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Red wine and sleeping pills
Help me get back to your arms
Cheap sex and sad films
Help me get where I belong
I think you're crazy, maybe
I think you're crazy, maybe
Stop sending letters
Letters always get burned
It's not like the movies
They fed us on little white lies
I think you're crazy, maybe
I think you're crazy, maybe
I will see you in the next life
Beautiful angel
Pulled apart at birth
Limbless and helpless
I can't even recognize you
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I will see you in the next life
Help me get back to your arms
Cheap sex and sad films
Help me get where I belong
I think you're crazy, maybe
I think you're crazy, maybe
Stop sending letters
Letters always get burned
It's not like the movies
They fed us on little white lies
I think you're crazy, maybe
I think you're crazy, maybe
I will see you in the next life
Beautiful angel
Pulled apart at birth
Limbless and helpless
I can't even recognize you
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I think you're crazy, maybe
I will see you in the next life
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"Red wine and sleeping pills
Help me get back to your arms
Cheap sex and sad films
Help me get where I belong"
^ The man is alone and empty without her company - perhaps an alcoholic and pill-popper to boot.
"Stop sending letters
Letters always get burned
It's not like the movies
They fed us on little white lies"
^ The woman is treating his romantic outreaches with pessimistic denial.
"I will see you in the next life"
^ The man is committing suicide, or at least assuring himself that they may meet after death.
"Beautiful angel
Pulled apart at birth
Limbless and helpless
I can't even recognize you"
^ The man is saddened by his partner's change in character. Perhaps some life event - adolescence maybe ("birth" in this verse) - pushed her into cynicism, hopelessness, and austerity. The man doesn't even know her anymore.
"I think you're crazy, maybe
I think you're crazy, maybe"
^ This one took me the longest to figure out, but I think this interpretation works: The woman is rebuking the man's romanticism, or maybe becoming downright disgusted with this creepy ex-boyfriend that keeps hounding after her. The "maybe" could just be an afterthought of the woman, but I like to think of it as the man admitting the futility of his actions. The way it is sung, the man seems to be replying, "Yes, maybe I AM crazy for pursuing this. Maybe I AM crazy for still wanting you."
Of course, I may be reading too deep into it or even misreading it entirely. This is just what makes the most sense to me.
To me, this song is about realizing that all the things you were taught about life as a child, everything you learned from Disney and TV and movies, was a lie ("it's not like the movies/they fed us on little white lies"). It's about realizing that life is a difficult, sometimes terrible, always complex experience, not the simple, happy fantasy world you were taught. It's about trying to escape from that harsh reality, through alcohol (red wine), (cheap) sex, and (sad) films, but failing, and ultimately deciding you're crazy for trying and giving up (I will see you in the next life...).
That's what this song is about to me. Trying to come to terms with reality, and failing.
Pulled apart at birth
Limbless and helpless
I can't even recognize you
I think you're crazy, maybe"
I simply can't see how this ISN'T about an abortion?
"It's not like the movies"