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Why do we play these foolish games?
Only consolations
You feed me to the lions
I didn't need at all
And this just feels like spinning plates
I'm living in cloud cuckoo land
And this just feels like spinning plates
My body is floating down the muddy river
Only consolations
You feed me to the lions
I didn't need at all
And this just feels like spinning plates
I'm living in cloud cuckoo land
And this just feels like spinning plates
My body is floating down the muddy river
Lyrics submitted by shut, edited by irondeep, SpyMachine, Trifonas, Jordz600, millert140
Track duration: 03:57
"Like Spinning Plates" as written by Thomas Edward/greenwood Yorke
Lyrics © Warner/Chappell Music, Inc.
Lyrics powered by LyricFind
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It is important to remark that the song itself is composed of 'negative' parts of the song "I Will" and the lyrics were meant to sound 'backwards' as well. Out of the frustration of not achieving a satisfying outcome, the band members played it backwards providing an unexpected but pleasing melody. The parallelism here is that of Duat or egyptian netherworld where the dead have to pass gates guarded by grotesque spirits or in another words which directly alludes to the unsymbolizable aspect of exhaustive process. This is why Yorke sings 'i'm being cut to shreds' and 'feed to the lions'; we cannot help but feel victims of oppressive demands. After passing this stage comes a more spiritual trial with the 'Weighting of the heart', in which Anubis weights human hearts against the weight of a feather in order to pass, therefore having to reach a 'delicate balance' in order to match the weight of a feather. We see that in order to continue that tedious distilling process one is forced by an otherness that can almost make you feel 'like spinning plates' in order to live up the expectations.
At the end of the song he says "my body is floating down the river" which alludes to Lethe or the Greek mythological river of forgetfulness which Yorke connects to the gnostic notion of being stripped from memories of perfection to evade the trauma of the material world. Whether arriving to a hell or being reincarnated into our world, the dead has been 'reborn' in strict sense in the same analogous way of "I will" being reborn into a dark and abyssal "Like spinning plates".
Likewise in Laurent Briet's unpublished music video the spectator is taken to a journey through a panning in a dark abandoned parking like place, resembling the journey in the river to the netherworld which waters are claimed to erase all of your memories if drunk..After a passage of light painting mythological motifs and anthropomorphic shades we finally arrive at the destination in which a materialised version of those shadows is standing. Almost like things emanating from a pure world of ideas we are finally able to witness the sublime negativity of Radiohead's art making process.
It is important to remark that the song itself is composed of 'negative' parts of the song "I Will" and the lyrics were meant to sound 'backwards' as well. Out of the frustration of not achieving a satisfying outcome, the band members played it backwards providing an unexpected but pleasing melody. The parallelism here is that of Duat or egyptian netherworld where the dead have to pass gates guarded by grotesque spirits or in another words which directly alludes to the unsymbolizable aspect of exhaustive process. This is why Yorke sings 'i'm being cut to shreds' and 'feed to the lions'; we cannot help but feel victims of oppressive demands. After passing this stage comes a more spiritual trial with the 'Weighting of the heart', in which Anubis weights human hearts against the weight of a feather in order to pass, therefore having to reach a 'delicate balance' in order to match the weight of a feather. We see that in order to continue that tedious distilling process one is forced by an otherness that can almost make you feel 'like spinning plates' in order to live up the expectations.
At the end of the song he says "my body is floating down the river" which alludes to Lethe or the Greek mythological river of forgetfulness which Yorke connects to the gnostic notion of being stripped from memories of perfection to evade the trauma of the material world. Whether arriving to a hell or being reincarnated into our world, the dead has been 'reborn' in strict sense in the same analogous way of "I will" being reborn into a dark and abyssal "Like spinning plates".
Likewise in Laurent Briet's unpublished music video the spectator is taken to a journey through a panning in a dark abandoned parking like place, resembling the journey in the river to the netherworld which waters are claimed to erase all of your memories if drunk..After a passage of light painting mythological motifs and anthropomorphic shades we finally arrive at the destination in which a materialised version of those shadows is standing. Almost like things emanating from a pure world of ideas we are finally able to witness the sublime negativity of Radiohead's art making process.
I feel like this song touches bases with a political statement and a personal one, both intertwining in meaning.
For me I think of this song when people are being naive and ignorant in a situation
"Whilst you make pretty speeches" there is always the 'pseudo' hero in a situation (leaders of the world) ('supportive' friends)
and there is the person who is being hurt by this facade and in contrast are deeply suffering.
Re: 'spinning plates' : imaging actual spinning plates(those ones clowns or whatever use for tricks) waiting for them to break/stop is an anxiety provoking game and this lends itself to much deeper discussion into the general message of the song!
See the Palestinians