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Bohemian Rhapsody Lyrics
Is this the real life?
Is this just fantasy? Caught in a landslide No escape from reality Open your eyes Look up to the skies and see I'm just a poor boy I need no sympathy Because I'm easy come, easy go Little high, little low Any way the wind blows Doesn't really matter to me To me Mama, just killed a man Put a gun against his head Pulled my trigger now he's dead Mama, life had just begun But now I've gone and thrown it all away Mama Didn't mean to make you cry If I'm not back again this time tomorrow Carry on, carry on As if nothing really matters Too late, my time has come Sends shivers down my spine Body's aching all the time Goodbye, everybody I've got to go Got to leave you all behind and face the truth Mama I don't want to die I sometimes wish I'd never been born at all I see a little silhouetto of a man Scaramouche, Scaramouche Will you do the Fandango? Thunderbolt and lightning Very, very frightening me (Galileo) Galileo (Galileo) Galileo Galileo, figaro Magnifico I'm just a poor boy and nobody loves me (He's just a poor boy from a poor family Spare him his life from this monstrosity) Easy come, easy go, will you let me go Bismillah! No, we will not let you go (Let him go!) Bismillah! We will not let you go (Let hime go!) Bismillah! We will not let you go (Let me go!) Will not let you go (Let me go!) No, no, no, no, no, no, no Oh, mama mia, mama mia Mama mia, let me go Beelzebub has a devil put aside for me For me For me So you think you can stone me and spit in my eye? So you think you can love me and leave me to die? Oh, baby Can't do this to me, baby Just got to get out Just got to get right out of here Nothing really matters Anyone can see Nothing really matters Nothing really matters to me Any way the wind blows
Interaction
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11-25-2001
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12-14-2001
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01-09-2002
"Scaramouch" according to the dictionary means "a stock character who appears as a boastful coward."
"Beelzebub" is one of the many names given to the Devil (yes, it is spelled this way-not as above).
"Fandango" is a Spanish dance done in triple time.
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01-09-2002
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01-27-2002
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01-28-2002
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02-01-2002
07-29-2009
08-25-2009
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02-03-2002
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02-18-2002
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02-18-2002
08-26-2009
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02-19-2002
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02-28-2002
*Just found this site tonight (by accident) and it's GREAT!
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02-28-2002
i met a copy-cat band the other day and they sang this song. it made me wanna jump up on stage and join in with them!
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04-18-2002
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04-18-2002
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04-18-2002
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04-19-2002
11-08-2008
01-04-2010
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04-23-2002
Okay, let's make it the classic stages of acceptance after a shock. He just killed someone. Duh. It's in the lyrics.
First comes shock. Note the 'is this the real life / is this just fantasy' it opens with and the dreamlike tune it's in.
(from this point on, it's all within his head. All of it.)
Note also the 'I need no sympathy' melodramatic nobleness he takes on in a play to get sympathy.
He comes back to the world, and immediately tries to turn to the childhood source of sympathy, his mother. He tries again to act like a hero, telling her 'nothing really matters' (in his mind, of course. it's all in his mind.)
The chill of what he has just done rips across him, and at the first glimpse of pain he immediately goes into the classic 'I wish I was never born!'-type complete theatrical show, hoping once again for sympathy.
Now comes the weird (albeit exceedingly cool) part.
The trial.
First his 'judges' (representing the severity and harsh reality of the consequences) come forth, half-threatening him with taunts of "scaramouche / scaramouche / will you do the Fandango" (it's defined above)
He crumples, first expressing shock. Then, he twists his earlier defeated hero's claims to say "I'm just a poor boy, nobody loves me" in a direct appeal to reality.
His other side, however, rushes in to try to save him from himself, begging the judges to release him.
He appeals, and is rejected.
His consul appeals several times in turn to allow him to stay in his own dreamlike state of deconnectedness.
The judges continue to strike down his pleas, growing more and more forceful, until he finally realizes that he has lost. First is a generic "well, I lost. I'm going to hell, and I've got a demon with my name on it" first realization.
Then comes the anger phase. He strikes back at the world and himself with guitars in the background (note the playing of a much stronger version of the theme from the opening "mama" part) . He then tries to escape outright, claiming he's "just gotta get out / just gotta get right out of here".
However, after a crecendo, he realizes that he's not about to win anything or survive anything, so he simply resigns. It's very similar to the opening sequence--although instead of a dream, he seems much more lucid in this state. He repeats much of what he's said earlier, only now he either believes it or has no choice but to accept it.
There. I think it's an interpretation of the process gone through after a shock. It's quite obviously wrong, but I can't help but thinking it.
Besides, it's my favorite song. Let me warp it however I want ;)
01-10-2010
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04-23-2002
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04-24-2002
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04-25-2002
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04-25-2002
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04-26-2002
Any way the wind blows. His bisexuality
Killing a man by putting his gun to his head. His "gun" could be his manhood, and pulling the trigger now he's dead.. Could be his"climatic moment" infected someone else. and they died
shivers up and down his spine body aching all the time are his symptoms.
Leaving you all behind to face the truth is his dying and his final judgement.
05-21-2009
08-25-2009
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04-28-2002
As for all you morons who say that shit about AIDS... don't be retarded. AIDS wasn't even KNOWN until 1985. I mean, for chrissakes, that's like saying that a song written in 1950 is about the Internet. And gorgood especially... you offend me with your ham-fisted interpretations of the lyrics into bullshit sexual innuendos.
And Bo. Dude. Learn to speak English. Seriously.
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04-29-2002
12-01-2009
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