This is one of my favorite songs. https://fnfgo.io
you turned to me and asked me if i'd always be your boy
as we drove across the river into western illinois
and on the railroad bridge, half a mile of solid steel
wheels were spitting out sparks, scraping at the rails
wind in your hair all right sunset spilling through the rear window
your white t-shirt hugging your shoulders, beaded with sweat
on the day that i become so forgetful that all of this melts away
i will burn all the calanders that counted the years down to such a worthless day
as we walked across the parking lot toward the motel office
we were walking with a benediction on us
light was everywhere, the building stood against the sky
like a monument to desperation 2 floors high
a mile and a half from the river we went back to the car to get our overnight bags sunset spilling through your earrings, all over your body
when we shut the motel door behind us, we knew we'd hit the motherlode
on the day that i forget you, i hope my heart explodes
as we drove across the river into western illinois
and on the railroad bridge, half a mile of solid steel
wheels were spitting out sparks, scraping at the rails
wind in your hair all right sunset spilling through the rear window
your white t-shirt hugging your shoulders, beaded with sweat
on the day that i become so forgetful that all of this melts away
i will burn all the calanders that counted the years down to such a worthless day
as we walked across the parking lot toward the motel office
we were walking with a benediction on us
light was everywhere, the building stood against the sky
like a monument to desperation 2 floors high
a mile and a half from the river we went back to the car to get our overnight bags sunset spilling through your earrings, all over your body
when we shut the motel door behind us, we knew we'd hit the motherlode
on the day that i forget you, i hope my heart explodes
Lyrics submitted by sailforsingapore
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Mental Istid
Ebba Grön
Ebba Grön
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
He wrote this song for his wife.
This song for me perfectly captures the way you feel about a first love when you're no longer with them, but you cherish the memories you have.
"On the day that I forget you, I hope my heart explodes"
That, and the similar sentiment from the end of the first verse, are (I would argue) appropriated from/references to Psalm 137: "If I forget you, O Jerusalem, let my right hand forget her cunning. Let my tongue cling to the roof of my mouth if I do not remember you."
Name me one songwriter who can use the bible like John Darnielle. God damn, that's a good line.
it simply oozes emotion
The images that this produces in my mind, the car against the rail, the gorgeous parking lot, it just is so vivid in my mind.
on the day that i forget you, i hope my heart explodes - true that.
He wrote this song for his wife.
I love that this song is about this moment of intense happiness, and yet the narrator is already resigned to the the fact that he will probably forget that moment.
"There are two people in this song — or three, if you count the highway, which I generally do. They look a lot like me and the woman who would later become my wife, driving from Chicago to northern Iowa on a summer day. Only I don't think that ever happened. I know we never had any '50s road movie conversations like the one that opens the song. We weren't, at the point in time when this song would have had to've taken place for it to be true, using overnight bags. We had suitcases. And there wasn't enough backstory between us for buildings to appear as "monument[s] of desperation."
But the picture I get in my head, or got in my head when I was writing it in a Grinnell apartment circa 1996, was of my girlfriend and I heading a little ways west and digging in for a long life together. I think it's almost a symbolic scene for me in that way. On one tour we opened the set with it quite a few times, and I enjoyed it more and more each night. The characters in this song aren't keeping secrets from you; anything they don't tell you just isn't any of your business. "
This song is the defining moment of the album, "Full Force Galesburg." All the other songs turn around the moment enshrined in this one. Or so Darnielle sees it:
from cool quote #2 (themountaingoats.net/music/galesburg.html):
All that was left later was the vision of the two of us crossing the parking lot toward the blazing room off the interstate half an hour past Iowa over on the other side of the Mississippi. These songs are about what made that moment either possible or inevitable, depending on how you look at it.