
the retreat of their hairless and blind cavalry
you froze in your sand shoal
prayed for your poor soul
sky was a bread roll, soaking in a milk-bowl
and when the bread broke, fell in bricks of wet smoke
my sleeping heart woke, and my waking heart spoke
then there was a silence you took to mean something:
mean, run, sing
for alive you will evermore be
and the plague of the greasy black engines a-skulkin'
has gone east
while you're left to explain them to me
released from their hairless and blind cavalry
with your hands in your pockets, stubbily running
to where I'm unfresh, undressed and yawning
well, what is this craziness? this crazy talking?
you caught some small death when you were sleepwalking
it was a dark dream, darlin', it's over
the firebreather is beneath the clover
beneath his breathing there is cold clay, forever
a toothless hound-dog choking on a feather
but I took my fishingpole (fearing your fever)
down to the swimminghole, where there grows bitter herb
that blooms but one day a year by the riverside - I'd bring it here:
apply it gently
to the love you've lent me
while the river was twisting and braiding, the bait bobbed
and the string sobbed, as it cut through the hustling breeze
and I watched how the water was kneading so neatly
gone treacly
nearly slowed to a stop in this heat
- frenzy coiling flush along the muscles beneath
press on me: we are restless things
webs of seaweed are swaddling
you call upon the dusk
of the musk of a squid
shot full of ink, until you sink into your crib
rowing along, among the reeds, among the rushes
I heard your song, before my heart had time to hush it!
smell of a stone fruit being cut and being opened
smell of a low and of a lazy cinder smoking
and when the fire moves away
fire moves away, son
why would you say
I was the last one?
scrape your knee; it is only skin
makes the sound of violins
when you cut my hair, and leave the birds the trimmings
I am the happiest woman among all women
and the shallow
water
stretches as far as I can see
knee-deep, trudging along
a seagull weeps; "so long"
I'm humming a threshing song
until the night is over
hold on!
hold on!
hold your horses back from the fickle dawn
I have got some business out at the edge of town
candy weighing both of my pockets down
'til I can hardly stay afloat, from the weight of them
(and knowing how the common-folk condemn
what it is I do, to you, to keep you warm
being a woman, being a woman)
but always up the mountainside you're clambering
groping blindly, hungry for anything:
picking through your pocket linings - well, what is this?
scrap of sassafras, eh Sisyphus?
I see the blossoms broke and wet after the rain
little sister, he will be back again
I have washed a thousand spiders down the drain
spiders ghosts hang soaked and dangelin'
silently from all the blooming cherry trees
in tiny nooses, safe from everyone
- nothing but a nuisance; gone now, dead and done
be a woman, be a woman!
though we felt the spray of the waves
we decided to stay 'til the tide rose too far
we weren't afraid, 'cause we know what you are
and you know that we know what you are
awful atoll
- o, incalculable indiscreetness and sorrow!
bawl, bellow:
Sibyl sea-cow, all done up in a bow
toddle and roll;
teeth an impalpable bit of leather
while yarrow, heather and hollyhock
awkwardly molt along the shore
are you mine?
my heart?
mine anymore?
stay with me for awhile
that's an awfully real gun
I know life will lay you down
as the lightning has lately done
failing this, failing this,
follow me, my sweetest friend
to see what you anointed in pointing your gun there
lay it down! nice and slow!
there is nowhere to go, save up
up where the light, undiluted, is weaving in a drunk dream
at the sight of my baby, out back:
back on the patio watching the bats bring night in
- while, elsewhere, estuaries of wax-white
wend, endlessly, towards seashores unmapped
last week our picture window produced a half-word
heavy and hollow, hit by a brown bird
we stood and watched her gape like a rattlesnake
and pant and labour over every intake
I said a sort of prayer for some sort of rare grace
then thought I ought to take her to a higher place
said: "dog nor vulture nor cat shall toy with you
and though you die, bird, you will have a fine view"
then in my hot hand
she slumped her sick weight
we tramped through the poison oak
heartbroke and inchoate
the dogs were snapping
so you cuffed their collars
while I climbed the tree-house
then how I hollered!
cause she'd lain, as still as a stone, in my palm, for a lifetime or two
then, saw the treetops, cocked her head and up and flew
(while, back in the world that moves, often
according to the hoarding of these clues
dogs still run roughly around
little tufts of finch-down)
the cities we passed were a flickering wasteland
but his hand in my hand made them hale and harmless
while down in the lowlands the crops are all coming;
we have everything
life is thundering blissful towards death
in a stampede of his fumbling green gentleness
you stopped by, I was all alive
in my doorway, we shucked and jived
and when you wept, I was gone:
see, I got gone when I got wise
but I can't with certainty say we survived
then down, and down
and down, and down
and down, and deeper
stoke without sound
the blameless flames
you endless sleeper
through fire below, and fire above, and fire within
sleeped through the things that couldn't have been if you hadn't have been
and when the fire moves away
fire moves away, son
why would you say
I was the last one?
all my bones they are gone, gone, gone
take my bones, I don't need none
cold, cold cupboard, Lord, nothing to chew on!
suck all day on a cherry stone
dig a little hole, not three inches round
spit your pit in the hole in the ground
weep upon the spot for the starving of me!
till up grow a fine young cherry tree
well when the bough breaks, what'll you make for me?
a little willow cabin to rest on your knee
what'll I do with a trinket such as this?
think of your woman, who's gone to the west
but I'm starving and freezing in my measly old bed!
then I'll crawl across the salt flats to stroke your sweet head
come across the desert with no shoes on!
I love you truly, or I love no-one
fire
moves
away
fire moves away, son
why would you say
I was the last one?
clear the room! there's a fire, a fire, a fire
get going, and I'm going to be right behind you
and if the love of a woman or two, dear,
couldn't move you to such heights, then all I can do
is do, my darling, right by you
that night, black airplanes flew over the sea
and they were lowing and shifting like
beached whales
shelled snails
as you strained and you squinted to see
the retreat of their hairless and blind cavalry
you froze in your sand shoal
prayed for your poor soul
sky was a bread roll, soaking in a milk-bowl
and when the bread broke, fell in bricks of wet smoke
my sleeping heart woke, and my waking heart spoke
then there was a silence you took to mean something:
mean, run, sing
for alive you will evermore be
and the plague of the greasy black engines a-skulkin'
has gone east
while you're left to explain them to me
released from their hairless and blind cavalry
with your hands in your pockets, stubbily running
to where I'm unfresh, undressed and yawning
well, what is this craziness? this crazy talking?
you caught some small death when you were sleepwalking
it was a dark dream, darlin', it's over
the firebreather is beneath the clover
beneath his breathing there is cold clay, forever
a toothless hound-dog choking on a feather
but I took my fishingpole (fearing your fever)
down to the swimminghole, where there grows bitter herb
that blooms but one day a year by the riverside - I'd bring it here:
apply it gently
to the love you've lent me
while the river was twisting and braiding, the bait bobbed
and the string sobbed, as it cut through the hustling breeze
and I watched how the water was kneading so neatly
gone treacly
nearly slowed to a stop in this heat
- frenzy coiling flush along the muscles beneath
press on me: we are restless things
webs of seaweed are swaddling
you call upon the dusk
of the musk of a squid
shot full of ink, until you sink into your crib
rowing along, among the reeds, among the rushes
I heard your song, before my heart had time to hush it!
smell of a stone fruit being cut and being opened
smell of a low and of a lazy cinder smoking
and when the fire moves away
fire moves away, son
why would you say
I was the last one?
scrape your knee; it is only skin
makes the sound of violins
when you cut my hair, and leave the birds the trimmings
I am the happiest woman among all women
and the shallow
water
stretches as far as I can see
knee-deep, trudging along
a seagull weeps; "so long"
I'm humming a threshing song
until the night is over
hold on!
hold on!
hold your horses back from the fickle dawn
I have got some business out at the edge of town
candy weighing both of my pockets down
'til I can hardly stay afloat, from the weight of them
(and knowing how the common-folk condemn
what it is I do, to you, to keep you warm
being a woman, being a woman)
but always up the mountainside you're clambering
groping blindly, hungry for anything:
picking through your pocket linings - well, what is this?
scrap of sassafras, eh Sisyphus?
I see the blossoms broke and wet after the rain
little sister, he will be back again
I have washed a thousand spiders down the drain
spiders ghosts hang soaked and dangelin'
silently from all the blooming cherry trees
in tiny nooses, safe from everyone
- nothing but a nuisance; gone now, dead and done
be a woman, be a woman!
though we felt the spray of the waves
we decided to stay 'til the tide rose too far
we weren't afraid, 'cause we know what you are
and you know that we know what you are
awful atoll
- o, incalculable indiscreetness and sorrow!
bawl, bellow:
Sibyl sea-cow, all done up in a bow
toddle and roll;
teeth an impalpable bit of leather
while yarrow, heather and hollyhock
awkwardly molt along the shore
are you mine?
my heart?
mine anymore?
stay with me for awhile
that's an awfully real gun
I know life will lay you down
as the lightning has lately done
failing this, failing this,
follow me, my sweetest friend
to see what you anointed in pointing your gun there
lay it down! nice and slow!
there is nowhere to go, save up
up where the light, undiluted, is weaving in a drunk dream
at the sight of my baby, out back:
back on the patio watching the bats bring night in
- while, elsewhere, estuaries of wax-white
wend, endlessly, towards seashores unmapped
last week our picture window produced a half-word
heavy and hollow, hit by a brown bird
we stood and watched her gape like a rattlesnake
and pant and labour over every intake
I said a sort of prayer for some sort of rare grace
then thought I ought to take her to a higher place
said: "dog nor vulture nor cat shall toy with you
and though you die, bird, you will have a fine view"
then in my hot hand
she slumped her sick weight
we tramped through the poison oak
heartbroke and inchoate
the dogs were snapping
so you cuffed their collars
while I climbed the tree-house
then how I hollered!
cause she'd lain, as still as a stone, in my palm, for a lifetime or two
then, saw the treetops, cocked her head and up and flew
(while, back in the world that moves, often
according to the hoarding of these clues
dogs still run roughly around
little tufts of finch-down)
the cities we passed were a flickering wasteland
but his hand in my hand made them hale and harmless
while down in the lowlands the crops are all coming;
we have everything
life is thundering blissful towards death
in a stampede of his fumbling green gentleness
you stopped by, I was all alive
in my doorway, we shucked and jived
and when you wept, I was gone:
see, I got gone when I got wise
but I can't with certainty say we survived
then down, and down
and down, and down
and down, and deeper
stoke without sound
the blameless flames
you endless sleeper
through fire below, and fire above, and fire within
sleeped through the things that couldn't have been if you hadn't have been
and when the fire moves away
fire moves away, son
why would you say
I was the last one?
all my bones they are gone, gone, gone
take my bones, I don't need none
cold, cold cupboard, Lord, nothing to chew on!
suck all day on a cherry stone
dig a little hole, not three inches round
spit your pit in the hole in the ground
weep upon the spot for the starving of me!
till up grow a fine young cherry tree
well when the bough breaks, what'll you make for me?
a little willow cabin to rest on your knee
what'll I do with a trinket such as this?
think of your woman, who's gone to the west
but I'm starving and freezing in my measly old bed!
then I'll crawl across the salt flats to stroke your sweet head
come across the desert with no shoes on!
I love you truly, or I love no-one
fire
moves
away
fire moves away, son
why would you say
I was the last one?
clear the room! there's a fire, a fire, a fire
get going, and I'm going to be right behind you
and if the love of a woman or two, dear,
couldn't move you to such heights, then all I can do
is do, my darling, right by you
Lyrics submitted by do i run rare?
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
another clue, for me, is the fact he supplies "vocal harmonies" in this song - just as emily newsom does in the song that talks of her.
Dante's divine comedy?
At the moment I am studying 'A Farewell to Arms' at school and I really can't help but see so many relations between the two pieces. There are so many consistent themes: death and mortality...the self caring for the other...reality and escaping from chaos...expected role of women...I wonder if Joanna got any inspiration from the book?
Particularly i see themes involving the character Catherine being emulated in 'Only Skin'. The thing that always sprung out at me was the death of the bird in the treehouse was symbolic of Catherine's relationship with her ex-fiance who was literally shredded to pieces. In 'Only Skin', the bird (symbolising the beginnings of their small love, her young lover) who was ripped to pieces(the end of the relationship) by the dogs, (representing the chaos and savagery of war)...i dont know. if anyone else got this message please tell me! amazing song
I can't get over the way she ends it.
Man: all my bones they are gone, gone, gone
Woman: take my bones, I don't need none
>I think this part shows how dedicated the woman is to her lover, its like her saying she will do anything for him.
Man: what'll I do with a trinket such as this?
Woman: think of your woman, who's gone to the west
>I think the man is wondering what he will do with the "little willow cabin to rest on your knees" and the woman made it for the man so he can have something to remember her.
Man: but I'm starving and freezing in my measly old bed!
Woman: then I'll crawl across the salt flats to stroke your sweet head
>Basically she will take care of him even in sickness
Man: come across the desert with no shoes on!
Woman: I love you truly, or I love no-one
This is the man asking the woman to prove her love for him and her response is her way of saying she will prove because she loves him truly or she loves no one else
And this part reads to me very much like talking down someone from a suicide attempt:
"stay with me for awhile
that's an awfully real gun
I know life will lay you down
as the lightning has lately done"
--reads to me as "That gun is real, some things can't be taken back. You'll die anyway eventually, why does it have to be now?"
"failing this, failing this,
follow me, my sweetest friend
to see what you anointed in pointing your gun there"
--an acknowledgement that the stakes in this interaction have suddenly risen, that suddenly this must be taken very seriously.
lay it down! nice and slow!
there is nowhere to go, save up"
-- and the usual exhortation that things will get better from here - followed by the story of the bird, which is an appropriate parable for the ears of a suicidal man: see, this creature fell to the brink of death, then rose up with new life in it. Not even 'don't give up' but 'I know you've given up, but it's not too late, you can still come back from the brink.'
Which connects to the "follow me.... to see what you've anointed in pointing your gun there." in that the line seems to connote a change of perspective on her part.
In the play, Olivia challenges Viola to prove his love, much like the low-voiced speaker in "Only Skin" is does, and Viola responds saying: "Make me a willow cabin at your gate"
Which is very similar to how the high-voiced speaker replies:
"Well when the bough breaks, what'll you make for me?
A little willow cabin to rest on your knee"
I adore this song and the entire album. I know it's been said a thousand times how good Ys is, but you know, when something is that good, it's okay to repeat!