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Inmates Lyrics
When you said you loved me, did you really love me?
Or did the words just spill out like drool on my pillow? Because I was naked when you said those words But I felt covered in your whispered worship And as you passed out fast on my shoulder I imagined a child Waiting so sad and still for his mom to arrive Did she leave you an orphan In that big brown leather chair? Said, “ Don’t you move a muscle, kid I’ll be back in twenty years” You were scared, you were lonely But you must’ve been aware Life is a series of callouses, this is just another layer So build them up, tough it out, yeah, that’s your skin Don’t let anyone under there When you said you needed me, did you really need me? Or was it just someone? Oh, you’d take anything Am I first on that list of yours, or am I second, or third? So who’s that ahead of me, some harlot from Pittsburgh? Or Detroit, Santa Fe, or San Diego? I know you’re so alone But how much affection does one guy really need? Did you date a lot in high school? Were you always chasing girls? Couldn’t you find some young valentine To steal your heart for good? Were you content, or contemptible? Are your memories pleasant? Or is it a string of endless flings of bitter resentment? Seems that what you want and what you need doesn’t mean a thing We’re just here for the taking When you said you’d hurt me, did you think you hurt me? Are you really that cocky? Oh, what a heartbreaker! Well, I’ve got my armor, yeah, I’ve been through some battles before And I met your old girlfriend, she said, “Baby, don’t bother” She told me you told her you’d hurt her Funny, how familiar So how much of this relationship was rehearsed? Did you act out as a child? Were you always crying wolf? Attention starved, you tried too hard Just to get someone to look Now you’re the wolf in second-hand clothing I’m the sheep in a pleated skirt It’s an awkward form of payback But if it works for you it works It’s that I recognize your off-white lies Still, I lie beside you, and that’s what really hurts When you said you’d leave me, well, why haven’t you left me? What are we still doing here, so desperate for company? There’s a greyhound on Jackson Street There’s an airport in Council Bluffs Hell, there’s a car in the driveway; fifty ways to get lost But as I hold you and listen to you sleeping I’m starting to wonder if you really believe That you’d ever really leave Would you leave me an orphan In that big brown leather chair? The one you’ve lugged around from town to town For all these years It’s the trophy of your childhood Like a shark’s tooth or gator skin boots But this one holds you prisoner; it holds me prisoner too What we need to set us free is to let go of each other Let go of everything When I said I loved you, it was because I loved you When I said I needed you, well, I really need you Yeah, I guess you hurt me For once you’re a man of your words Well, guess what? I’m leaving I can’t be your prisoner I won’t
Interaction
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03-31-2006
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08-27-2006
"What are we still doing here, so desperate for company?"
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09-07-2006
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11-05-2006
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12-21-2006
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12-23-2006
"Now you’re the wolf in second-hand clothing
I’m the sheep in a pleated skirt
It’s an awkward form of payback
But if it works for you it works
It’s that I recognize your off-white lies
Still, I lie beside you, and that’s what really hurts"
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12-30-2006
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01-05-2007
I’m the sheep in a pleated skirt"- i think that this is referring to the roles in the relationship... shes portraying him to be a wolf in second hand clothing: a dirty pretator ..and herself as a sheep in a pleted skirt: meaning she's an innocent victim
and i thought the vocals were the bassist of the good life, no?
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01-07-2007
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01-23-2007
"Life is a series of callouses, this is just another layer
So, build ’em up, tough it out, yeah that’s your skin
Don’t let anyone under there"
Beautiful.
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03-13-2007
Tim wrote this song from the perspective of his ex-wife, if that helps.
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03-16-2007
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04-18-2007
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04-24-2007
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04-27-2007
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05-22-2007
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06-15-2007
Anyway, this is one of my favourite stand-alone songs of all time. The progression it makes over the nine minutes to the climax is incredible.
'I can't be your prisoner; I won't.'
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08-18-2007
And I love this lyric; "hell, there's a car in the driveway; fifty ways to get lost", so good.
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08-28-2007
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09-23-2007
As far as someone I started seeing after I first heard this song, the line, "Well I've got my armor, yeah I've been through some battles before." Really explains how my relationship with the aforementioned ex affects the relationship I had with the man mentioned second.
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04-12-2008
This song is too beautiful -- her voice sounds so sad.
"I recognize your off-white lies."
Genius.
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06-02-2008
It’s that I recognize your off-white lies
Still, I lie beside you, and that’s what really hurts
beautiful. so sad.
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07-23-2008
this is one of the greatest songs he has ever written.
i NEVER listen to half of it and go to the next song on shuffle...i am IN love with this song.
and i love this more than any of his other long, epic songs (i.e. staying alive *cursive*, rest your head *the good life*) because it uses ALL 9 MINUTES to progress the story and puts it ALL out there for interpretation. and it isn't even redundant.
tim kasher.
you are a fucking god.
if you stop writing songs, i might as well just give up on music all together.
what'd be the point?
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05-21-2009
Seems that what you want and what you need get's stuck between
Your lack of good judgment.
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