This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Goldenrod and the 4H stone
The things I brought you
When I found out you had cancer of the bone
Your father cried on the telephone
And he drove his car into the navy yard
Just to prove that he was sorry
In the morning, through the window shade
When the light pressed up against your shoulder blade
I could see what you were reading
All the glory that the Lord has made
And the complications you could do without
When I kissed you on the mouth
Tuesday night at the Bible study
We lift our hands and pray over your body
But nothing ever happens
I remember at Michael's house
In the living room when you kissed my neck
And I almost touched your blouse
In the morning at the top of the stairs
When your father found out what we did that night
And you told me you were scared
All the glory when you ran outside
With your shirt tucked in and your shoes untied
And you told me not to follow you
Sunday night when I cleaned the house
I find the card where you wrote it out
With the pictures of you mother
On the floor at the great divide
With my shirt tucked in and my shoes untied
I am crying in the bathroom
In the morning when you finally go
And the nurse runs in with her head hung low
And the cardinal hits the window
In the morning in the winter shade
On the 1st of March on the holiday
I thought I saw you breathing
All the glory that the Lord has made
And the complications when I see His face
In the morning in the window
All the glory when he took our place
But he took my shoulders and he shook my face
And he takes and he takes and he takes
The things I brought you
When I found out you had cancer of the bone
Your father cried on the telephone
And he drove his car into the navy yard
Just to prove that he was sorry
In the morning, through the window shade
When the light pressed up against your shoulder blade
I could see what you were reading
All the glory that the Lord has made
And the complications you could do without
When I kissed you on the mouth
Tuesday night at the Bible study
We lift our hands and pray over your body
But nothing ever happens
I remember at Michael's house
In the living room when you kissed my neck
And I almost touched your blouse
In the morning at the top of the stairs
When your father found out what we did that night
And you told me you were scared
All the glory when you ran outside
With your shirt tucked in and your shoes untied
And you told me not to follow you
Sunday night when I cleaned the house
I find the card where you wrote it out
With the pictures of you mother
On the floor at the great divide
With my shirt tucked in and my shoes untied
I am crying in the bathroom
In the morning when you finally go
And the nurse runs in with her head hung low
And the cardinal hits the window
In the morning in the winter shade
On the 1st of March on the holiday
I thought I saw you breathing
All the glory that the Lord has made
And the complications when I see His face
In the morning in the window
All the glory when he took our place
But he took my shoulders and he shook my face
And he takes and he takes and he takes
Lyrics submitted by downhillracer, edited by Stockholm
Casimir Pulaski Day Lyrics as written by Sufjan Stevens
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
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I Can't Go To Sleep
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Sufjan stevens is often criticized for writing "Christian" music, but here is a good example of why that isn't so... this song is about the loss of a friend but also, more importantly, how God can seem not to care about those who pray to him. Sufjan may well be a Christian but this is not christian music, which has at its core the desire to praise God; just music about how he feels... in other words, "music". I love that last line. I guarantee you will never hear that on an Amy Grant record.
thats the greatest thing about Sufjan, he's not romanticizing Christianity! its amazing, he has struggles just like any other man, and he wrestles with the circumstances god puts in his life, but instead of hate God, he writes his feelings and struggles out to better understnad the purpose of it all. he's a genious!! beautiful!!!!
Sufjan talked a bit in an interview about why his songs waver between offering Christian messages and humanist woes. <br /> <br /> Sufjan: <br /> <br /> "On an aesthetic level, faith and art are a dangerous match. Today, they can quickly lead to devotional artifice or didactic crap." <br /> <br /> "It’s not so much that faith influences us as it lives in us. In every circumstance (giving a speech or tying my shoes), I am living and moving and being. This absolves me from ever making the embarrassing effort to gratify God (and the church) by imposing religious content on anything I do."<br /> <br /> "As for your question of faith (which I think has nothing to do with Dan’s statement): on a certain level you cannot separate art from faith, because it is our persuasions which drive us to create."<br /> <br /> "Whether you are religious about politics or fashion (or saving the whales), you are still motivated by your convictions to participate in art. But I don’t think that means faith should necessarily prescribe art. In fact, this is a dangerous assumption, which often leads to music that is pedagogical, or a novel that is moralistic. As for our intentions, well, that’s all bunk. We may intend our music for one person or another, but who’s to say? I can’t decide who reads my novel or buys my record. Look what that did for Jonathon Franzen, who snubbed Oprah for liking his book. It’s an arrogant, imperialist motive to try to determine who will receive you and who won’t."<br /> <br /> adequacy.net/2006/09/interview-with-sufjan-stevens/
To wredfearn: I've been waiting for years to hear those words from another Christian. Thanks so much for posting that link!
Less like Hillsong and more like Job. Brilliant
Guess you've never heard "Better than a Hallelujah". Jerk. Do some research before you make such pompous statements.
No they clearly haven't heard the song "Seven Swans" <br /> <br /> He said, "I am Lord, I am Lord, I am Lord"<br /> He said, "I am Lord, I am Lord, I am Lord"<br /> <br /> He will take you<br /> If you run<br /> He will chase you<br /> He will take you<br /> If you run<br /> He will chase you<br /> Because he is the Lord
I think it's a deeply Christian song. There's nothing un-Christian about being angry at God, and feeling frustrated at God. <br /> <br /> I performed this song at church. It's a great Good Friday song.