He reuses the verse melody from the previous album's "Dirty Little Religion", the topics of the verses are all over the place, and he packs too many words into one line (goes to show...) and too few in another (it's pretty hard to find), and rhymes "Henley Regatta" with "Persona non grata", but gets away with it all as only he could.
Hey, my best friend's a butcher, he has sixteen knives
He carries them all over the town
At least he tries oh look it stopped snowing
My best friend's from Poland and oh he has a beard
But they caught him with his case in a public place
That is what we had feared
He severed segments and secretly liked that
He always took the time to speak with me I liked him for that
He severed segments and secretly liked that
He always took the time
He always took the time
C'mon now pussycat
My best friend's a butcher, he has sixteen knives
He carries them all over the town
At least he tries oh look it stopped snowing
And my best friend's from Poland and oh he has a beard
But they caught him with his case in a public place
That is what we had feared
He severed segments and secretly liked that
He always took the time to speak with me I liked him for that
He severed segments and secretly liked that
He was growing on me
He was growing on me
He carries them all over the town
At least he tries oh look it stopped snowing
My best friend's from Poland and oh he has a beard
But they caught him with his case in a public place
That is what we had feared
He severed segments and secretly liked that
He always took the time to speak with me I liked him for that
He severed segments and secretly liked that
He always took the time
He always took the time
C'mon now pussycat
My best friend's a butcher, he has sixteen knives
He carries them all over the town
At least he tries oh look it stopped snowing
And my best friend's from Poland and oh he has a beard
But they caught him with his case in a public place
That is what we had feared
He severed segments and secretly liked that
He always took the time to speak with me I liked him for that
He severed segments and secretly liked that
He was growing on me
He was growing on me
Lyrics submitted by saturnine, edited by happylandfill
Roland Lyrics as written by Daniel Kessler Carlos Dengler
Lyrics © Kobalt Music Publishing Ltd.
Lyrics powered by LyricFind
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The way this song speaks to me🥺🥺when I sing it I feel like I relate
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This song is def a twin to "Unfair" (a song she has been quoted as saying is about falling in love with someone who is already in a relationship) so it is presumably about the same person. Given the references to buying an apartment and not being able to see her love interest "after tonight," it's most likely that she's moving away and she'll "wait a day to break the bad news" (i.e. notifying him that she's leaving once she's already gone).
And, of course, the fact that she sees in him a fellow "idealist" and "dreamer" (terms commonly given to people with the INFP personality on the Myers–Briggs Type Indicator (MBTI)) portends that she'll always be left wondering if they would've been perfect together.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Um, Bobster man - shut the fuck up. This is not a formal debate, we're not in high school or the U.N, so people are allowed to post their thoughts and ideas about what the song means to them and not face your incredibly witty rebuttles. You need to leave your indie rock bunker, get some fresh air, make a friend perhaps - and then get your head out your ass.
This song, no matter what its about (The Slaughterhouse reference does make sense), is a good song and their best aggressive, post-punk moment on the immaculate TOTBL...