Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
Get away from me
This isn't gonna be easy
But I don't need you
Believe me
You got a piece of me
But it's just a little piece of me
And I don't need anyone
And these days I feel like I'm fading away
Like sometimes when I hear myself on the radio
Have you seen me lately?
I was out on the radio starting to change
Somewhere out in America
It's starting to rain
Could you tell me the things you remember about me
And have you seen me lately?
I remember me
And all the little things
That make up a memory
Like she said she loved to watch me sleep
Like she said,
"It's the breathing
It's the breathing in and out and in and..."
Have you seen me lately?
This isn't gonna be easy
But I don't need you
Believe me
You got a piece of me
But it's just a little piece of me
And I don't need anyone
And these days I feel like I'm fading away
Like sometimes when I hear myself on the radio
Have you seen me lately?
I was out on the radio starting to change
Somewhere out in America
It's starting to rain
Could you tell me the things you remember about me
And have you seen me lately?
I remember me
And all the little things
That make up a memory
Like she said she loved to watch me sleep
Like she said,
"It's the breathing
It's the breathing in and out and in and..."
Have you seen me lately?
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Spirit Within
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Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Cajun Girl
Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
I’ve felt that the thing that was supposed to.....supposed to flush me out, to make me feel the least like the ghost-type fella, was actually turning me into a ghost instead. I wanted to disappear everytime I heard myself on the radio. Not that I didn’t like hearing it, but after a while, you’re in a restaurant or in a bar somewhere, and it plays, and everyone looks at you, and it just creeped me out after a while. I felt that I couldn’t get into a place where people weren’t looking at me. I do feel that being a musician is about the life of a song. I think that the public, a lot of the time , have a tendency to color people in, who are famous. Make them their own image. Take what they believe a famous person should be, and what they’re like, and what they have, and how they’re life is, and color it into the person who may have nothing to do with that. That’s what the last verse of that song is about. It’s saying: "Having felt that I was so disappearing, why didn’t somebody tell me this was happening. I thought somebody would notice. I thought somebody would say something if I was disappearing...if I was missing". And then he sort of screams out: "can’t you see me?" And then he says: "OK, well then, color me in. If I’m everything you think I am... go on, color me in. And while you’re at it, make the sky green, make the... what is it...blue rain...make the rain blue, and make the sky black. If you can make me anything you want, go ahead and do that. Make the whole world anything you want. But, Give me your blue rain, give me your black sky...or just give me your green eyes... or your white skin. Something real. " Do you really know who I am? Everyone was saying they did. I’m not sure they did. You’re suddenly...you can become a very semi-private person who has trouble dealing with people, and the next day you belong to everyone. And, all I’m saying is that I’m not sure you get it, really. People come up to and they say "oh...we love you, we love you, can we take a picture with you?" Pictures make me uncomfortable. I can’t tell you why, but they do. And since they do, I probably shouldn’t do them. So, I’d say "I don’t really feel comfortable doing that." They say "ya, well, screw you...we made you." No you didn’t. The truth is, I was always me. I wasn’t nothing before this happened. I may not have been famous, I may not have been wealthy, but I was something. You don’t make somebody. You don’t. And, you can’t take it away either. That’s the thing people don’t realize. I appreciate what they’re saying.... they’re just saying that "we appreciate what you do." But, I couldn’t always take all that appreciation, sometimes. I just need a little space.